FORMAT: 15s / ONE CONTINUOUS SHOT / BULLET TIME SELFIE PARAMS: <CHARACTER>: define subject, outfit, state <ENVIRONMENT>: define location, time, atmosphere <UNEXPECTED_EVENT>: define threat / accident / impact <OUTCOME_ACTION>: define reaction (attack / dodge / collision / escape) <FINAL_STATE>: define ending state RULE: Freeze the world, keep only <CHARACTER> in real-time motion. Delay character action inside slow motion (~2s hold before selfie). Selfie must clearly include both <CHARACTER> and the <UNEXPECTED_EVENT> in the same frame. STRUCTURE: 0.0–3.0s — SETUP <CHARACTER> in <ENVIRONMENT>, normal flow. <UNEXPECTED_EVENT> begins and escalates rapidly. 3.0–10.0s — PEAK (SLOW MOTION) 3.0–5.0s Time slows almost to a freeze at the critical moment. <CHARACTER> holds position, tension builds. 5.0–10.0s [cam: close, slight orbit / bullet time] [sfx: ambience stretch, single phone snap] <CHARACTER> pulls out phone → takes selfie capturing the moment → puts it back. 10.0–13.0s — OUTCOME ACTION Time snaps back instantly. <OUTCOME_ACTION> plays out. 13.0–15.0s — END <FINAL_STATE>.
FORMAT: 15s / ONE CONTINUOUS SHOT / BULLET TIME SELFIE
PARAMS: : define subject, outfit, state : define location, time, atmosphere <UNEXPECTED_EVENT>: define threat / accident / impact <OUTCOME_ACTION>: define reaction (attack / dodge / collision / escape) <FINAL_STATE>: define ending state
RULE: Freeze the world, keep only in real-time motion. Delay character action inside slow motion (~2s hold before selfie). Selfie must clearly include both and the <UNEXPECTED_EVENT> in the same frame.
STRUCTURE:
0.0–3.0s — SETUP in , normal flow. <UNEXPECTED_EVENT> begins and escalates rapidly.
3.0–10.0s — PEAK (SLOW MOTION)
3.0–5.0s Time slows almost to a freeze at the critical moment. holds position, tension builds.
5.0–10.0s [cam: close, slight orbit / bullet time] [sfx: ambience stretch, single phone snap]
pulls out phone → takes selfie capturing the moment → puts it back.
10.0–13.0s — OUTCOME ACTION Time snaps back instantly.
<OUTCOME_ACTION> plays out.
Seedance 2.0A rider at full speed, aggressive control, no hesitation. 0-3s Low tracking behind bike. Extreme speed. 3-5s Helicopter above. Shadow passing. 5-7s Ground impacts around him. Near misses. 7-9s Sharp turn. Camera whip pan. 9-11s Jump over obstacle. 11-13s Slow motion. Helicopter behind. 13-15s Landing full speed. Escape continues. Camera low tracking, whip pan, aerial motion Style hollywood chase, extreme speed realism
Seedance 2.0Ultra-cinematic fantasy action sequence in a volcanic kingdom at bright midday, with blazing sunlight cutting through ash, smoke, and heat shimmer. Start instantly with an epic ultra-wide shot of a black-stone fortress collapsing over a river of lava as a wingless knight sprints across a crumbling chain bridge while a young dragon tumbles from a broken tower. The camera rushes low and fast through sparks, falling stone, whipping chains, and bursts of flame, with dramatic scale and sharp visibility. At 7 seconds, enter slow motion as the knight leaps from the final archway, cape snapping violently, diving through fire and molten debris toward the falling dragon. At 10 seconds, snap back to full speed as the knight grabs the dragon's neck harness, both slam onto a descending cargo lift, and crash safely into a lava tunnel as the fortress collapses behind them. End with the lift dropping into shadow while fire erupts above.
