Shot on ALEXA 65mm anamorphic lens. Photorealistic cinematic quality. Aspect ratio 2.39:1 widescreen. Teal shadows, warm amber highlights. Film grain. Rain-soaked neon-lit night. Lens flares, motion blur. Dolby Vision HDR.
0.0s–2.5s:
Extreme low-angle tracking shot — two girls face each other in a narrow neon-lit alley, rain pouring hard. One in a soaked leather jacket, the other standing calm, hair dripping, eyes locked. Water ripples across puddles between them. The camera slowly tracks backward as they step closer. Tension builds. One cracks her knuckles, the other tilts her head with a cold smirk.
2.6s–5.0s:
Whip-pan — first strike launches. TIME REMAP: slow motion as one swings, the other ducks and counters with a sharp punch. Water sprays through the air. Hair whips across faces. A kick lands, sending one sliding across wet pavement. Neon lights flicker above, sparks falling like rain.
5.1s–7.5s:
Drone shot — overhead view as they circle each other, movements precise and fast. SLOW MOTION: rapid exchanges of kicks and blocks. One attempts a spinning strike — caught mid-motion and redirected. Their reflections blur in the rain-soaked ground.
7.6s–10.0s:
360° orbital shot — one leaps forward with a spinning kick, the other blocks and counters instantly. The camera circles as they trade blows in perfect rhythm. Breath visible in the cold air. Their expressions stay focused, intense, unshaken.
10.1s–13.0s:
First-person POV — one girl charges for the final exchange. SMASH CUT: fast, heavy hits in slow motion. Final strike connects clean.
Silence.
Rain continues falling.
Slow push-in — one girl stands steady, adjusting her sleeve, breathing controlled. The other remains down, unmoving.
Low-angle shot. Eyes sharp, unwavering.
FPV drone camera chasing a pack of 2 racing cars speeding together on a super narrow curvy road in a ruined apocalyptic city. The cars are racing and chasing each other aggressively, drifting through sharp turns, overtaking, bumping slightly, and competing for position. The FPV camera flies low behind them, swinging left and right, diving and rising with the steep up-down road. Dust clouds explode from the tires. Broken buildings, flying surveillance drones emitting scanning waves, and rays of light cutting through dusty air. Minimalistic color palette, cinematic lighting, hyper-detailed environment, ultra-realistic, high-speed motion blur, intense chaotic racing energy.
women flying across the city like superwoman, holding a can of Coca-Cola in hand, wide-angle lens view from the front, close-up focus on the can, city in dynamic motion blur, cinematic lighting, ultra-realistic, high speed action --ar 3:4 --style raw --v 7
Film Style: High-end automotive commercial, IMAX feel, ultra-sharp clarity. Lens: 24mm anamorphic. Color Grade: Dark urban tones with neon highlights. Camera Behavior: Fast tracking, whip transitions,drone-like movement.
A masked spy races across neon-soaked skyscraper rooftops in the dead of night—rain hammering down as helicopters sweep the skyline with blinding spotlights. The camera tracks every move in a high-intensity chase, sparks bursting as bullets ricochet off metal vents, all captured in cinematic lighting with ultra-realistic, action-film precision.
SUBJECTS:
Main Subject: A parkour expert in POV perspective, defined by visible arms, hands, forearms, shoe tips, lower knees, grips, hand placements, wall runs, precise landings, slides, landing cushioning, and weight shifts.
Style: Painterly 3D, stylized on real human anatomy with hand-painted textures, softened edges, visible brushstrokes, and selective detail. Lighting follows real-world physics with a cinematic composition.
ENVIRONMENT:
Neon cityscape at night, featuring complex urban architecture. The space blends rooftops, industrial platforms, equipment layers, parking garages, exposed steel, glass walkways, railings, low walls, gaps, staircases, ventilation shafts, pipes, billboards, and aerial connections, creating a continuous, dynamic path in all directions. The distant view is a layered neon city canyon, fading into the fog.
TIMELINE:
0:00-0:02:
32mm–35mm equivalent, POV. High-speed running begins with no pause. The character bursts between offset rooftops and platforms, navigating architectural nodes: low walls, railing gaps, short height drops, narrow edges, and a wall for wall runs. The character strides across the gap, speed vaults over a low wall, and shifts direction with a one-handed touch, keeping the movement dense and continuous.
0:02-0:04:
Hard cut. The character continues sprinting, performing a precision jump to a narrow platform edge. No pause on landing, immediately transitioning into a cat leap to a higher platform edge, briefly suspended before pulling up using core strength. They then charge towards a passage, performing a short underbar or close-pass movement, forming a continuous action chain.
0:04-0:07:
The character advances along a parking structure-like platform and industrial edge, crossing pipes and stepping precisely along a narrow guardrail. After two steps, they use a wall for a tic-tac wall run, leaping to a higher angled platform. Upon landing, they slide along a tilted glass roof, followed by a kong or quick hand support to clear the obstacle.
0:07-0:10:
Match cut to the most thrilling 3D switch. The character enters a vertical space formed by billboards, stair platforms, and exposed steel beams, stepping onto a narrow beam, then pulling up on a fixed steel beam. They wall-run to raise, then cut to a higher maintenance platform. Sprinting along the narrow outer edge of a walkway, they precision jump to a smaller landing spot, with rooftops and bridges visible beneath.
0:10-0:12:
Cut to peak rescue. The character lands on the edge of a semi-transparent glass walkway, which is slippery from rain. A previously existing damaged area begins to collapse under weight. The character makes a critical correction at high speed, catching a lower railing, then swinging to recover and pull back onto the bridge. They immediately slide under a tilted steel beam and leap over a broken frame.
0:12-0:15:
Quick cut to the final explosive burst. The character sprints up the last set of platforms and narrow edges to the highest point, taking a brief press step before leaping. On landing, the knees and ankles cushion the impact, with the camera compressing and snapping back. The character steadies themselves, and the camera tilts up to reveal a vast neon city skyline. Rooftop gardens, glass domes, neon towers, and aerial structures interlace, with super-tall buildings extending into the fog, creating an immense, bottomless urban canyon between them. The character briefly raises their hands to adjust their breath and balance before stopping at the highest edge to gaze over the city.
Seedance 2.0
