SHOT1
Medium shot, handheld camera.Character A — Sergeant Miller, late 30s, dirt-covered face, beard, eyes exhausted but alert. He kneels behind a broken wall, gripping his rifle tightly. Next to him, Character B — Young soldier (18-20), terrified, breathing fast, hands shaking.
Soldier (panicking):
"I can't see them—I can't—"
SHOT2
Close-up on Miller.He grabs the soldier's vest, pulling him closer. His face intense but controlled.
Miller (firm, low):
"Hey. Look at me."The soldier's eyes lock onto his.
"You don't need to see them."
SHOT3
Tight close-up, both in frame.Miller's voice steadies. The chaos fades slightly.
Miller:
"You just need to stay alive."The soldier nods slowly. Breathing steadies.Miller turns back toward the battlefield.
A humorous Pixar-style animated short featuring two anthropomorphic toothbrushes debating in a bright modern bathroom: grumpy old manual toothbrush with worn bristles, tiny arms, and expressive face vs. sleek confident electric toothbrush with glowing LED eyes, vibrating body, and influencer attitude.
Multi-shot sequence:
medium shot of manual toothbrush shaking angrily on the counter, close-up push-in on electric toothbrush proudly vibrating with flashing lights, over-the-shoulder shot during argument, chaotic wide shot as toothpaste flies everywhere, ending in sink with both looking defeated but friendly.
Manual toothbrush complains: "Back in my day we scrubbed with elbow grease! You just sit there buzzing like a lazy phone on vibrate!" E
lectric replies: "Bro, I clean 40,000 times per minute while you're doing cardio. I'm basically a gym membership for teeth!"
Twist: both get dropped in the sink, manual says "Truce?", electric buzzes weakly "Fine… but I still win on TikTok."
Vibrant colors, bouncy physics, exaggerated facial expressions, cartoon sound effects including angry shakes, buzzing vibrations, toothpaste splats, and dramatic whooshes. Dynamic camera: quick cuts, zooms, and playful pans. Soft morning lighting with shiny reflections on tiles. High quality, smooth animation, 15-second duration, funny and relatable tech vs old-school vibe.
SUBJECTS / PEOPLEMale protagonist, in his 30s, cold and tough, short hair, sharp facial features, wearing a well-fitted black suit, black shirt, and black tie. The outfit remains consistent throughout the entire video. His movements are steady, precise, and highly professional. He has extremely strong body control, with short and steady steps. In close combat, his movements are like a highly trained tactical fighter: turning, gun-suppression, elbow strikes, deflecting force, and repositioning—all executed smoothly in one breath. The enemies are a group of adult male thugs, wearing a mix of dark street clothes or suits, with clear primary and secondary roles. They are responsible for rushing out from all sides and approaching in turns, without stealing the visual focus from the protagonist. The male lead is always the center of the frame, and all actions revolve around him. His performance exudes a calm, ruthless aura with no wasted movements.
OBJECTSA black tactical pistol. It is always the same gun—no morphing, no disappearing, and no second gun ever appears. Enemies can approach with melee weapons or bare-handed, but there should be no exaggerated weapon stacking and no heavy firearms. Knocked-down enemies can gradually appear on the ground, but the change in numbers must be logical; all fallen individuals come from the same group that rushed out earlier. The male lead's gun is always clearly visible. During close combat, the gun remains in his hand or pressed near his body line; it should never suddenly disappear. No extra weapons, no duplicate hero, no duplicated enemies, same pistol throughout the full shot sequence.
ENVIRONMENTAn indoor hall at night or an underground club corridor. The space is wide but oppressive, with a black and gold color palette. The floor is slightly reflective. The background features pillars, dark walls, localized warm lights, and cold rim lighting. The foreground of the scene leaves room for the protagonist's actions, the midground shows constantly approaching enemies, and the background reveals more silhouettes rushing out from the shadows. Lighting shines down from above and from the side/rear, creating strong contrasting silhouettes, ensuring the male lead's suit, pistol, and body turns are clearly visible. Environmental elements remain consistent throughout the video. Do not cut to unrelated spaces, and do not suddenly change to a street or rooftop.
MOODHigh-pressure, cold-blooded, explosive. It is not an out-of-control brawl, but a precise, slaughterhouse-style suppression. The pacing gets increasingly fierce, but remains legible at all times. Emotionally, it must deliver the oppressive thrill of "facing a multi-person siege alone, yet completely controlling the situation."
CAMERA LANGUAGEThird-person cinematic camera, mainly using medium-close shots and tight wide shots, interspersed with a few close-ups to emphasize the moment of takedowns. The camera overall uses a stabilizer follow-shot + a slight handheld impact feel. Cut as little as possible, prioritizing continuous panning, pushing forward, and orbital tracking shots to reinforce the illusion of a one-take. The camera always revolves around the male lead. It never loses track of the main gun, never loses the protagonist's body orientation, and never lets enemies completely block the frame. Every takedown action must be clearly seen: who rushes up, how the male lead makes contact, how he switches fire, how the enemy falls, and where the camera finally rests.
CONSISTENCY RULESThe male lead's clothing, hairstyle, and body shape remain unchanged throughout. There is always only the same male lead; no stunt double faces, no duplicate protagonists. There is always only the same black pistol. The enemies come from the same group that rushed out; the decreasing number is logical, and they do not suddenly respawn. Every takedown must clearly show the contact, counterattack, and the resulting fall. No chaotic blind firing, no floating movements, no supernatural abilities. The male lead consistently maintains a professional, calm, and precise rhythm. The ending must be a final display shot of the male lead standing steadily, surrounded by fallen enemies, with his gun muzzle pointing down or resting at his side.
TIMELINE0:00–0:02A tight medium shot starts from behind the male lead's side, and the camera slowly pushes forward. The male lead stands in the center of the hall, slightly turned, shoulder line tense, holding the same black pistol, his gaze locked on the shadows ahead. In the background, several enemies suddenly rush out from both sides and directly in front, their footsteps syncing with heavy drumbeats. The camera stops at a position where both the male lead's half-profile and the incoming crowd ahead are clearly visible simultaneously; the crisis has formed.
0:02–0:05The camera quickly pushes in to a medium-close shot. The first enemy lunges forward into close-combat distance. The male lead side-steps to dodge the trajectory, raises his hand to press down on the enemy's shoulder/neck, uses the pistol to maintain close-line control, and executes a clean, sharp close-range counterattack. The first person immediately loses balance and smashes into the ground. At almost the same rhythm, the male lead uses the momentum to turn around. A second enemy rushes in from the side; he uses an elbow strike and the gun body to create space, then follows up with an extremely short finishing move, flipping the second person right at his feet. The camera follows the male lead's turn with a slight pan, finally resting on a state where two enemies are already down, and a third is about to enter the frame.
0:05–0:08The camera slightly orbits to the male lead's front, maintaining a medium shot so his full body actions are legible. The third and fourth enemies approach one after the other. The male lead first steps forward, uses a close-quarters block to interrupt the former's action, then immediately switches fire to handle the latter. The movements are like a compressed spring instantly releasing—clean, fast, with no extra swaying. The former staggers back after being interrupted, while the latter is directly taken down. The male lead immediately turns back to deliver the final suppression on the former, completing a continuous double kill. The camera stabilizes as the male lead returns to a neutral posture, clearly showing multiple people already fallen around him.
0:08–0:11The camera slightly pulls back to a wider medium shot, showing the spatial relationship. The remaining several enemies close in simultaneously from both the left and right flanks. The male lead does not retreat; instead, he cuts into the most concentrated side, using extremely short footwork to continuously shift positions, pulling the enemies one by one into his close-combat rhythm. He first controls the closest person to use as a brief shield, then quickly spins out from the edge of that shield to take down two people in succession. The last one tries to lunge at him from behind but is precisely intercepted by the male lead turning around and slammed into the ground. The camera makes a clean arc movement as he cuts in and turns back, ending at the moment the male lead stands back in the center, with the last still-moving enemy staggering backward.
0:11–0:13A quick push-in to a close shot, focusing on the final confrontation. The last enemy roars and charges head-on. The male lead's eyes are calm, his body sinks slightly, and he waits for the opponent to enter range before instantly striking, taking him down with the sharpest set of close-quarters gun-fu. This action must be fully visible: contact, control, counterattack, and falling down, all in one smooth motion. The camera shakes slightly when the enemy hits the ground heavily, then quickly stabilizes, clearly showing the male lead still standing.
0:13–0:15The camera slowly pulls back to a heroic medium-wide shot. The male lead stands in the center of the fallen crowd, breathing steadily, his suit still immaculate, holding the same black pistol, the muzzle naturally pointing down or resting at his side. All surrounding enemies have fallen and cannot get up. The background lights and dust float slightly as the drumbeat hits its final note. The final shot freezes on the moment the male lead coldly raises his eyes to look at the camera, forming a strong, clean, and memorable final frame.
Shot 1: Low wide tracking shot from behind the red-cloaked group as they walk slowly toward the glowing tree across the white valley floor. The giant face on the right subtly begins turning toward the left, stone creaking, dust shedding from its surface.
Shot 2: Medium close shot on two walkers stopping abruptly, both turning toward each other in shock, pale reflected light on their faces, distant rumble echoing. One whispers, "Did it move?"
Shot 3: Hard cut to a breathtaking aerial crane-up, rising high above the valley into a godlike overhead view. As the camera ascends, the left giant finally answers in a deep ancient voice that rolls across the landscape: "Dreamers… you have returned."
