Create a fight scene between char 1 and char 2 that takes place in Location 1 add in proper fight kind of lighting, the fight should follows the exact sequence and movements from steps 1–12 shown in img 1. The music should just be fight SFX. There should be no dialogue, text, or narration
Create a fight scene between char 1 and char 2 that takes place in Location 1 add in proper fight kind of lighting, the fight should follows the exact sequence and movements from steps 1–12 shown in img 1. The music should just be fight SFX. There should be no dialogue, text, or narration
Use the references with strict priority and role separation:[REF_STORYBOARD] = primary guide for shot order, framing, timing, composition, and scene progression.
Follow it strictly.[REF_GIRL_MODEL] = character identity anchor for the teenage girl.
[REF_PHOENIX_MODEL] = creature identity anchor for the phoenix.
[REF_BACKGROUND] = environment and forest background anchor.Create a Japanese anime action scene of a teenage girl fighting two phoenix birds in a forest.Absolute priority:Follow the storyboard strictly for all shots and scene progression.
Keep the girl design locked to [REF_GIRL_MODEL].
Keep the phoenix design locked to [REF_PHOENIX_MODEL].
Keep the forest and path consistent with [REF_BACKGROUND].
The girl:
teenage anime girl, short black bob haircut, rust-orange headband, rust-orange wrap tunic, dark inner collar, cropped dark loose pants, agile fighter silhouette, determined expression, consistent face and costume in every shot.The phoenixes:
two large mythic phoenix birds, copper-gold-orange plumage, pale chest, broad wings, long tail feathers, flame-like crest details, powerful talons, consistent design in all shots.The environment:
lush forest path, tall trees, dense foliage, rocks, roots, grass, earthy ground, warm daylight, cinematic depth.Visual target:
clean Japanese anime linework, polished final-frame rendering, crisp cel shading, dynamic camera angles, detailed forest backgrounds, strong action readability, finished anime film look.Important: storyboard is the main source for camera and shot progression
no photorealism
no 3D CGI
no rough sketch look
FORMAT: 15s / free rhythm / ONE CONTINUOUS SHOT / motivated camera movement
SUBJECTS: Shackled prisoners in magnetic cuffs, armored guards, a damaged med-drone trailing tubing, and a silent detainee with altered anatomy inside a dark cell.
ENVIRONMENT: A prison transport corridor inside a starship with sliding cell doors, frosted inspection glass, wet steel flooring, restraint rails, and white ceiling panels. Cold vapor leaks from vents, antiseptic residue streaks the deck, and alarm strobes stain the corridor.
MOOD: Biotech dread breaks sterile control.
COLOR LOGIC: Matrix Green Look
TIMELINE:
0:00-0:03: Restraint march. Low wide shot with rails and boots dominating the foreground. Prisoners in magnetic cuffs shuffle between guards, one set of bound fingers twitching out of sync under hard white light. Steadicam retreat at 28mm until a guard's baton snaps into frame. SFX: cuff hum, boot thuds, chain rattle, ship drone, radio static.
0:03-0:05: Baton cue. Medium shot as the baton cuts across the lens and signals a halt, catching a green monitor reflection. The camera whips with it toward a sealed cell door as locking bars retract and a wet smear glints on the threshold. Fast motivated pan into a truck move. SFX: baton swish, servo clunk, magnetic lock release, boots scraping steel.
0:05-0:07: Cell release. Frame-within-frame on the sliding door opening into a side bay. Before the interior fully reads, a damaged med-drone bursts out trailing snapped tubing and a folded injector arm, slicing past the camera and forcing a redirect. The camera dips and accelerates after it. SFX: door grind, rotor jitter, broken warning chirp, fluid drip, guard shout off metal walls.
0:07-0:10: Emergency run. Wide shot with layered bars and shoulders as the med-drone races beneath pulsing ceiling panels, projecting a warped scan grid over prisoners and guards. The camera chases just behind it as prisoners recoil and one guard jerks back from the dangling instrument. SFX: rotor buzz, strained breath, armor clatter, siren swell, rubber soles. White light sickens into green and red alarm wash.
0:10-0:12: Alarm pull. Upward tilt into a rotating alarm beacon above an isolation block, then a smooth pedestal down as the strobe paints the corridor in green, white, and red. The reflection sweeps across black cell glass, revealing a silhouette that seems to gain an extra joint only when lit. SFX: alarm pulse, electrical buzz, vent hiss, ambience dropping into near-silence.
0:12-0:15: Final hold. Medium close-up settling to close-up through the isolation window. A detainee stands motionless in darkness with magnetic cuffs hanging loose, head slightly lowered, chest moving in segmented pulses, while the red strobe passes across a face that looks almost normal except for a jawline opening a fraction as vapor slips out. Slow push-in at 50mm, ending on stillness behind the glass. SFX: low reactor thrum, faint cuff buzz, glass creak, wet exhale, alarm pulse receding into silence.
Use @[image1] as the character reference sheet. Maintain strong consistency in face, hair, outfit, silhouette and key accessories.
Create a cinematic 15s multi-cut VFX showcase video in realistic 3D.
The scene should have a realistic 3D look with high-end CGI quality, physically believable materials, cinematic lighting, volumetric atmosphere and strong depth. The character performs a summoning in a grounded real environment.