Seedance 2.0FORMAT: 15s / free rhythm / 1 seamless match cut / uninterrupted camera movement until the cut + action beginning immediately from frame one SUBJECTS: A solitary woman armed with a sword, dressed in worn fur and leather survival gear, struggles against a huge polar bear using raw, two-handed defensive movement. Later it is revealed that the same woman is inside her home wearing relaxed indoor clothing, where a VR headset appears only after the match cut and is removed in one clear motion. ENVIRONMENT: Open frozen tundra beneath harsh winter daylight, wind dragging powder snow across pale blue ice. The sequence transitions into a modest, lived-in interior through a carefully aligned visual match. The biting cold, visible breath, and glare of the wilderness give way to warm clutter, window light, and a faint glow from the game. MOOD: Immediate life-or-death intensity that abruptly resolves into everyday reality while preserving physical continuity of motion. COLOR LOGIC: Naturalistic cinematic film print emulation. TIMELINE 0:00–0:07 The shot begins instantly in motion. A handheld wide shot collapses toward a medium-close framing as the woman retreats across frozen ground while the polar bear charges through blowing snow. The camera runs beside the action at roughly eye level, beginning near 28mm and gradually tightening toward 35mm, slightly unstable but close enough to keep both figures physically grounded in frame. The bear rapidly closes distance while she plants her feet, recoils, and keeps the sword positioned defensively between them. SFX: howling wind, boots grinding against ice, deep animal roar, fabric strain, blade slicing through air, snow scraping across the surface. Hard winter sunlight side-lights the terrain, casting long blue shadows across the ice. 0:07–0:11 The movement continues without a cut, pushing into a tight close-up as the bear lunges into the final distance. Claws reach toward her shoulders and its jaws dominate the edge of frame. At the height of the attack, a man's voice calls out: "Karla…" then louder: "KARLA." She answers with a tired "Off." At that exact response, time collapses into slow motion. Snow particles hang nearly still, the bear suspended mid-strike, while she alone continues moving at normal speed. The camera slowly arcs around her face in a clockwise drift. Unimpressed rather than frightened, she lets the sword fall and raises both empty hands toward her temples in one smooth interruption gesture. No headset or device exists in this frozen world. The camera maintains identical face scale, hand height, head tilt, lens distance, and rotational drift until the match cut. SFX: fabric tension approaching impact, the distant voice calling Karla… KARLA, her quiet Off, wind stretching and fading toward silence. Bright winter light catches suspended snow crystals around her face. 0:11–0:15 MATCH CUT. The close-up aligns perfectly with the new setting. As her hands pass through the same screen position, the frozen tundra becomes a small home interior. The camera keeps the same clockwise drift and framing as the motion continues uninterrupted. For the first time, a VR headset is visible over her eyes. She grips both sides and pulls it upward in a single smooth action. The camera widens into a medium shot as the headset lifts above her forehead. She steps into a compact living room wearing loose indoor clothing. The handheld orbit reveals couch edges, scattered blankets, and cool daylight from a window. Her body language relaxes into mild irritation. She looks toward the unseen voice, rolls her eyes slightly upward, and says: "What is it." Lens: 35mm, natural spherical look. SFX: headset strap stretching, plastic shifting, quiet room ambience, soft footstep on the floor, faint game audio fading out, her breathing settling, her dry voice asking "What is it." Indoor daylight replaces the stark winter contrast.
Seedance 2.0SHOT 1 (0:00–0:03) — THE APPROACH EFFECT: Tracking shot (dolly equivalent, 50mm) + speed ramp (slow build) Sasha approaches the jump from above — the camera tracks him from behind at snow level, lens at hip height. His board is throwing a fine spray of powder to the left. The sun hits the spray and turns it into a brief cascade of gold. Speed at normal, then a gentle ramp upward as the kicker approaches. His crouch deepens as he reads the lip. Cut to 85mm side profile: his face behind the visor. Focused. Easy. One breath out — visible steam. SHOT 2 (0:03–0:06) — THE LAUNCH EFFECT: Speed ramp (deceleration to near-freeze) + 50mm wide from below The board leaves the lip. Camera is planted below the kicker looking up — Sasha launches into the frame against open sky, the mountain horizon behind him. Body fully airborne. Speed ramps down to approximately 15% as he clears the lip — the board's edge catching the last sunlight, the spray from the kicker dispersing beneath him in slow motion. He begins the rotation for a backflip. His arms extend outward for balance. SHOT 3 (0:06–0:09) — THE CLAP AND THE FREEZE — SIGNATURE VISUAL EFFECT: Snap zoom (scale-in) + full time freeze + shockwave emanation At the apex of the backflip — fully inverted, maximum height, body in a clean arc — Sasha brings both hands together in a single clap. SNAP ZOOM punches into his gloves meeting — the impact between them sends a ripple outward through the air. Snow crystals that had been falling from disturbed branches nearby suddenly stop in place. TIME FREEZES. The shockwave expands outward from his hands across the mountain. Every skier on the slope above freezes mid-turn. The gondola stops on its cable. The restaurant terrace locks. Snow that was falling locks in position. Sasha himself hangs in the air, fully inverted, arms extended after the clap, in perfect anatomical stillness — suspended at the apex of a backflip 6 meters above the snow. THIS IS THE SIGNATURE VISUAL EFFECT — a man frozen upside-down at maximum altitude, surrounded by a mountain of suspended snow crystals and locked figures. Camera settles. Then begins its own journey. SHOT 4 (0:09–0:13) — FPV FLIGHT UP THE MOUNTAIN — SKIER SLALOM EFFECT: FPV continuous drone (high-speed) + frozen figure threading Camera launches from directly below Sasha, ascending past him in a tight arc — close enough to see the board's edge above — then accelerates up the mountain slope. The slope has 8–10 skiers frozen in mid-turn at various points. The camera threads between them at high speed, FPV style — banking left around one, ducking under the extended pole of another, spiraling around a third who is frozen mid-mogul air. The frozen skiers are in wildly different positions: one is low and coiled, one is fully extended, one has both poles planted. A natural gallery of human motion, frozen. Camera accelerates as it approaches the top of the jump run. Speed is increasing throughout.