Shot 4: Elegant descending orbit around the central tree. The white horse walks slowly toward the trunk with unnatural calm. As the horse touches the tree, its body dissolves into pale particles and flowing light, vanishing into the bark as if absorbed into memory. The ground ripples outward in soft concentric distortions.
Shot 5: The world begins collapsing into surreal instability. The red-cloaked figures brace themselves as reality peels open around them. Camera whips upward and backward in a dizzying dream-collapse, beautiful not horrific.
Shot 6: Cut to a sleek sci-fi dream research facility. A small group of people sleep in a circular chamber, connected to futuristic interfaces, sharing dream projections of the exact surreal valley. One wall-sized hologram shows the tree and giant faces. The atmosphere is hushed, awestruck, luminous blue-white. Final camera push inward as the group watches the shared dream together, revealing that the entire vision is a collective dream space.
CUT SCENES
CUT 1 (0–2s)
Wide aerial shot ruined cyberpunk city neon lights flickering rain falling camera slowly descending through smoke
CUT 2 (2–4s)
Tracking shot moving through broken street sparks flying wires hanging glowing puddles reflecting neon
CUT 3 (4–6s)
Low angle reveal giant mecha warrior standing still in middle of street glowing red eyes smoke around feet
CUT 4 (6–8s)
Slow push in toward mecha face rain dripping metal surface eyes flicker brighter micro mechanical movements
CUT 5 (8–10s)
Orbit shot around mecha as it lifts a massive energy sword glowing orange lighting environment
CUT 6 (10–12s)
Fast cut enemy drones flying in from sky lasers charging camera shakes slightly
CUT 7 (12–14s)
Mecha swings sword creating bright energy arc sparks explosion mid air dramatic slow motion
CUT 8 (14–15s)
Close up glowing eyes camera push in slight head movement cut to black
FORMAT: 15s / 6 SHOTS / single continuous chase energy / no dialogue
STYLE: Macro jungle floor, towering grass blades, dew drops, damp earth vs neon pink cyber-implants, photorealistic macro cinematic
Shot 01 (0:00-0:02) Dive from the canopy of a giant fern down to a cybernetically enhanced rhinoceros beetle sprinting across a fallen, moss-covered log.
Shot 02 (0:02-0:04) Camera tracks parallel to the beetle's mechanical legs, sweeps under its glowing pink thorax, and snaps to the spinning micro-rotors on its back.
Shot 03 (0:04-0:07) A heavy rain droplet dislodges a pebble from above; the beetle initiates a thruster-assisted sidestep, scraping its metallic horn against a fungal stalk.
Shot 04 (0:07-0:10) The path dives into a dense thicket of thorny briars, spiderwebs, and overlapping leaves; the camera seamlessly navigates the micro-labyrinth.
Shot 05 (0:10-0:13) The beetle bursts from the thicket into a clearing, a splash of muddy dew hitting the lens as its optical sensors flash tactical warnings.
Shot 06 (0:13-0:15) Camera pulls back exponentially, transitioning from the micro scale to reveal an immense, sprawling bioluminescent greenhouse, the beetle lost in the glowing flora.
15-second epic historical-fantasy battle, one continuous flying camera shot. At sunset over a colossal desert battlefield, two massive armies collide across a dusty plain. The camera begins high above the battlefield, racing forward through trails of flaming projectiles in the sky, then dives toward towering siege engines and armored war elephants charging through smoke and dust. Without cutting, the camera skims low past dense shield walls, galloping cavalry, shattered spears, falling banners, and soldiers clashing in hand-to-hand combat. It banks hard across the center of the battlefield, revealing explosions of dust, collapsing wooden towers, and volleys of arrows crossing overhead. The camera then pushes through a breach in the infantry line and rushes toward one central heroic moment: two opposing champions charging at each other through chaos as the sunset burns behind them. Dust, fire, debris, huge army scale, realistic crowd motion, warm golden backlight, cinematic battlefield atmosphere, no cuts, high speed, readable action beats, epic but coherent.
action
battle
fantasy
historical
cinematic
multi-shot
The Precision Heist
Shot 1 (0:00-0:05)The Setup: Intense, cinematic music swells. A professional thief in full tactical gear and a laser-cut mask slides across a polished floor. They reach a high-tech vault door and pull out a sophisticated hacking device.
Shot 2 (0:05-0:10)The Action: The thief's fingers fly across the keypad. Sweat beads on their forehead. We see a "Access Denied" flashing red. They growl, pull out a thermal charge, and prepare for a forced entry. They kick the door with immense force—only for it to creak open inward on its own. It wasn't even locked.
Shot 3 (0:10-0:15) The Twist: The thief enters the "vault" ready for combat, but the camera pans out to reveal they are actually in a brightly lit office breakroom. An intern holding a coffee mug stares at them in dead silence. The thief freezes, slowly reaches into a bowl on the counter, grabs a single packet of sugar, and tactical-rolls back out the door.
SHOT1
Wide shot of the empty street.Two men face each other twenty meters apart.Jack Mercer, tall, weathered face, sunburned skin, worn leather coat and dusty cowboy hat.
Across from him stands Ethan Crowe, younger, clean-shaven, sharp eyes filled with determination.
Jack squints under the bright sun.
Jack (calm, almost tired):
"You're too young to die over someone else's mistake."
SHOT2
Close-up on Ethan Crowe. His jaw tightens. A bead of sweat rolls down his temple.His hand hovers near the grip of his revolver.
Ethan (firm):
"You killed my brother." He takes one slow step forward.
"That wasn't a mistake."
SHOT3
Extreme close-up on Jack Mercer.His eyes soften for a fraction of a second — regret.
The wind lifts his coat slightly.His hand slowly lowers toward his holster.
Jack (quiet):
"…Then draw." Dust swirls between them.
SHOT1
Wide cinematic aerial shot sweeping across a violent volcanic landscape.
Rivers of glowing lava snake between jagged obsidian cliffs. Ash clouds swirl through the red sky as molten rock erupts from distant craters.A futuristic armored rover races across the cracked terrain, its wheels throwing sparks as it hits sharp volcanic rock.
Heat distortion warps the air behind the vehicle while flaming debris rains down from the sky.
SHOT2
Side tracking shot at high speed, camera flying alongside the rover as it navigates a narrow lava canyon.Massive chunks of volcanic rock collapse from the cliff walls above.
The rover swerves violently to avoid falling debris while lava splashes dangerously close to its wheels.Bright orange reflections dance across the metallic hull as the vehicle accelerates toward a collapsing bridge of cooled lava.
SHOT3
Slow-motion wide shot, the rover launches off the edge of a crumbling lava ridge.Molten lava glows beneath the airborne vehicle.
Chunks of rock tumble downward as the rover spins slightly mid-air, silhouetted against a massive eruption in the background.The camera rotates slowly under the vehicle as sparks and ash drift through the frame.
Cinematic cyberpunk dialogue scene, multishot sequence, 35mm film grain, shallow depth of field, rain-slicked industrial walkway, cyan-teal and warm amber neon atmosphere throughout.SHOT 1 — HOLD ON ESTABLISH: A young woman with black hair and red lips in a black crop top and chain-belt plaid skirt stands close to a tall man in a dark coat on a wet industrial walkway, neon haze and bokeh behind them. She turns her chin slightly upward toward him and speaks: "They flagged your neural ID three blocks back. You've been burning a ghost signal this whole time." Camera holds static. Rain mist drifts through frame. No cut until she finishes speaking.SHOT 2 — SLOW PUSH IN ON HIM: Cut to slow cinematic push-in toward the man's face from a slight low angle, rain-blurred neon bokeh behind him. He exhales slowly, jaw tightening, then speaks: "Ghost signal was for you. Didn't want the Syndicate knowing I was coming to find you." His eyes drop to meet hers. Camera settles close on his face.SHOT 3 — WIDE PULL AS SHE MOVES: Cut to wide two-shot as she breaks eye contact and steps forward along the railing, back partly to him, chain belt catching neon light. She speaks over her shoulder: "The Syndicate already knows. They sent me." She stops walking. Camera holds wide. Rain falls softly.SHOT 4 — TIGHT INTERCUT: Cut to tight close-up on her face as she slowly turns back — red lips, dark eyes unreadable, a faint almost-smile. Two beats of silence. Cut to tight close-up on his face, something unguarded crossing his expression for just a moment. He says quietly: "I told myself this was just a job. I stopped believing that when I met you ." Intercut between both faces, slow and deliberate. Her expression softens almost imperceptibly.SHOT 5 — FINAL WIDE FADE: Cut to wide shot from the far end of the walkway, both figures small against a towering brutalist cyberpunk cityscape, distant neon glowing blue and amber. She takes one slow step toward him. Camera completely still. He asks quietly: "You still working for them?" Hold on her face — she says nothing. Three beats of silence. Rain continues to fall.
Single hypercar traveling left-to-right throughout. All cameras positioned on the south pipe manifold row facing north or at the far end facing west. Car never reverses screen direction.
Shot 1. Exhaust-height static from the corridor floor at the entrance, camera facing east. Hypercar enters frame from the left at full throttle traveling left-to-right, pipe arrays flanking the corridor on both sides rising four stories, overhead pipe runs forming a fixed broken ceiling of industrial steel stretching ahead. Heat shimmer distorting the air ahead of the car, exhaust note resonating through the hollow pipe infrastructure in deep harmonic frequencies. Shot on 70mm, deep shadow with single hard industrial overhead light, desaturated to steel grey and rust orange, grain heavy in the shadow regions between pipe arrays.