Start with a calm setup shot. Then show the first trigger of the effect around the character or on the ground. The summon effect builds in clear stages, with energy gathering, symbols or forms activating, force rising and a visible presence emerging. Show the summoned entity, object or presence appearing gradually and clearly from the effect.
The character must move naturally with the effect and feel like they are channeling, directing and controlling the summon. Avoid stiff posing. Use body language, gesture and reaction that match the buildup and force of the effect.
Structure:
- setup shot
- activation detail shot
- build-up shot
- peak summoning shot
- emergence shot
- final hero shot with the summon fully present
Realistic 3D, cinematic, high-end CGI, visually grounded, readable VFX, smooth shot progression, believable lighting interaction, strong atmosphere. No text, no subtitles, no watermark.
Unsteady handheld phone footage shot from [SHOOTER VANTAGE / SHOOTING POSITION] at [TIME OF DAY], [LENS/PHONE PHYSICAL POSITIONING DETAIL], producing [PRIMARY OPTICAL ARTIFACT, e.g. a faint smear of condensation fog, a smudge of fingerprint oil, a streak of rain] across the [FRAME LOCATION, e.g. lower quarter, right edge, top third] of the frame and intermittent [LIGHT FLARE TYPE, e.g. glare blooms, lens halation, prismatic streaks] from the [DOMINANT LIGHT SOURCE] reflecting back against the shooter's phone camera, the image is flat, auto-white-balance toggling between [COLOR CAST 1, e.g. a cool blue cast] and [COLOR CAST 2, e.g. an orange-amber push] as [LIGHT MIXING SCENARIO, e.g. ambient street light mixes with interior glow], color entirely ungraded and slightly washed out.
At 0s the camera swings erratically [DIRECTION, e.g. left-to-right, low-to-high, side-to-side] hunting for the subject, frame wildly off-center, catching [BLURRED ENVIRONMENTAL DETAILS visible during the search] before the autofocus locks momentarily on [SUBJECT 1: physical build, age range, hair, distinguishing features] [SUBJECT 1 POSITION/LOCATION IN SCENE], [SUBJECT 1 WARDROBE: detailed top-to-bottom clothing description with fabric, color, fit, accessories, and posture/demeanor]. [OPTIONAL SUBJECT 2: positioning relative to subject 1, full physical description, wardrobe, body language toward subject 1, exuding [RELATIONSHIP/INTERACTION DYNAMIC]].
At 2s the autofocus drifts off [the pair / the subject] and [BACKGROUND ELEMENT] sharpens while [the subject(s)] go soft and blurry, the camera operator [SHOOTER REACTION, e.g. whispering urgently off-mic, cursing under breath, holding their breath] before it snaps back to focus at 4s with a visible hunting pulse.
[INTERRUPTION 1, e.g. a pedestrian, a server, a passing vehicle] [crosses / passes / blocks] the frame at 5s, briefly obscuring [the subject(s)] behind [OBSCURING ELEMENT], the shooter dipping and angling to reacquire them through [SHOOTING MEDIUM, e.g. the glass, the foliage, between parked cars].
At 6s [INTERRUPTION 2, e.g. a camera flash from another phone further down the sidewalk, a passing headlight wash, a neon sign flicker] [REFLECTION BEHAVIOR] creating a hot chromatic flare across the [FRAME EDGE], cyan and red fringing visible on the high-contrast [HIGH-CONTRAST EDGE DETAIL].
[SUBJECT NAME/IDENTIFIER] [REACTION VERB, e.g. glances, flinches, turns] briefly toward [SHOOTING MEDIUM] at 8s, [REACTION DETAIL: expression shift, body movement, instinctive shielding gesture] before [returning to conversation / stiffening / leaning back into shadow]; the shooter holds completely still for two seconds, barely breathing.
At 10s the phone [CAMERA SHIFT, e.g. dips, tilts, drifts] as the operator shifts weight, the frame [FRAMING ERROR, e.g. cutting off both subjects at the shoulders, clipping a head, losing them entirely] momentarily, [OPTICAL ARTIFACT EVOLUTION, e.g. the window fog smearing the bottom edge thicker], before rising again to reframe them, composition still imperfect, slightly tilted, [SUBJECT BODY PART] clipped by the frame edge.
[AMBIENT AUDIO BED, e.g. distant traffic noise, low restaurant chatter, lobby murmur] bleeds through the audio throughout, [MICROPHONE INTERFERENCE, e.g. wind buffeting the microphone in a low rhythmic thump, fabric rustle as the operator shifts], faint [BACKGROUND VOICES OR SOUNDS] from [SOURCE, e.g. other pedestrians on the sidewalk, nearby tables], and at 12s [HALF-AUDIBLE EVENT, e.g. an excited whisper from someone just off camera says something unintelligible], followed by [SECONDARY AUDIO EVENT, e.g. the rapid-fire click-burst of a DSLR shutter from nearby, a car door slamming, a phone notification chime].
At 14s [ENVIRONMENTAL DETAIL, e.g. the interior light flickers slightly, possibly a server passing] and the autofocus hunts one final time before the clip ends at 15s with the frame still imperfectly held on [the subject(s)] through the [SHOOTING MEDIUM CONDITION, e.g. foggy reflection-streaked glass, leaf-broken sightline], [SUBJECT QUALITY 1] and [SUBJECT QUALITY 2] both visible but never cleanly captured.
Seedance 2.0
