Create a director-style PREVIS action storyboard focused on 8 continuous action frames using only minimal stick figures. No realistic anatomy, clothing, pants, shoes, or character details. Show only movement, camera choreography, momentum trails, and ink motion, with only a small amount of necessary text."
SUBJECTS A hiphop dancer wearing a loose white top and dark oversized pants with irregular ink erosion along the fabric edges; holding an oversized heavy ink brush in the right hand with dense wet ink; the brush is always part of the movement, generating visible ink trails and ink masses with every swing
ENVIRONMENT Pure infinite white space with no visible floor separation
MUSIC minimal hiphop beat with clear groove and dynamic pacing; 0:00–0:08 steady rhythmic pulse with clean kick pattern; 0:08–0:11 slightly increased rhythmic density; 0:11–0:13 brief drop to near silence or minimal ambience; 0:13–0:15 strong low-frequency accent synchronized with final motion
COLOR LOGIC pure white background + deep black and grayscale ink only, no additional colors
STYLE ink wash minimalism + abstract fashion silhouette + dynamic motion ink + negative space composition + ultra wide perspective distortion + clean high contrast rendering
TIMELINE
0:00-0:02: 24mm low-angle close tracking shot. The dancer rapidly shifts weight in groove motion, swinging the brush from behind the body to create the first long ink arc while stepping sideways toward the camera; ink softly spreads along the clothing edges. SFX: (deep rhythmic bass, soft brush drag, flowing fabric motion)
0:02-0:04: The camera is pulled sideways by the arm motion, then snaps back forward. Alternating arm swings and twisting steps create continuous hiphop rhythm; thick crossing ink trails remain in the air, with some ink attaching to the body as black structures. SFX: (wide brush sweep, rhythmic cloth movement, airy motion texture)
0:04-0:06: The camera rapidly pulls back, then pushes in again. The dancer drops low and explosively rises upward, swinging the brush vertically to create a massive ink streak; the body half-rotates forward with strong wide-angle distortion. SFX: (upward brush motion, deep groove pulse, flowing air movement)
0:06-0:08: The camera slowly rotates while drifting backward. Continuous spinning footwork and wide arm swings generate circular ink rings wrapping around the dancer; body and ink structures constantly interweave. SFX: (circular brush flow, layered fabric movement, soft rhythmic ambience)
0:08-0:10: The camera keeps retreating under pressure. The dancer aggressively advances with three powerful steps, each paired with a large brush swing; layered heavy ink structures rapidly stack, increasing visual density. SFX: (dense groove rhythm, fast brush sweep, continuous motion texture)
0:10-0:12: The camera suddenly pushes close. Using forward momentum, the dancer performs a large turning motion while the brush creates a full heavy ink ring around the body; the figure rapidly passes the lens edge, briefly breaking into ink strokes before reforming. SFX: (wide sweeping motion, layered ink flow, rhythmic air movement)
0:12-0:13.5: The camera briefly stabilizes while still being pressured backward. Maintaining groove momentum, the dancer pulls the brush far behind the body into extreme tension, leaving a long dense ink tail while surrounding ink gradually retracts inward. SFX: (minimal bass pulse, stretched brush motion, soft ambient airflow)
0:13.5-0:15: Extreme frontal wide-perspective close shot. The dancer lunges forward with full force, explosively whipping the brush toward the camera; massive calligraphic ink strokes violently flood the frame until the entire screen becomes pure black. SFX: (deep bass accent, flowing ink spread, full frame brush motion)
Create a director-style PREVIS action storyboard focused on 8 continuous action frames using only minimal stick figures. No realistic anatomy, clothing, pants, shoes, or character details. Show only movement, camera choreography, momentum trails, and ink motion, with only a small amount of necessary text."