Shot 2. Static mount on the south pipe manifold at door height, camera facing north. Car enters from the left, hammers past traveling right, bodywork inches from the north manifold, exhaust heat compounding with ambient cooling system shimmer behind it. Shockwave rattling pipe brackets and valve housings on the south wall above and below simultaneously. Hard single light source overhead casting absolute shadow under every pipe and bracket, rust orange detail catching the light against the steel grey of the pipe casings.
Shot 3. Wide static from the corridor end, camera facing west back down the full pipe straight. Car approaches from the left at full speed, heat shimmer distorting the image between camera and car, pipe arrays converging to a vanishing point behind it. Car commits to hard braking at the corridor end, front end diving, brake heat adding to the ambient shimmer. Multiple overlapping heat distortion fields merging above the roofline, 70mm grain amplifying the shimmer into a continuous atmospheric distortion across the full frame.
cinematic
multi-shot
car
industrial
corridor
action
hypercar
Shot 1(8 seconds) a Powerful female character. Cinematic wide shot, soaring above a dramatic, swirling sea of golden hour clouds as warm orange sunlight catches the mist. Wind whips her hair and clothing with high physical realism. From all directions, sleek futuristic mechanical armor pieces—chest plate, shoulder guards, gauntlets, leg armor, and a glowing helmet—fly in at high speed, trailing vibrant light streaks and cyan engine exhaust. Each piece magnetically snaps and locks onto her body one by one with satisfying mechanical precision and visible inertia, reflecting the golden sunlight off chrome and matte carbon fiber surfaces. The camera orbits her dynamically as the assembly completes, ending in a tight close-up as a digital visor slides shut over her face, eyes glowing with blue energy as she charges up, unleashing a shockwave of light that displaces the surrounding clouds. High-fidelity textures, micro-scratches on metal, realistic motion blur, and cinematic lens halation.
Shot 2(4 seconds) Continuing the flight, the character accelerates through the clouds, her new futuristic suit glowing with internal power. The camera maintains a low-angle heroic perspective, capturing the intricate contact shadows between the armor plates. Particles of ice and dust trail behind her as she breaks the sound barrier, the sky shifting from gold to a deep twilight purple. Realistic physics of the wind resistance against the suit's hard surfaces is evident. Final shot of her hand reaching toward the sun as energy ripples across the gauntlet.
SHOT1
Wide battlefield shot, thousands of armored soldiers stand in formation as morning mist rolls across the valley.
SHOT2
Close tracking shot, a knight lowers his visor while gripping a massive sword.
SHOT3
Epic cavalry charge, horses thunder forward as banners whip violently in the wind.
SHOT1
Wide jungle shot, an explorer bursts out of a collapsing stone temple as dust and vines fall around the entrance
SHOT2
Tracking run shot, giant stone blocks crash behind him as he sprints down ancient stairs.
SHOT3
Epic wide shot, the temple collapses entirely as he dives into the jungle river below.
SHOT1
Wide moonlit shot, ruined gothic cathedral surrounded by fog and twisted trees.
SHOT2
Slow push-in, glowing symbols begin to appear across the cracked stone floor.
SHOT3
Sudden burst of light, a supernatural figure rises from the center of the ruins as wind whips the fog outward.
A hyper-realistic cinematic multi-shot sequence of a cold professional assassin entering a luxury apartment room and carrying out a silent execution at night. The sequence feels tense, elegant, and controlled, with refined neo-noir atmosphere, grounded pacing, and realistic cinematic language. The fatal impact is never shown directly; instead, the violence is implied through reaction, framing, sound, and aftermath.
Shot 1: 00:00 - 00:03 Short rear tracking shot as the assassin takes the last few calm steps down a dimly lit corridor toward a closed door, wearing a dark tailored suit and black gloves, silenced pistol held low in one hand, polished floor reflecting soft city light.
Shot 2: 00:03 - 00:06 Close side shot as he quietly turns the handle, opens the door, and steps into a softly lit luxury room, revealing a seated man deeper inside near a desk or lounge chair.
Shot 3: 00:06 - 00:09 Medium close shot of the seated man turning toward the doorway, caught off guard, his expression shifting from confusion to fear as he reacts with a short line of dialogue: “Wait... what is this?”
Shot 4: 00:09 - 00:12 Frontal medium shot of the assassin from a slightly lower angle as he raises the silenced pistol and aims downward at the seated man, clearly towering over him. The composition emphasizes his cold authority while the victim remains lower in frame, looking up in fear.
Shot 5: 00:12 - 00:15 At the exact moment of the muted suppressed shot, the image cuts away to a nearby polished luxury surface, such as a wooden cabinet or marble sideboard, where blood suddenly splashes sharply across it, followed by immediate cold silence.
Hyper realistic, cinematic thriller, refined neo-noir, grounded suspense, implied violence, realistic lighting, elegant camera language, luxury interior, strong tension, restrained atmosphere, premium film look, high detail.
Shot 1 Ground level static from the deck surface looking down the straight. Motorcycle launches down the flight deck at full throttle, single headlight blazing, deck markings and arrestor wire grooves blurring into continuous lines beneath the wheels. Island superstructure wall rushing past on the right, deck edge safety barriers on the left, wind blast from the open ocean hitting the rider broadside. Deck surface detail razor sharp in the foreground, bike shrinking to a point at the far end of the straight in seconds.
Shot 2 Static mount on the island superstructure wall at handlebar height. Bike tears past at speed, rider tucked completely flat, helmet visor reflecting the deck lighting in a continuous smear. Wind roar from the open deck compressing against the superstructure wall, exhaust note torn apart by the crosswind. Deck markings strobing beneath the wheels, arrestor wires catching the headlight beam briefly as the bike crosses each one.
Shot 3 Wide static from the deck bow looking back down the full length of the carrier. Bike at the far end of the deck accelerating toward the camera, island superstructure lit hard on the right, ocean darkness beyond the deck edge on both sides. Headlight growing from a point to full beam as the bike covers the deck length at speed. Hard braking at the last moment, front end diving, tire leaving a dark streak across the deck surface marking.
SHOT1
Wide shot, a lone samurai stands on a narrow forest path while red leaves fall slowly around him.
SHOT2
Close tracking shot, wind lifts the samurai’s robe as his hand slowly reaches the sword hilt.
SHOT3
Ultra-fast motion, blade flashes through the air as the camera whips around, leaves scattering in a sudden burst.
FORMAT: 15s / 6 SHOTS / heartwarming woodland comedy / short dialogue
STYLE: hyperreal cinematic woodland animation, warm golden hour light filtering through bark cracks, cozy mossy interior of a hollow tree stump café, wooden table with acorn cups and leaf napkins, soft depth of field, gentle camera movement, ultra-detailed fur and feather textures, expressive emotional faces, premium stylized 3D animated feature quality
Shot 01 (0:00-0:02)
Wide establishing shot, slow dolly in. Inside the cozy hollow tree café, Harold the tiny hedgehog sits at a round table with a birch-bark clipboard and clears his throat. He smiles warmly and says, “Welcome, everyone.”
Shot 02 (0:02-0:04)
Medium shot. Sylvie the squirrel bursts into frame, tail twitching wildly, clutching one acorn. She blurts out, “I lost my confidence!” and drops into the chair.
Shot 03 (0:04-0:06)
Fast side shot. Barry the blue jay swoops in dramatically, lands too hard, and knocks over an acorn cup. He puffs his chest and says, “Relax. I’m incredible.”
Shot 04 (0:06-0:09)
Quick comedic push-ins between faces. Sylvie looks overwhelmed, Harold gives Barry a patient look, Barry tries to look cool while the spilled acorn cup rolls across the table and leaf napkins flutter.
Shot 05 (0:09-0:12)
Slow circular dolly around the table. Barry shrugs and says, “I once sat on my wings.” Sylvie breaks into laughter first, then Harold, and finally Barry joins in, feathers and quills shaking with the laugh.
Shot 06 (0:12-0:15)
Pull back to a warm wide shot. They clink acorn cups. Harold smiles and says, “We’re all a little nutty.” The three lean in for a tiny fluffy group hug as fireflies drift upward in the golden tree light.
NEGATIVE: flat lighting, low-detail fur, stiff facial animation, weak lip sync, muddy textures, cheap cartoon look, jittery camera, distorted anatomy, empty background, dull expressions
SHOT1: Wide aerial shot, ancient stone ruins emerge from thick jungle canopy covered in vines.
SHOT2: Tracking shot, an explorer pushes through tall grass toward a massive carved temple entrance.
SHOT3: Ground-level shot, a gigantic stone statue suddenly collapses in font of him, blocking the entry.
