SUBJECT: @Image1 3D cartoon character; STYLE: High-end stylized 3D animated character, cinematic lighting, expressive face, polished materials, exaggerated but believable motion, comedic visual storytelling. WARDROBE: Blue striped pajamas in shots 1–9. Changing into work clothes in shots 10–11. Dark business suit, white shirt, tie, and dress shoes in shots 12–15. Final shot: still wearing the same wet suit. ENVIRONMENT: Small bedroom, bathroom, kitchen, rainy street, bus stop, office, dark bedroom at the end. MOOD: Chaotic, rushed, unlucky, comedic frustration, ending in emotional defeat. SHOT 1: ECU, 85mm push-in / Smartphone alarm on messy bedside table, screen shows 8:00. SHOT 2: MCU, handheld 50mm / He wakes up in pajamas, slaps the alarm off, says: "Oh shit." SHOT 3: MCU, 50mm slide / In the bathroom, still in pajamas, he splashes water on his face, but it is too hot and burns his eyes. SHOT 4: Fridge interior shot, 24mm / Still in pajamas, he opens the fridge and sees almost nothing except a jar of peanut butter. SHOT 5: Front medium shot, 50mm / He stares at the empty fridge, then grabs the peanut butter. SHOT 6: Detail close-up, 85mm / Two slices of toast pop up burnt. SHOT 7: MCU, 50mm / He spreads peanut butter on the burnt toast and takes one rushed bite. SHOT 8: MCU, handheld 50mm / Back in the bathroom, still in pajamas, he grabs the toothbrush and toothpaste in a hurry. SHOT 9: Detail close-up, 85mm / He squeezes too hard and toothpaste shoots onto his face before brushing. SHOT 10: Top-down detail shot, 35mm / He starts putting on suit pants while standing on one leg. SHOT 11: MS, handheld 35mm / Still on one leg, he loses balance and crashes to the floor. SHOT 12: WS, 24mm tracking / Now fully dressed in suit and tie, he runs into pouring rain and chases the bus. SHOT 13: MS, 50mm tracking / Still in the wet suit, he watches the bus disappear and mutters: "Oh no, not again." SHOT 14: Low-angle OTS from desk, 50mm snap push / At the office, still wet, he sits at the computer. The boss looms over him and says: "You're fired." SHOT 15: WS, 35mm fast push-in / Back home, still wearing the same wet suit, he enters his dark bedroom and throws himself face-first onto the bed.
Hyper-realistic handheld mobile phone video, slightly shaky documentary style, natural daylight. A regular 30-year-old woman with messy blonde hair in a loose bun, wearing a slightly worn black strappy summer dress, small tattoo on her upper arm, and a thin necklace, is in a dirty, unkempt garage area. Overgrown grass and weeds everywhere, dusty concrete floor, old tires stacked with dirty water collected inside them.
She bends down behind the tires, reaches in, and excitedly pulls out a massive, baby anaconda-sized realistic centipede (dark brown, hundreds of legs, hairy texture, very detailed and lifelike). The giant centipede immediately wraps around her neck and shoulders. She smiles widely, holds it up to the camera and says cheerfully, "Have you seen this? This is the guy I was talking about!"
She gently strokes the centipede and talks to it affectionately, "How have you been, little one?" She then reaches for a half-drunk beer bottle sitting on a rusty table nearby, brings it to the centipede's head and tilts it so the centipede appears to "drink." Laughing softly she says, "You must have been thirsty… how many days since we last met?"
Natural sweat on her skin, imperfect lighting, real dirt and grime, completely unpolished and authentic backyard/garage feel.
"Use the attached DAVE VS THE VENDING MACHINE storyboard as visual reference. Dave is a Pixar 3D man, early 40s, light brown messed hair, navy blue office shirt sleeves rolled up, dark trousers, black shoes. Bright clean office corridor. NO dark frames.
THE CORRIDOR: White walls. Bright fluorescent lighting. Grey floor tiles. Small green plant in background. Silver vending machine against the RIGHT wall.
THE MACHINE: Clear glass front. Five rows of generic plain colored products — NO brand names. Top to bottom: blue, red, green, yellow, purple. Card reader, keypad, and display screen on the RIGHT side only. Dispensing tray at the very bottom — completely empty the entire video.
THE BAR: Plain red wrapped rectangular bar. Always on SECOND ROW, THIRD COIL FROM LEFT. At the start all red bars sit completely flat on their spirals — not near the edge.