SUBJECTS A hiphop dancer wearing a loose white top and dark oversized pants with irregular ink erosion along the fabric edges; holding an oversized heavy ink brush in the right hand with dense wet ink; the brush is always part of the movement, generating visible ink trails and ink masses with every swing
ENVIRONMENT Pure infinite white space with no visible floor separation
MUSIC minimal hiphop beat with clear groove and dynamic pacing; 0:00–0:08 steady rhythmic pulse with clean kick pattern; 0:08–0:11 slightly increased rhythmic density; 0:11–0:13 brief drop to near silence or minimal ambience; 0:13–0:15 strong low-frequency accent synchronized with final motion
COLOR LOGIC pure white background + deep black and grayscale ink only, no additional colors
TIMELINE
0:00-0:02: 24mm low-angle close tracking shot. The dancer rapidly shifts weight in groove motion, swinging the brush from behind the body to create the first long ink arc while stepping sideways toward the camera; ink softly spreads along the clothing edges. SFX: (deep rhythmic bass, soft brush drag, flowing fabric motion)
0:02-0:04: The camera is pulled sideways by the arm motion, then snaps back forward. Alternating arm swings and twisting steps create continuous hiphop rhythm; thick crossing ink trails remain in the air, with some ink attaching to the body as black structures. SFX: (wide brush sweep, rhythmic cloth movement, airy motion texture)
0:04-0:06: The camera rapidly pulls back, then pushes in again. The dancer drops low and explosively rises upward, swinging the brush vertically to create a massive ink streak; the body half-rotates forward with strong wide-angle distortion. SFX: (upward brush motion, deep groove pulse, flowing air movement)
0:06-0:08: The camera slowly rotates while drifting backward. Continuous spinning footwork and wide arm swings generate circular ink rings wrapping around the dancer; body and ink structures constantly interweave. SFX: (circular brush flow, layered fabric movement, soft rhythmic ambience)
0:08-0:10: The camera keeps retreating under pressure. The dancer aggressively advances with three powerful steps, each paired with a large brush swing; layered heavy ink structures rapidly stack, increasing visual density. SFX: (dense groove rhythm, fast brush sweep, continuous motion texture)
0:10-0:12: The camera suddenly pushes close. Using forward momentum, the dancer performs a large turning motion while the brush creates a full heavy ink ring around the body; the figure rapidly passes the lens edge, briefly breaking into ink strokes before reforming. SFX: (wide sweeping motion, layered ink flow, rhythmic air movement)
0:12-0:13.5: The camera briefly stabilizes while still being pressured backward. Maintaining groove momentum, the dancer pulls the brush far behind the body into extreme tension, leaving a long dense ink tail while surrounding ink gradually retracts inward. SFX: (minimal bass pulse, stretched brush motion, soft ambient airflow)
0:13.5-0:15: Extreme frontal wide-perspective close shot. The dancer lunges forward with full force, explosively whipping the brush toward the camera; massive calligraphic ink strokes violently flood the frame until the entire screen becomes pure black. SFX: (deep bass accent, flowing ink spread, full frame brush motion)
INTENT: Create a playful, high-energy friendship adventure that briefly turns tense when one rider is pulled into storm clouds, then resolves with a triumphant rescue and joyful return.
STYLE: stylized family-feature 3D animation feel, rounded expressive silhouettes, clean readable forms, soft cloud-rich atmosphere, bright sky blues shifting into charged storm grays, uplifting polished finish.
WORLD: a sky-high cloudscape where skateboard-like boards glide across fluffy cloud paths, with open sunlight above and a dangerous storm pocket that feels alive with wind, rain, and lightning.
REFERENCES:
Use the provided previs storyboard page @[storyboard_image] as the main reference.
Do not treat the page as one single image.
Treat the panels as sequential shot keyframes and expand them into a coherent short scene with clear continuity.
Use the @[character_sheet_image] as characters reference.
VISUAL APPROACH:
Match the storyboard's spatial variety and emotional pacing.
Prioritize readability, screen direction, and continuity of action across beats.
Keep visual motion calm and intentional rather than restless.
REFERENCE USAGE:
Image 1 = storyboard reference. Use only for shot order, pacing, framing, and action flow. Do NOT recreate the storyboard grid, borders, captions, text, or layout.
SETTING:
Bright natural history museum fossil hall with a giant T-Rex fossil skeleton, polished floor, red rope barriers, visitors, banners, exhibit signs, and warm museum lighting.
IMPORTANT:
The dinosaur is NOT alive. It is only an inanimate museum fossil skeleton. Do NOT animate it like a creature. No monster behavior, no facial expressions, no magic. The collapse happens only because the girl climbs the fossil and makes the support lose balance.
STYLE:
Premium 3D animated family comedy, cinematic lighting, clear silhouettes, readable action, exaggerated expressions, fast slapstick pacing.
AUDIO:
Playful orchestral comedy music with pizzicato strings, light percussion, mischievous woodwinds, rising tension, and a funny final punchline.
SFX:
Museum ambience, crowd murmur, sneaker squeaks, phone beep, shutter click, guard footsteps, whistle, rope shake, fossil creaks, metal rattles, bone clacks, crowd gasps, whooshes, falling bones, dust crash, debris impacts, final selfie click.
DIALOGUE:
Girl: “Selfie time!”
Guard: “Hey! Get down from there!”
Girl: “Uh-oh!”
Girl: “No, no, no!”