Overall Intent: A tense, adrenaline-pumping Mafia standoff. In a luxurious, crimson-toned club, the coolly composed female owner and her two Dobermans take center stage. The scene contrasts her extreme coldness with the surrounding chaos and extreme violence, conveying the theme of ultimate power and control. Shot Sequence: Shot 1 (0-3s) Close-up (ECU) Camera Movement: Push-in, pull-out Core Action: Eye Level (Camera Station). Macro-perspective of the female owner's face. Profile: Female, in her 30s, Caucasian, flawless pale skin, dark hair tightly tied back, wearing thick-rimmed black sunglasses, a black latex turtleneck, a crisp black blazer, and black leather gloves. In the reflection of her sunglasses, armed men kick open the door to the luxurious club. As she calmly unfastens the metal carabiners from the thick leather collars of her two enormous Dobermans, the camera quickly shifts focus from her eyes to her gloved hands. Realistic human behavior patterns. (Cut to) Shot 2 (3-6s) Wide Shot (WS) Camera Movement: Pullback Tracking Core Action: Insect-eye View (Upward Shot, Camera Still). Two Doberman Pinschers traverse the luxurious club lobby, carpeted in deep red, leaping over overturned tables and charging straight at the camera. All movements follow realistic physics: playing cards, shattered crystal glasses, and amber wine droplets fly through the air in chaotic trajectories. Against a blurred background, the dogs viciously attack the intruders. Complex fluid dynamics, realistic destruction physics. (Cut to) Shot 3 (6-9s) Medium Shot (MS) Camera Movement: Tracking Core Action: Side View (Camera Still). Slow and deliberate movement. The female boss (visual anchor: black sunglasses, crisp black suit jacket, black latex top) struts through the club corridor with perfect catwalk steps. Directly in front of her, a fierce battle unfolds: a Doberman Pinscher slams an enemy against the wall with perfect weight and balance. She remained unmoved, simply navigating the chaos while elegantly adjusting the lapel of her suit jacket. Seamless movement. (Cut to) Shot 4 (9-12s) Macro Shot (MS) Camera Movement: Tilting Up Core Action: Top View (overhead, camera still position). On the red carpet, a defeated enemy's bruised hand desperately reaches for a fallen pistol. Suddenly, a sharp black stiletto slams down on his hand, pinning him to the floor with real weight and conservation of momentum. The camera tilts sharply upward, revealing the boss's cool, downcast face. (Cut to) Shot 5 (12-15s) Panorama (WS) Camera Movement: Pedestal Up Core Action: Subjective View, Extremely Low Angle (Camera Still Position). Shot from the ground perspective of the defeated enemy. The boss towers above the camera like a mafia queen, her black sunglasses and crisp suit jacket perfectly intact. Two Dobermans stand on either side of her, baring their fangs menacingly. She looked down coldly and gave a barely perceptible, disdainful nod. The dog's energetic movements contrasted sharply with her slow, deliberate motion.
A cinematic multi-shot sequence of a confident Y2K girl making an epic entrance to an exclusive rooftop party at night.
Shot 1: 00:00 - 00:03 Wide shot of a luxury building entrance at night, with velvet ropes, security, flashing lights, stylish guests, and the rooftop party atmosphere glowing above the city.
Shot 2: 00:03 - 00:06 A sleek silver car arrives and stops. The girl steps out wearing a bold pink Y2K outfit, tinted sunglasses, glossy makeup, and hoop earrings, instantly drawing attention.
Shot 3: 00:06 - 00:09 Low-angle tracking shot as she walks toward the entrance with confidence, security opening the way while people turn to look and camera flashes pop around her.
Shot 4: 00:09 - 00:12 Close-up beauty shot of her face, sunglasses, lip gloss, accessories, and confident expression as she continues forward through the glamorous nightlife scene.
Shot 5: 00:12 - 00:15 Final hero shot as she enters the rooftop party, removes her sunglasses, and reveals a confident smile while the city lights and stylish crowd glow around her.
Cinematic, stylish, Y2K fashion, luxury nightlife, premium lighting, glamorous energy, realistic motion, high detail
**(00:00–00:02)**
Drone high overhead, pushing forward — dense pine forest stretching to the horizon, the back half already consumed by a massive wall of orange fire racing left to right. Far below, a yellow school bus moves away from the flames down a single dirt road cutting straight through the trees, heading right.
**(00:02–00:04)**
Drone nose-dives from behind the fire line, descending fast through a curtain of rising embers and black smoke. The bus locks into frame below — moving right, away from camera. Burning trees lean and fall on both sides of the road ahead.
**(00:04–00:07)**
Drone 4ft off the ground, chasing the bus from behind, pushing right. The bus fills the frame, exhaust pumping, tires kicking up a rooster tail of dirt and ash. In the drone's wide shot, the tree line on both sides is catching — fire jumping the road behind them, closing fast.
**(00:07–00:09)**
Handheld tight on the driver's side — no stabilization, camera running alongside pushing right. Flames reflect off the windows. A burning branch crashes across the road ahead and the bus swerves hard left then corrects, never slowing, continuing right.
**(00:09–00:11)**
Low rig on the rear wheels, pushing right. Dual tires churn through a thick layer of ash and smoldering pine needles — embers scatter in the wheel's wake, glowing orange against the gray ground. Fire blooms in the background, filling the left side of the frame.
**(00:11–00:13)**
Drone lateral lock on the driver's window, moving right at matching speed. Driver grips the wheel hard, eyes locked on the road. Through the windshield: a wall of smoke across the road ahead — then a break in the trees, a gap, light beyond it. The bus accelerates toward it.
**(00:13–00:15)**
Drone pulls up and arcs left as the bus bursts through the tree line moving right — exploding out of the smoke into a wide open highway bathed in clean daylight. The bus rolls to a stop on the shoulder. Behind it, the forest is fully engulfed, a solid wall of fire and black smoke boiling into the sky. Drone holds wide. Silence except for the crackle of the burn.
Kling 3.0 multi-shot realistic Chinese historical epic, total duration 13 seconds, 16:9, scene from Water Margin, the grand assembly at Juyi Hall to rank the heroes of Liangshan, all 108 heroes present, Northern Song dynasty outlaw brotherhood ritual, solemn and majestic, timber hall, torchlight, incense smoke, deep red banners, carved seat dais, wine bowls, drums, strong symmetry, realistic live-action, stable ensemble faces, natural Chinese lip sync, epic ritual atmosphere.
Historical design:
Northern Song robes, leather armor, cloth belts, black boots, rugged beards, realistic hall architecture, dark timber beams, hand-painted banners, warm amber torchlight, crimson banners, matte bronze and wood textures, no ornate later imperial court fantasy styling.
Shot 1 (0-2.6s):
grand symmetrical wide shot of Juyi Hall, the 108 heroes arrayed in ordered ranks under the banner “替天行道”, incense smoke rising vertically, drums low and solemn, all eyes toward the central dais.
Shot 2 (2.6-5.3s):
slow forward dolly toward Song Jiang and Wu Yong at the center table where the roster is laid out, the camera passes rank after rank of rugged heroes, bowls and weapons held in still ceremony, a living scroll of brotherhood.
Shot 3 (5.3-7.8s):
medium close-up on Wu Yong unrolling the register and reading in Chinese: “天罡地煞，各归其位，今依功劳才略，排定座次。” nearby heroes bow their heads in grave acceptance.
Shot 4 (7.8-10.4s):
reaction shot across key figures as names are called, Lin Chong, Wu Song, Lu Zhishen and others step into their places, then Song Jiang raises the bowl and says in Chinese: “今日百八兄弟，同心一体，自此生死相扶，不负忠义二字！”
Shot 5 (10.4-13.0s):
final monumental wide shot, all heroes raise bowls together and answer in Chinese: “替天行道！同心共命！” drums sound, banners tremble, then a messenger silhouette appears at the hall entrance holding an imperial document, hinting at the next fate.
Audio:
deep hall drums, robe movement, bowl lift sounds, solemn male chorus, torch crackle, final footstep of the arriving messenger.
Negative prompt:
no fantasy glow, no anime, no western props, no duplicate faces, no plastic skin, no subtitles, no text overlay.
SHOT1
Wide cinematic silhouette, two cloaked warriors stand facing each other on a narrow obsidian platform.
Lava rivers glow below.
Ash drifts through frame.
Their energy blades ignite — blue and red — reflecting in their eyes.
SHOT2
Dynamic circular tracking shot, blades collide in a burst of sparks.
Camera rotates around them as they exchange rapid strikes.
Lava erupts behind them, backlighting their movements.
Cloth and embers whip violently in the wind.
SHOT3
One warrior is forced backward toward the edge.
Slow-motion stumble.
They leap — flipping over the opponent — landing behind them.
Camera whips around as both turn instantly, blades locked inches from faces.
Freeze in tension.
Cut 1: An outdoor wedding in a vineyard is moments from beginning when sudden rain sends guests running, flowers collapsing, musicians scrambling, while the bride stands alone in the aisle, drenched and stunned.
Cut 2: At the far end, the groom starts laughing first — not at her, but at the disaster, at the absurd beauty of it.
Cut 3: He walks into the rain without cover, shoes sinking into the grass, tuxedo soaked through.
Cut 4: He reaches her and says softly, “Still want the day?”
Cut 5: She wipes rain and tears together, smiling now. “Only if it looks like this.”
Cut 6: Guests stop running and turn back. The couple stand happily in the ruined aisle while the string quartet restarts under umbrellas, the rain becoming part of the vow.
A knight sitting by the bonfire, warming up.
[cut] Close-up shot of the sparks rising up from the bonfire.
[cut] Close-up shot of the knight rubbing his armored hands in front of the fire, trying to warm up.
No talking.
Men drinking and dancing in the medieval inn.
[cut] Close-up shot of beer being poured into a clay medieval mug.
[cut] Man drinking beer from a clay mug.
No talking.
Man making sushi.
[cut] Different shots of man making sushi.
[cut] Man putting sushi on the plate.
[cut] Man cutting a sushi roll into pieces.
No music, no talking.
People sitting in an office, working.
[cut] Close-up shot of a man typing on a keyboard.
[cut] Close-up shot of a screen with MS Windows, with words being typed.
[cut] Close-up shot of a man writing in a notebook with a pen.
[cut] Close-up shot of a woman typing on a laptop.
Train passing by in front of the house.