Seedance 2.0Shot on ALEXA 65mm anamorphic lens. Photorealistic cinematic quality. Aspect ratio 2.39:1 widescreen. Teal shadows, warm amber highlights. Film grain. Rain-soaked neon-lit night. Lens flares, motion blur. Dolby Vision HDR. 0.0s–2.5s: Extreme low-angle tracking shot — two girls face each other in a narrow neon-lit alley, rain pouring hard. One in a soaked leather jacket, the other standing calm, hair dripping, eyes locked. Water ripples across puddles between them. The camera slowly tracks backward as they step closer. Tension builds. One cracks her knuckles, the other tilts her head with a cold smirk. 2.6s–5.0s: Whip-pan — first strike launches. TIME REMAP: slow motion as one swings, the other ducks and counters with a sharp punch. Water sprays through the air. Hair whips across faces. A kick lands, sending one sliding across wet pavement. Neon lights flicker above, sparks falling like rain. 5.1s–7.5s: Drone shot — overhead view as they circle each other, movements precise and fast. SLOW MOTION: rapid exchanges of kicks and blocks. One attempts a spinning strike — caught mid-motion and redirected. Their reflections blur in the rain-soaked ground. 7.6s–10.0s: 360° orbital shot — one leaps forward with a spinning kick, the other blocks and counters instantly. The camera circles as they trade blows in perfect rhythm. Breath visible in the cold air. Their expressions stay focused, intense, unshaken. 10.1s–13.0s: First-person POV — one girl charges for the final exchange. SMASH CUT: fast, heavy hits in slow motion. Final strike connects clean. Silence. Rain continues falling. Slow push-in — one girl stands steady, adjusting her sleeve, breathing controlled. The other remains down, unmoving. Low-angle shot. Eyes sharp, unwavering.
Seedance 2.0{ "shot": { "lens": "24mm wide-angle", "starting_position": "Camera low and to the left of the attacking player, matching the reference image exactly. Player leaping high, right arm extended toward the frozen ball above. Net runs diagonally into background. Blue sky, palm trees, beach crowd, ocean visible.", "camera_movement": "Smooth, steady, continuous counter-clockwise 270-degree orbit around the entire volleyball court, wide enough to keep all players and the full court visible throughout. The camera travels at constant speed and constant low height. The orbit ends naturally with the camera positioned directly in front of the spiking player — net horizontal along the bottom of frame, player centered slightly above net height, ball directly above her raised hand. Camera stops and holds." }, "subject": { "description": "Four female beach volleyball players completely frozen in time like statues — matching the reference image. Spiking player: blue and yellow uniform, white visor, ponytail, leaping high, right arm fully extended upward toward the ball. Teammate crouching behind her. Two opponents in red uniforms in defensive stance across the net. All four players are absolutely motionless — rigid, frozen, like a photograph — for the entire 270-degree orbit. They do not move, breathe, sway or shift in any way.", "props": "Volleyball frozen mid-air above the attacker's hand. Sand particles completely suspended in mid-air, motionless. Blue metal net posts. Court boundary lines visible." }, "visual_details": { "during_orbit": "The four players on court are completely frozen — total stillness, no movement whatsoever. Only the spectators and crowd outside the court boundary may move very slightly — in extreme slow motion, almost imperceptible, as if time outside the court is merely slowed rather than stopped entirely.", "time_release": "Exactly when the camera reaches its final front-facing position and stops — net along the bottom of frame, player centered above it — time releases instantly. The player explodes into action from her frozen position: her body uncoils with full athletic force in a single powerful motion. Her hand drives through the ball with maximum power. The ball launches in a straight forward downward trajectory directly toward the camera along the central axis of the frame. No lateral deviation. No sideways angle. The ball travels straight at the lens, growing rapidly until it fills the entire frame completely." }, "cinematography": { "lighting": "Harsh California beach sunlight matching the reference. Sharp shadows on sand, strong highlights on skin and uniform. Lighting direction physically consistent throughout the orbit.", "color_palette": "Golden sand, deep blue sky, blue and yellow uniforms, red opponent uniforms, palm trees and ocean — matching the reference image exactly." }, "audio": { "music": "Tense minimal ambient tones during the frozen orbit, building into fast energetic crescendo at the moment of release.", "sound_effects": "Near-silence during the orbit — only a low eerie hum. The instant time releases: explosive rush of sound — wind, crowd roar, the sharp crack of hand hitting ball, rising whoosh as the ball hurtles toward camera. Thunderous impact as it fills the frame. Cut to black." } }