THE MOVEMENT: Bar slides smoothly forward along the spiral — gentle natural motion, one rotation at a time. No flipping. No jumping. No spinning. When it reaches the end the front half slides past the coil edge hanging very slightly downward, back half on the last loop. Stops. Does not fall. This is the stuck position — identical every time it appears.
DISPENSING TRAY: Empty. Nothing falls into it. Ever.
0:00–0:02 — Wide shot from behind Dave walking toward the machine. All red bars fully inside on the spiral. Not near the edge.
SOUND: Cheerful office ambience. Footsteps.
0:02–0:04 — Medium side shot. Dave taps card on RIGHT side reader. Display shows DISPENSING. Front red bar on second row third coil begins sliding smoothly forward. Natural gentle motion.
SOUND: Card beep. Mechanical whirr.
0:04–0:06 — Close-up through glass on second row third coil. Bar slides forward naturally. Front half slides past the edge hanging very slightly downward. Back half on last loop. Stops. Does not fall. Tray empty.
SOUND: Whirr slows and stops. Silence. One low string note.
0:06–0:07 — Medium close-up on Dave's face pressed against the glass, both hands cupped around eyes. Bar hanging on edge visible behind him. Expression completely concerned.
SOUND: Dave's quiet disbelieving exhale.
0:07–0:09 — Medium side shot. Dave shakes machine with both hands — teeth gritted, tie flapping, one foot off ground. Through glass — every product shifts slightly except the red bar on second row third coil. Does not move one millimetre.
SOUND: Machine rattling. Dave grunting. Silence when he stops.
0:09–0:11 — Medium side shot. Dave taps card on RIGHT side reader again. Display shows DISPENSING. First bar still stuck. Second red bar begins sliding smoothly forward behind it. Natural gentle motion.
SOUND: Card beep. Whirr begins.
0:11–0:13 — Close-up through glass — identical framing to 0:04. Second bar slides forward naturally. Front half past the edge hanging slightly downward directly behind the first bar. Both bars stuck in perfect row. Both still. Both paid for. Tray empty.
SOUND: Whirr stops. Silence. Same low string note but lower.
0:13–0:15 — Wide shot from behind Dave. Standing still, wallet in hand, staring at two bars hanging in perfect row through the glass. Display shows THANK YOU. Tray empty. Dave stares two seconds. Turns. Walks away down corridor. Machine visible — two bars still hanging. Footsteps fading. Fade out.
SOUND: Dave's slow exhale. Footsteps fading. Faint office ambience. Fade out.
Camera: four shots only — wide from behind Dave, medium from the side, close-up through glass, medium close-up on Dave's face. Eye level. No cutaways.
Style: Pixar 3D. Bright fluorescent lighting throughout. Dave consistent every shot. Machine identical every shot — NO brand names. Red bar always second row third coil. Movement always smooth and natural. Card reader always RIGHT side. Tray always empty. Dave's expressions at maximum Pixar exaggeration. Machine completely unbothered. That contrast is the joke."
90s cartoon illustration style-hand-drawn ink outlines, watercolor textures, muted blue-grey forest tones with warm character accents. No background music score.
0-3s: Wide establishing shot of a dark, misty forest with tall bare trees. The little red-hooded girl from @image1 walks alone on a narrow dirt path, carrying her yellow picnic basket. She looks around nervously, turning her head left and right, clearly lost. Camera follows her with a slow tracking shot. Sound: crunching footsteps on dry leaves, distant wind through trees, soft confused humming from the girl.
4-7s: Medium shot. Rustling bushes beside the path - the black wolf character from @image2 emerges from the shadows between the trees. The wolf tilts his head and speaks with a sly grin: "Kamu tersesat ya?" Camera cuts to close-up of the girl's face - she stares at the wolf with a deadpan expression, unamused. Sound: rustling leaves, twig snaps, wolf's deep gravelly voice.
8-11s: Medium close-up on the girl. Without hesitation, she calmly reaches into her yellow picnic basket, pulls out a comically oversized pistol, and fires it at the wolf - BANG! Cut to the wolf diving behind a bush in panic, eyes wide. The girl answers flatly: "Tidak." She casually puts the pistol back into the basket. Sound: loud cartoon gunshot, wolf yelping, the girl's calm flat voice.
12-15s: Wide shot. The girl continues walking down the forest path alone, basket swinging cheerfully. Her posture is now relaxed and happy, skipping slightly. She hums a carefree little melody to herself as she disappears down the path. Camera holds in a static wide shot as she walks away. Sound: cheerful humming from the girl, birds chirping, fading footsteps. No background music.
Seedance 2.0