[cut] Close-up shot of train wheels as it rides.
[cut] Close-up shot of the smoke coming out of the chimney.
No music, no talking.
People walking in a train station.
[cut] Different shots of people walking with suitcases.
[cut] Close-up shot of the schedule screen as it changes.
No music, no talking.
Boy standing with a plate of buns in a Chinese tea shop, a bear looking at him from behind.
[Cut] The boy comes to a table where a teapot and cups are already placed and puts the plate down.
[Cut] Close-up shot of the boy eating a bun.
A time-lapse sequence capturing the full life cycle of a rose plant, beginning with a tiny seed nestled in dark, moist soil.
The seed cracks open as a delicate sprout emerges, pushing through the rich earth. A young rose seedling appears with small serrated leaves, fresh and vibrant green. Gentle rain falls, droplets clinging to the fine hairs on the slender stem. The camera remains at ground level in a macro perspective, sharply focused on the plant’s growth.
As days pass, the stem thickens and grows taller. More textured leaves unfold in layers, their veins clearly visible in soft natural daylight. Subtle backlighting creates glowing edges and soft translucency through the leaves, with subsurface scattering enhancing realism. The soil remains dark and damp, reflecting natural light with tiny shimmering highlights. The garden background stays softly blurred with creamy bokeh.
A small bud begins to form at the top of the stem — tightly closed at first, wrapped in green sepals. Slowly, the bud swells and starts to open. Petals unfurl gracefully, revealing a fully grown, velvety rose in rich detail. The bloom is lush and layered, with delicate curves and soft gradients of color. Dewdrops rest gently on the petals, catching the light.
Final shot: a mature rose plant standing elegantly, stem strong, leaves glossy and textured, the full blossom radiant under soft daylight. Shot on a 100mm macro lens, shallow depth of field, f/2.8, ultra-realistic, cinematic lighting, rich earthy textures, natural reflections, creamy bokeh background.
The image I provide contains my kitten — please use it as the character model reference.
Create a video where the kitten is riding a small cart and racing on a MotoGP track.
The kitten overtakes the Honda #93 race bike in a corner (this sequence should last 3 seconds).
Cut to a rear shot of the kitten, filmed from a ground-level low angle, capturing the kitten leaning hard into the turn (3 seconds).
Then use an ultra-telephoto lens shot of the kitten speeding through a large C-shaped corner (3 seconds).
Switch to a wide shot showing the kitten and the Honda #93 bike going through the final corner before the finish line (3 seconds).
Finally, show the kitten lifting the front of the cart into a wheelie as it crosses the finish line (3 seconds).
Throughout the video, add authentic MotoGP-style original male English commentary — but only include commentary for the opening overtake and the final finish-line moment.
SHOT1
Ground-level tracking, supercar rockets past camera, rain exploding from tires, reflections of city lights streaking across bodywork.
SHOT2
Interior side close-up, driver slams paddle shifter, tachometer spikes, face illuminated by passing neon lights.
SHOT3
Rear chase shot, twin exhaust flames burst as nitrous engages, car weaving through traffic at impossible speed.
Live-action cinematic chase sequence. Extreme wide shot of two riders on horseback racing through desert canyon. Cut to close-up of lead rider's determined face, dust on skin. Cut to low angle of galloping horse hooves. Cut to pursuing rider pulling out revolver. Cut to insert shot of hammer being cocked. Cut to medium shot of lead rider glancing back. Cut to muzzle flash - gunshot. Cut to wide shot showing narrow canyon walls. Cut to tracking shot alongside both riders at full gallop. Cut to overhead drone shot revealing canyon twist ahead. Cut to medium close-up of lead rider seeing obstacle. Cut to POV shot of fallen boulder blocking path. Cut to extreme close-up of rider's eyes making decision. Cut to wide shot as rider steers horse onto canyon wall, riding at angle. Cut to slow-motion shot of pursuer's shocked face. Cut to tracking shot following lead rider's impossible maneuver. Cut to insert shot of horse hooves on rock wall. Cut to wide shot as lead rider lands back on path. Cut to final aerial shot: lead rider disappearing around corner while pursuer struggles to follow.
A cinematic apocalyptic disaster scene in a modern city. Massive bridge collapsing into the river, huge explosions destroying skyscrapers, buildings shattering with debris flying, people running in panic through dust and chaos. A giant meteor falling from the sky causing a massive shockwave, tsunami waves flooding the city streets, dark stormy clouds, dramatic lighting, ultra realistic, cinematic camera movement, slow motion destruction, high detail, 4K, epic scale, intense atmosphere, movie-like quality similar to Hollywood disaster films.
Multi Shot in text to video with Kling 3.0 SHOT1 Wide panoramic shot, snowboarder standing at peak edge, wind whipping snow across ridge. SHOT2 Helmet POV, sudden drop into steep chute, edges carving sharp lines in fresh powder. SHOT3 Side tracking shot, rider launches off natural cliff feature, rotating mid-air against vast mountain backdrop. SHOT4 Low follow cam, snow sprays directly into lens as rider lands and carves into open valley.
SHOT1
Tight frontal close-up on Character A (male, late 50s).
Sweat beads on his temple. Jaw tight. Eyes locked forward but blinking too fast.
Camera slow push-in. Lamp hums softly.
A:“You’re staring at me like you already decided.”
SHOT2
Profile close-up of Character B (female, early 30s).
Perfect stillness. No blink. Slight curl at the corner of her mouth.
Light cuts sharply across her cheekbone.
B:“No. I’m staring because you’re about to contradict yourself.”
SHOT3
Over-the-shoulder from B, framing A smaller now.
A swallows. His hands tighten, knuckles whitening. Breathing audible.
A:“You don’t have proof.”
SHOT4
Extreme close-up on B’s eyes.
A slow inhale. A quiet smile that never reaches her eyes.
B:“I don’t need it anymore.”
A multi-shot sequence starting from the provided wide shot. Initially, the camera is static; the man on the right slowly touches his hair and gazes upward, leaning his weight into the tree, while the woman on the left tucks her hair and watches him. Then, a sharp cut to a close-up of the man looking at the canopy before he dismissively turns his face away from the lens. A second cut returns to the wide shot as the woman begins walking toward him. The camera tracks her movement, tightening into a medium two-shot as she arrives. She places her hand on his shoulder. Finally, the man makes eye contact, his face breaking into tears with visible, heavy heaving of the chest. SFX: Rustling leaves, muffled footsteps on moss, and the sound of ragged, emotional breathing.
Subject & Action: A multi-shot sequence featuring Groklyn (
@Image1
).
• Shot 1: Medium shot in a white dressing room. Groklyn holds a phone and waves slowly and casually into the mirror. She speaks in a cool, low-pitched voice with a slight vocal fry: "안녕. It’s Groklyn. Just testing the new Seedance V2."
• Shot 2: Transition to a close-up of her face. She slowly tucks a strand of blonde hair behind her ear to highlight her silver hoop earring and turns her head slightly to admire the detail. She speaks in an impressed, breathy tone: "The motion is honestly... 대박. Just look at these details."
• Shot 3: Return to a medium shot. She poses in the mirror, makes a Korean finger-heart gesture near her cheek, holds it, and then winks at the camera. She asks confidently: "Does this look real to you guys? Let me know. 안녕."
Camera & Scene: Cinematic camera work with slow zooms and stable tracking. The environment is a brightly lit, minimalist white studio dressing room with soft, natural lighting and sharp 4K resolution.
Style & Constraints: Hyper-realistic cinematic texture with rich details and 1080p clarity. Strict consistency is required: maintain the exact face, platinum blonde hairstyle, black floral corset, and cross necklace from
@Image1
throughout all shots. Ensure smooth, fluid motion with no flickering or distortion.
Shot 1: The Signal (0:00 - 0:04)
Visual: Low Angle Close-Up. The subject stares upward into the darkness. A faint, rhythmic teal light pulses across his face, reflected in his eyes. Rain begins to fall in Slow Motion, droplets glowing in the cyan light.
SFX: The heavy, muffled sound of rain on concrete. A deep, resonant synthesiser drone that slowly rises in pitch.
Shot 2: The Delivery (0:04 - 0:08)
Visual: Slow Dolly In toward his face. He doesn't blink. The pulsing light stabilises into a solid beam. He lowers his chin slightly to look directly into the camera lens, breaking the fourth wall with a look of profound realisation.
Dialogue: The subject (Whispered, with deep reverb and gravitas) "Finally... Welcome to Kling 3.0."
SFX: The rain sound fades out instantly, replaced by a pure, crystal-clear digital chime.
Shot 3: The Ascension (0:08 - 12:00)
Visual: Bird's Eye View / Crane Up. The camera rockets upward away from him, revealing he is standing on the edge of a massive cyberpunk skyscraper. The city below is a grid of neon. He becomes a small silhouette against the vast digital network.
SFX: A massive power-up sound effect (like a turbine spinning to max speed) that cuts to silence on the final frame.
SHOT1
Wide shot, Character A (in a hoodie) sits across from Character B (in a crisp suit) at a metal table. Shadows flicker. A: "You brought me here thinking I'd confess?"
SHOT2
Close-up, B smiles, cold and calm, folding a paper neatly.
B: "No. I brought you here to show you the list. You're already on it."
SHOT3
Push-in on A, smirk fades. He leans forward, voice dropping.
A: "You really think that scares me?"
SHOT4
Extreme close-up, B raises one eyebrow. Unshaken.
B: "No. The part that should scare you is what happens next."