VIDEO FLOW:
[0:00–0:01.2]
The girl climbs onto the giant T-Rex fossil leg, excited and playful, holding her phone.
[0:01.2–0:02.5]
She balances on the fossil leg, raises her phone, smiles, and prepares for the perfect selfie. She says: “Selfie time!”
[0:02.5–0:03.8]
A museum security guard notices her, rushes in, points up, and shouts: “Hey! Get down from there!” The girl freezes, startled.
[0:03.8–0:05.0]
Instead of climbing down, she panics and climbs higher. She shifts her weight awkwardly, grips the bones, and says: “Uh-oh!” The fossil support creaks.
[0:05.0–0:06.2]
A realistic wobble begins from the leg upward. Small bones and supports shake. Dust falls. The girl looks around nervously.
[0:06.2–0:07.5]
The wobble spreads in a believable chain reaction from leg to ribs to spine to neck. Visitors gasp. The guard panics. The girl says: “No, no, no!”
[0:07.5–0:08.8]
The giant skull section tilts and swings downward as part of the collapsing display. The girl ducks fast and scrambles away.
[0:08.8–0:10.0]
The fossil hall erupts into chaos. Visitors run, the guard stumbles back, and bones, supports, signs, and exhibit pieces fall in a clear chain reaction.
[0:10.0–0:11.2]
The girl runs through a tunnel-like gap formed by collapsing rib bones, still holding her phone.
[0:11.2–0:12.5]
Everything pauses for a suspense beat. The last unstable fossil section leans farther and farther. Everyone stares upward.
[0:12.5–0:13.8]
Slow-motion final collapse. The fossil display breaks apart into a family-friendly avalanche of bones, dust, supports, and exhibit debris. Then snap back to real speed.
[0:13.8–0:15.0]
Final punchline: amid the wreckage, the girl happily gets the perfect selfie anyway, smiling proudly at her phone while the shocked guard and visitors remain behind her.
The fossil must remain inanimate. The collapse must feel physical, progressive, readable, cinematic, and funny.
[CINEMATIC SETUP] Full-color 3D animated comedy short, cinematic cartoon style, bright sunny park, polished lighting, expressive faces, vibrant colors. Keep left-right continuity: the squirrel always runs from screen left to right straight toward the raccoon and donut box. The raccoon stays by the bench.
[CHARACTERS] Chubby donut-loving raccoon with striped tail. Small hyperactive squirrel with fluffy tail.
[TIMELINE]
0–1.5s: [Wide / Static] Raccoon finds a donut box on a park bench.
1.5–3s: [Medium / Push-In] Raccoon opens the box in awe.
3–4.5s: [MCU / Pan] Raccoon hears rustling from screen left and looks that way.
4.5–6s: [Wide / Tracking] Squirrel sprints from screen left toward the bench and donut box.
6–7.5s: [Medium / Push-In] Raccoon protects the donut box.
7.5–9s: [Close / Forward] Squirrel crashes into raccoon, donuts fly.
9–11s: [Close / Tight] Both scramble for falling donuts.
11–13s: [Medium / Static] Both freeze, each holding half a donut.
13–15s: [Wide / Final Hold] They glare, then bite at the same time.
[STYLE & QUALITY] Sunny park, green grass, grey-brown raccoon, orange-brown squirrel, pink icing, smooth comedic timing.
Everything was made inside @LeonardoAi
Based on the storyboard @image_1 and the characters
@image_2
create this shortfilm - do not include any of the movement arrows
Father & Daughter Making Breakfast Together
1. Start Pose – Standing side-by-side at the counter, hands steady on ingredients (Inhale)
2. Recipe– Father and daughter lift the Recipe and look at it together
3. Milk pour – Pouring milk into the bowl with controlled motion
4. Add Ingredients – Daughter adds flour and eggs while father guides
5. Heat Ignites – Turning on the stove and heating the pan
6. Flow with Fire – Stirring the batter together, moving with the rhythm
7. Batter in Pan – Pouring batter into the hot pan
8. The Flip – Father is Flipping pancakes, Daughter is laughing and watching
9. Plate Placed – Stacking fresh pancakes on the plate
10. Final Touch – Adding a drizzle of honey or a sprinkle of berries
11. Happy – Admiring the warm breakfast with fresh fruit and syrup
12. Success – Father and daughter give a thumbs up to the camera, the plate with pancakes with fruite and sirup in front of them
Concept: Cooking breakfast together as a moving and bonding moment.
Camera: Mix of warm close-ups and low-angle shots to show connection and gentle power.
Color Palette: Warm cute colors
Style: a cute 3d animation
Characters: Loving Father and his young Daughter
Seedance 2.0