Prompt Studio: Cycling Sprint in @Kling_ai 3.0 multi-shots, text to video
SHOT1: Wide shot from high in the velodrome stands. Two cyclists are already sprinting on the steep banked track at maximum speed. They're side by side, pedaling furiously. The track is a blur beneath them. They enter the final lap. Crowd roars.
SHOT2: Close tracking shot following the lead cyclist from behind. Legs are pumping at incredible cadence. The bike rocks side to side with each pedal stroke. The rider is out of the saddle, standing, giving everything. The finish line approaches. "Go! GO! GO!"
SHOT3: Wide shot from trackside as both cyclists fly past camera at top speed, inches apart. Faces show absolute maximum effort. Every muscle straining. They're even. Photo finish incoming.
SHOT4 The finish line. Both cyclists cross simultaneously, too close to call. They coast down, breathing in huge gasps, looking at each other with mutual respect. The judges review. Victory or defeat decided by millimeters. "Who won?"
<instruction>
1. Role: act as a world class director and video expert. Analyze the input and come up with world class ways to turn it into a captivating video.
Input A is a Subject (e.g., Food, Car, Person, Landscape).
Input B is a Duration (e.g., 5s, 10s, 30s) [default is 10s].
Analyze the inputs to determine the right Cutting Rhythm :
If Short (5s): High Tempo. 3 Quick Shots. Focus on "The Hook" and "The Payoff."
If Medium (10-15s): Standard Tempo. 4-5 Shots. Allow time for "The Process" and "Atmosphere."
If Long (20s+): Slow Cinema. 6+ Shots. Include "Micro-Details" and "Environmental Context."
2. Timeline
Goal: A structured video sequence tailored to the timeframe.
Shot 1: The Hook (Macro/Detail). Always start close to grab attention.
Middle Shots (The Journey): Fill the duration with logical progression steps (Process, Environment, Reaction).
(e.g., Cooking -> Chopping, Searing, Plating. Racing -> Engine start, Tire spin, Corner drift).
Final Shot: The Hero (The Result). A wide or beauty shot of the finished subject.
3. Shot Generation
For each shot required to fill the time, provide:
HEADER: SHOT [N] — [TITLE] ([Time Stamp])
VISUALS:
Lens: (e.g., 100mm Macro, 16mm Ultra-Wide, Anamorphic).
Movement: (e.g., Slow Pan, Whip Pan, Dolly Zoom, Static).
Lighting: (e.g., "Golden Hour," "Neon Flicker," "Studio Softbox").
ACTION: Concise, verb-driven description of what happens on screen.
AUDIO: Specific Sound Design (SFX) cues.
4. Visual
Material Physics: If the subject is liquid, describe flow. If metal, describe reflection. If organic, describe texture.
Continuity: The lighting and color grade must remain consistent across all shots unless a time-jump is implied.
Output: A list of [N] Video Prompts, total duration matching Input B.
</instruction>
[shot 1]
Low street-level tracking shot, a black Dodge Charger SRT Hellcat widebody tears through a rain-soaked downtown avenue at night, neon signs streaking across wet asphalt as a matte-black SUV closes in aggressively from behind.
SFX: Supercharged V8 growl, tires hissing on wet pavement, distant sirens, tight urban night ambience.
Duration: 2s
[shot 2]
Driver POV with heavy vibration, the Charger threads between two cars with inches to spare, headlights flaring across the windshield as the steering wheel snaps hard to the left.
SFX: Engine screaming through gears, sharp shift clacks, windshield wipers slapping fast, horn blasting close.
Duration: 2s
[shot 3]
Shaky interior over-the-shoulder shot from the pursuing SUV’s rear seat, a masked gunman leans out the window and fires short bursts toward the Charger while storefronts blur past at high speed.
SFX: Gunfire bursts with sharp urban echo, shell casings hitting metal, wind roar, SUV engine pushing hard.
Duration: 2s
[shot 4]
Rear low chase cam tracking shot, bullets spark off a steel guardrail and shatter a parked car window as the Charger fishtails around a delivery truck without slowing.
SFX: Ricochet sparks, glass exploding, tires screaming, deep engine punch, distant crowd reactions.
Duration: 3s
[shot 5]
Tight handheld snap-pan from dashboard to passenger-side window, the Charger’s passenger returns fire as the car dives under a concrete overpass, muzzle flashes strobing the cabin.
SFX: Gunfire with heavy interior thump, overpass slapback echo, engine roar compressed by concrete walls.
Duration: 3s
[shot 6]
High crane shot pulling upward, the Charger cuts sharply into a multi-level parking garage entrance while the pursuing SUV misses the turn and slams into a concrete barrier, sparks erupting as the Charger disappears up the spiral ramp.
SFX: Heavy collision impact, metal grinding, shower of sparks, SUV horn stuck briefly, Charger engine echoing into the garage.
Duration: 3s
Multi-shot Prompt :
[Shot 1] A lone samurai stands at the edge of a bamboo forest at dawn, armor layered in muted iron and leather, katana sheathed at his side, morning mist curling around his feet; medium wide shot, soft side light, shallow fog diffusion, low saturation, cinematic solitude.
[Shot 2] The samurai slowly walks through the bamboo grove, footsteps soft against fallen leaves, hand resting lightly on the hilt, the sound of wind and creaking stalks echoing; dolly tracking shot from front, ambient filtered light through bamboo, gentle camera sway, meditative realism.
[Shot 3] A sudden ambush: blades flash — the samurai draws in a single fluid motion, deflecting the first strike with sparks flying from steel; handheld lens with fast shutter, close-up of metal clash, dynamic motion blur, harsh backlight slicing across the scene, intense grounded action.
[Shot 4] The fight spills into a clearing, the samurai pivots into a low stance, delivering a precise final strike as leaves scatter in slow motion; crane shot rising above, side rim light, natural dust particles in air, traditional cinematic choreography.
[Shot 5] After silence falls, the samurai kneels before a shrine under a maple tree, sword laid before him, crimson leaves drifting around his bowed form; static symmetrical shot, soft golden dusk light, central composition, emotional stillness and honor.
🚨PromptShare🚨
Multi Shot in text to video with Kling 3.0
SHOT1
First-person POV, jumper standing at cliff edge. Wind howls. Hands clench.
SHOT2
Drone shot, wingsuiter launches into void. Camera matches speed down cliff face.
SHOT3
Side tracking shot, proximity fly along rock wall — almost brushing it. Mist spirals from turbulence.
SHOT4
Wide angle, jumper vanishes into a narrow canyon. Mountains stretch endlessly behind.
Shot 1 (3s) — At the Gate
POV from the athlete’s helmet, standing at the top of a steep Olympic downhill slope.
Skis visible at the bottom edge of frame.
Cold wind howls softly.
Snow particles drift across the lens.
Crowd noise muffled, heartbeat audible.
A gloved hand tightens on the pole.
The gate buzzer beeps once.
Shot 2 (5s) — Full Descent
The POV explodes forward downhill at extreme speed.
The camera vibrates naturally from terrain impact.
Snow sprays up, hitting the lens, briefly blurring vision.
Gates rush past inches from the frame.
The athlete leans aggressively into turns, horizon tilting violently.
Breath becomes sharp and rhythmic.
Speed lines are subtle, realistic, driven by motion not effects.
Shot 3 (5s) — The Jump
POV launches off a massive jump.
Everything drops into slow motion mid-air.
Wind roars louder than the crowd.
Skis tilt slightly as the athlete stabilizes.
The ground rushes back up fast.
Hard landing.
Camera jolts, recovers instantly, keeps racing forward toward the finish line.
Shot 4 (2s) — Finish
POV blasts through the finish gate.
Crowd erupts.
The athlete exhales deeply.
Snow dust hangs in the air as motion slows.
End on controlled stillness.
"Rally Car - Forest Stage"
SHOT 1: Wide tracking shot from helicopter angle. A rally car already tearing through a narrow dirt forest road at high speed, sliding through corners. Dust plumes billow behind. Trees blur past on both sides. The camera races overhead keeping pace. Afternoon sunlight filters through canopy.
SHOT 2: Hood-mounted camera looking back at the driver and co-driver through the windshield. Both are bouncing violently in their seats. The co-driver reads pace notes rapidly. The driver's hands work the wheel in constant motion. The car hits a jump—brief weightlessness. "Crest! Jump! Left three!"
SHOT 3: Wide shot from trackside as the car blasts past camera, dirt spraying sideways from all four wheels. The engine screams. The car is sideways through the corner, driver counter-steering. Gone in two seconds. Dust hangs in the air.
SHOT 4: Interior shot tight on the driver's face. Sweat streams down, jaw set, eyes locked on the road. Hands blur on the wheel making constant corrections. The car exits the forest section into open road. Speedometer climbs. "Full commitment!"
Seedance 2.0 Testing 02
"Static camera. Three women stand evenly spaced in the frame.
Starting with the woman on the far left, she strikes a cool and slightly provocative pose, then returns to a neutral standing position.
Next, the second woman performs a sweet and charming pose, then returns to the original stance.
Finally, the third woman strikes a stylish and trendy pose, then returns to the original stance.
The timing between each character's pose is the same, with each action lasting approximately 5 seconds."
Scene 1 (hook):
Handheld camera with natural shake, woman standing in a luxury apartment with large windows and city skyline. Gray sweatshirt, amber sunglasses. She says: "Okay, I was fully expecting these gut gummies to do nothing… but I was wrong." Animated gestures, confident but casual tone. Bright natural light, slight camera movement adds authenticity.
Scene 2 (product):
Starts with shallow depth of field, clear bottle labeled "Gummies" held very close to the camera in sharp focus, colorful gummies visible inside. Then she pulls the bottle back to chest level, camera adjusts to a natural medium shot showing her full upper body in the apartment. She says: "These are Gummies, and yeah, they actually taste really good." Natural gesture holding the bottle, relaxed delivery, casual energy.
Scene 3 (testimonial):
Back to the handheld camera in the same apartment setting with large windows. She removes her sunglasses, revealing excited eyes, and leans slightly toward the camera. She says: "My digestion feels way better, I'm not as bloated, and somehow my skin improved too. After like two weeks." Big genuine smile, enthusiastic but natural hand gestures. Bright natural lighting, authentic energy, slight camera shake continues.
SHOT1
Wide shot, Character A (a man in his 40s, soaked trench coat) stands alone under the bridge, smoking. Camera pushes in slowly through the haze of rain.
Character A: "You brought a gun to this?"
SHOT2
Side close-up, Character B (a younger man, hoodie, trembling hand on the pistol) steps from the shadows, face tense.
Character B: "You killed my brother. What did you expect?"
SHOT3
Mid shot, A turns slowly, unfazed. Rain drips from his collar. He speaks quietly, steadily.
Character A: "I expected you to listen first."
SHOT4
Close-up on B, blinking back emotion. The camera tilts slightly as he lowers the gun — but only a little.
Character B: "You don’t get to ask that anymore."
0-4 seconds: Static hold on the starting frame with very slow upward tilt (camera angle: low-angle wide establishing shot looking up at the figure and the ring framed by the massive concrete arch). Gentle ambient wind, distant dripping water, and low droning hum. Fog slowly swirls around the man's feet; faint particles of dust/mist catch the light. The ring remains still but subtly pulses with dim inner glow.
4-8 seconds: Slow push-in dolly toward the figure from slightly below (angle: medium tracking shot, low to eye-level). The man slowly raises one hand as if reaching toward the ring. Vines hanging from the ring sway gently in an unnatural breeze. The inscription 'FORGOTTEN ERA' begins to glow brighter, casting faint blue light on his face and the surrounding concrete pillars. Mist thickens slightly around him.
8-12 seconds: Close-up on the man's face from the side/profile (angle: tight over-the-shoulder or side close-up). His expression shifts from contemplation to subtle realization/wonder. Eyes reflect the glowing ring text. Camera slowly circles 180° around his head to reveal the ring more prominently overhead. Subtle lens flare from the god-rays; faint ethereal particles drift upward from the ring like time fragments or memories escaping.
12-15 seconds: Dramatic pull-back reveal widening out (angle: reverse tracking crane shot rising upward). The ring begins to slowly rotate clockwise; chains creak faintly. The figure lowers his hand and turns his head slightly toward camera, face half-lit by the glow. Fog rolls in denser, obscuring distant pillars. The ring's glow intensifies briefly then fades as twilight deepens. Fade to black with echoing soft wind and a single distant metallic resonance.
**Overall:** Promotional short video for a silver Cybertruck, dreamy and cinematic style, shot during magic hour at dusk with golden sunset light bathing the vast snowy landscape, creating a warm yet mysterious atmosphere. Masterful film composition (symmetry, golden ratio, leading lines). Visual texture emulates classic motion picture film using **Kodak Vision3 50D** color science (daylight balanced, low contrast, high dynamic range, true-to-life vibrant colors, pristine clean image, excellent highlight latitude, neutral with slight cool bias in shadows, natural warm-orange sky vs. cool-blue snow contrast). Uniform **Fine film grain** (extremely fine grain, 5-8% noise, pristine clean, rich detail). Aperture priority f/5.6, ISO 50, shutter speed varies by motion (static 1/50–1/60s, dynamic 1/125–1/250s). 4K 24fps cinematic feel. Gentle ambient string music, no lyrics, slow build and fade. Pure visuals + sound effects storytelling, no voice-over. Total duration 15 seconds. Vehicle: silver Cybertruck, emphasize its sharp angular stainless-steel body and futuristic design reflecting warm golden light on snow.
**cut 1, 3s:** Ultra-wide 14mm, f/4, shallow depth of field to highlight road as leading line. Vertical drone overhead at 1000m, static shot, symmetrical composition (road diagonally slicing frame). Endless snowy plain and dense pine forest covered in thick snow, golden sunset casting long tree and vehicle shadows. Silver Cybertruck drives steadily along the central road, body reflecting warm golden light, accentuating futuristic angles. Natural wind-snow ambient sound fades in. Fine grain + Vision3 50D: soft highlight transitions, clean cold-blue snow vs. warm-orange contrast, high detail.
**cut 2, 3s:** Near POV, 35mm, f/2.8, shallow depth focusing on front end. Rear-side to front tracking follow shot, slight natural bumps (gimbal simulating handheld feel, 1/100s). Captures subtle body sway, suspension stability, and warm headlight reflections; wind-snow howl sound effect builds (-10dB rising to dominant). Fine grain + Vision3 50D: rich color contrast, fine detail, natural lens flare from sunset piercing snow mist.
**cut 3, 2s:** Wide shot, 50mm, f/8, deep depth of field. Fixed roadside perpendicular to road; Cybertruck speeds past from left, vanishes right, kicking up sparkling snow powder (slight slow-mo, 1/250s freezing particle motion). Rule-of-thirds composition, emphasizing speed and power. Fine grain + Vision3 50D: low-contrast high latitude, snow highlights preserved, authentic dramatic blue-orange contrast.
**cut 4, 3s:** Wide dynamic tracking, 85mm, f/5.6, medium depth focusing on wheels. Front-left side follow (drone or vehicle-mounted gimbal, smooth pan/tilt, 1/125s). Wheels churn up flying snow dust, showcasing grip and tire tread detail; dust glints gold in sunset light. Road curve as leading line composition. Fine grain + Vision3 50D: pristine clean image, soft bloom on dust, natural warm-gold vs. cool-blue contrast.
**cut 5, 2s:** Close-up static, 100mm, f/2.8, extreme shallow depth blurring background. Ground-level fixed on road surface looking forward. Cybertruck approaches from behind, drives away into distance, gradually blurring into warm silhouette (1/60s light motion blur). Captures snow texture, tire tracks, and fading golden sunset highlights. Fine grain + Vision3 50D: ultra-clean texture, natural highlight roll-off, neutral tones fading into cool blue dusk.
**cut 6, 2s:** Distant closing shot, 135mm, f/4, shallow depth compressing space. Fixed low-angle at far end of road toward sunset. Silver Cybertruck recedes into warm silhouette merging with golden-orange horizon, snow reflecting lingering light elongating shadow, background plains and pines fading into twilight blue. Golden ratio placement of shadow, road leading line pointing to sun. Fine grain + Vision3 50D: soft highlight transitions, natural warm-orange to cool-blue gradient, pristine detail, atmospheric nostalgic cinematic close. Wind-snow fades, strings gently dissolve out.
Shot 1:
Dark smoky battlefield, explosions bursting as fire and debris fly across the war zone.
Shot 2:
A young soldier runs through muddy ground while bullets strike around him, shouting, "Move! Move!"
Shot 3:
Slow motion as he dives behind a destroyed tank, breathing hard, whispering, "Stay alive just stay alive."
Shot 4:
Wide aerial shot of fighter jets overhead dropping bombs that erupt in huge fireballs.
Shot 5:
Close-up of the soldier firing through smoke and flames, yelling, "We hold the line!"
Shot 1: High-intensity handheld tracking shot. A young woman with disheveled blonde hair, wearing a white tank top under a vibrant red and blue vertical-striped silk robe, bursts out of a shadowy alleyway. Her face is a mask of pure panic as she stumbles onto a sun-drenched Manhattan sidewalk, the camera shaking to mirror her frantic movements.
Shot 2: Medium shot, shallow depth of field. A middle-aged businessman in a charcoal suit and navy tie stands amidst a sea of pedestrians. He checks his silver watch with a sharp, rhythmic jerk of his wrist, his brow furrowed in annoyance. The background is a blur of yellow taxis and the towering architecture of 5th Avenue.
Shot 3: Extreme macro photography. The camera focus is locked onto the tip of a silver watch hand as it clicks forward. Microscopic dust motes dance in the harsh sunlight reflecting off the brushed metal surface of the dial.
Shot 4: Low-angle medium shot. Rapid-fire motion of a street drummer's hands hitting a series of weathered white plastic buckets. The wooden drumsticks are a blur of motion, and the camera captures the vibration of the plastic lids as the city crowd flows past in a time-lapse-like stream.
Shot 5: Low-angle medium shot. The woman in the striped robe has stopped running; she is hunched over, hands on her knees, gasping for breath. The camera remains low, making the surrounding skyscrapers feel like they are closing in on her as she looks around, disoriented.
Shot 6: Macro close-up, high contrast. A man's stubbled face as he inhales from a cigarette. The paper crinkles and the tobacco glows a fierce, molten orange before instantly turning into a delicate, flaky grey ash that threatens to fall.
Shot 7: Extreme close-up of the woman's face, focusing on her piercing blue eyes. Her pupils are dilated, and her forehead is deeply wrinkled with anxiety. The reflection of the busy street and moving vehicles can be seen glinting in her irises.
Shot 8: Medium-wide lifestyle shot. Two young Asian women walk across a city crosswalk, bathed in warm afternoon "golden hour" light. They are laughing and talking, creating a sharp emotional contrast to the previous shots of distress.
Shot 9: Final tight close-up. The blonde woman stares directly into the lens, her expression shifting from confusion to absolute shock. She slowly brings her hand up, her fingers trembling, to cover her mouth as her eyes well up with fear.
SEQUENCE: - scene_1: shot_type: Wide Shot (WS) camera_position: static camera facing the hotel entrance (thats where the camera is) action: A tall man walks confidently out of the revolving glass doors of a luxury hotel. He adjusts his green trucker cap. visuals: Luxury hotel entrance, daytime, glass reflections, polished atmosphere. transition: "[CUT TO]" - scene_2: shot_type: Medium Shot (MS) camera_position: side view from the curb level (thats where the camera is) action: The man approaches a sleek black Audi RS7, opens the driver's door, slides in quickly, and closes the door with a solid thud. visuals: Black Audi RS7, city street background, metallic car reflection. transition: "[CUT TO]" - scene_3: shot_type: Close-Up (CU) camera_position: front view through the windshield (thats where the camera is) action: The man grips the leather steering wheel firmly. His face is focused, eyes intense. visuals: Car interior, leather texture, dashboard lights turning on. transition: "[CUT TO]" - scene_4: shot_type: Macro Shot (MS) camera_position: top-down view centered on the center console (thats where the camera is) action: The man's hand moves to the gear shifter, clicking it decisively into 'S' (Sport) mode. visuals: Brushed aluminum gear shifter, illuminated 'S' symbol, expensive interior detail. transition: "[CUT TO]" - scene_5: shot_type: Extreme Close-Up (ECU) camera_position: low angle next to the rear tire (thats where the camera is) action: The car's wheel spins instantly, smoke generates from the friction, the car launches forward. visuals: Rubber tire texture, asphalt, motion blur, white tire smoke. transition: "[CUT TO]" - scene_6: shot_type: Medium Shot (MS) camera_position: passenger seat angle looking at driver (thats where the camera is) action: The man is driving, a satisfied smirk appears on his face. He glances briefly into the rearview mirror. visuals: City blur outside windows, dynamic light passing over his face, calm confidence. transition: "[CUT TO]" - scene_7: shot_type: Graphic / Text Screen camera_position: static centered frame (thats where the camera is) action: The screen fades to black, then the Audi rings logo appears in silver with white text below. visuals: Black background, Silver Audi Logo, Text overlay: 'Beauty is when a BMW stays in your rearview mirror.' transition: "[END]"
SUBJECT: character_1: profile: Male, 30s, Caucasian, slim athletic build, short brown hair. Wearing a green mesh trucker cap with 'JETS' logo, white scoop-neck t-shirt, black lightweight cardigan, olive green pants, black braided belt, silver watch, silver chain necklace. consistency_lock: man in green JETS cap and black cardigan
ACTION: physics_mode: realistic physics governing all actions, authentic momentum conservation, vehicle dynamics movement_quality: confident movement, fluid driving mechanics, high-speed perception
CINEMATOGRAPHY: lighting: Cinematic Lighting, high contrast inside car, natural daylight for exterior color_grading: Teal & Orange, sleek commercial look, high saturation
SOUNDS: soundscape: City street ambience transitioning to sound-proofed car interior silence. sfx: Revolving door whoosh, car door heavy thud, engine ignition roar, gear shift click, tire screech, engine acceleration hum.
TECHNICAL: negatives: distorted hands, morphing car, cartoon effects, blurry motion, shaky camera, two steering wheels, amateur quality
Shot 1: A profile medium shot of a woman in a dark coat standing under an overhang during a rainstorm in a city. She lights a cigarette with a lighter, the orange flame illuminating her face against the cold, blue architectural background of a city street.
Shot 2: A rapid, blurred tracking shot following a motorcycle speeding past old brick buildings. The camera is low and shaky, capturing the sense of extreme speed.
Shot 3: A low-angle ground shot as a motorcycle speeds through a narrow alley. Small explosions and debris burst from the sides of the buildings as the bike passes, filling the air with dust and smoke.
Shot 4: A close-up, low-angle shot from the rear of the motorcycle, focusing on the rider’s boot and the mechanical chain as they accelerate. In the background, a large fireball explosion erupts on the city street.
Shot 5: A wide shot of two motorcyclists in helmets and leather jackets weaving through city traffic. Small fire bursts erupt from manholes and the pavement around them as they flee through heavy smoke.
Shot 6: A dramatic wide shot of a motorcyclist driving directly toward the camera. Behind them, a massive explosion occurs, causing a large portion of a building facade to collapse in a shower of sparks, fire, and heavy gray smoke.
Shot 1: A cinematic over-the-shoulder shot from the dentist's perspective looking at the Vampire. The dentist is holding a metal tool and shaking his head. The dentist says, "Vlad, we talked about this. You have to stop biting armored knights. You’ve chipped your left canine again.
Shot 2: Extreme closeup on the Vampire’s face, his skin is incredibly pale and texture is sharp. He looks defensive, eyes darting away. He says, "It’s not my fault! The metal adds a delightful crunch, it’s a texture thing."
Shot 3: Medium shot of the dentist pinching the bridge of his nose in frustration, holding a dental tool. He looks exhausted.
Shot 4: Closeup of the Vampire gripping the armrests of the chair nervously, his long fingernails digging into the leather. Cut back to the Vampire's face as he whispers, "Please, tell me we can skip the garlic rinse this time?"
Sahne 1: adam bir youtube stüdyosunda çekimi bitiriyor ve ayağa kalkıyor.
Sahne 2: adam stüdyodan çıkıyor ve arabasına biniyor.
Sahne 3: adam arabasının içinde. yakın çekim direksiyondan adamın yüzüne tilt.
Sahne 4: adam evine giriyor ve kedisi kucağına atlıyor.
(Referans gösel videonun ilk karesi)
Shot 1: A medium shot of a stylish woman standing next to a motorcycle in Istanbul, with the iconic Galata Tower visible in the background. The camera slowly zooms in on her face. She looks directly at the camera, smiles, and says: "Hey! You have to see this shop I found, come with me."
Shot 2: A tracking shot following the woman from behind as she walks away from the motorcycle and enters a nearby cozy shop. The shop is filled with shelves of colorful plush toys and bright lights.
Shot 3: Inside the shop, a medium close-up of the woman holding a cute colorful plush toy. She hugs the toy tightly, looks at it with adoration, and says: "Oh my god, I love this one! It is so fluffy and cute."
location: luxury penthouse kitchen, one continuous mini story
Modern luxury penthouse kitchen at golden hour, warm sunlight through floor to ceiling windows, city skyline outside, marble island, copper cookware, a distinctive teal espresso machine, a small crack on the right edge of the marble, a bowl of lemons near the sink. Same main character throughout: a woman chef in a white linen shirt with rolled sleeves and a thin red bracelet on her left wrist. Keep her appearance, outfit, props, lighting, and kitchen layout consistent across every cut.
CUT TO: Wide establishing shot showing the full kitchen layout, skyline, marble island center frame, teal espresso machine on the back counter, lemons by the sink.
CUT TO: Medium shot from the same side of the island as she places a wooden cutting board on the marble, the crack still visible near the right edge.
CUT TO: Close-up on her hands, red bracelet visible, slicing a strawberry tart topping; crumbs and fruit glisten in the same warm light.
CUT TO: Over-shoulder shot as she plates the tart on a matte black plate, teal espresso machine softly blurred in the background.
CUT TO: Insert close-up of espresso pouring from the teal machine into a small cup, crema forming, same golden reflections on the metal.
CUT TO: Medium shot as she carries the plate and cup to the window-side counter; skyline stays in the same direction, sunlight consistent.
CUT TO: Tight close-up as she smiles and adjusts a lemon slice garnish; end on the tart’s glossy surface with the skyline bokeh behind it.
Mini nature documentary, epic and serene Ultra-detailed natural world cinematography, realistic textures, soft documentary color grade, stable tracking, gentle environmental motion. CUT TO: Wide dawn landscape of desert dunes and distant mountains; the sky transitions through cool blues into warm orange while long shadows slide across ripples in the sand. Telephoto shot of a hawk gliding across the frame, wings steady, heat shimmer wavering beneath; the camera tracks smoothly with the bird centered against a layered horizon. CUT TO: Ground-level close-up of a small lizard pausing on a pebble, blinking; the focus snaps between its textured scales and the sand grains, then it darts forward. CUT TO: Slow-motion close-up of sand scattering from the lizard’s feet, tiny particles lifting and catching sunlight. CUT TO: Medium shot of hardy desert plants swaying gently; a beetle crawls over a stem, the camera follows with a calm, deliberate move. CUT TO: Wide reveal as the dunes open onto a ribbon of water; sunlight glitters on the surface, and distant birds lift off in a thin line. CUT TO: Final tranquil shot: the river shimmer fills the frame, reflections pulsing softly, ending on a bright glint that fades into calm.
Shot 1: Static Medium Shot. The character holds the pose steadily against the pink sky.
Shot 2: Crash Zoom (Charge). A violent Crash Zoom snaps into the barrel of the gun. Simultaneously, the blue ring inside the muzzle begins to glow brighter and spin (VFX).
Shot 3: The Fire. The gun fires. The camera shakes violently (Handheld Impact) to simulate the recoil. A massive stylized muzzle flash (cel-shaded energy beam) obliterates the foreground.
Shot 4: The Smoke Reveal. The camera whips back to the original wide framing. Smoke curls up from the barrel in slow motion (12fps anime style). The character blows the smoke away coolly.
Kling 3.0
