{
"model": "video_generation",
"format": {
"aspect_ratio": "16:9",
"duration": "14 seconds",
"fps": 60,
"resolution": "4k",
"style": "High-end 3D motion graphics, broadcast news opener, glossy corporate design"
},
"strict_single_camera_rules": "Single continuous virtual camera move. No hard cuts, smooth flowing transitions achieved through extreme camera sweeps.",
"camera": {
"POV": "Dynamic virtual 3D camera",
"lens": "Variable, rapid shifts from macro to wide-angle equivalent",
"stability": "Perfectly smooth, computer-generated spline movement",
"allowed_movement": "Fast swooping arcs, extreme pans, rapid push-ins, and dramatic pull-backs",
"forbidden_movement": "Handheld shake, organic imperfections, static framing"
},
"setting": {
"location": "Abstract, infinite 3D studio space",
"time_of_day": "N/A",
"weather": "N/A",
"environment": "Deep navy blue to black gradient background. The foreground is filled with an architectural array of interlocking, sliding rectangular panels. Bright, localized studio lighting creating strong specular highlights and reflections."
},
"subjects": [
{
"description": "3D Typography and Abstract Data Blocks",
"appearance": "Glossy white matte blocks containing dark gray English text (e.g., WORLD, POLITICS, ECONOMY, TECH). A giant number '13' constructed from thick, highly refractive, translucent ruby-red acrylic. A 3D extruded topographical map featuring red and white tiered layers. Glowing yellow and white laser-like streaks.",
"scale": "Abstract, designed to appear monumental and grand.",
"behavior": "Blocks continuously slide, extrude, and interlock on a rigid grid system.",
"positioning": "Constantly shifting to form new structural compositions, resolving at the center."
}
],
"precise_action_timeline": {
"00:00_to_00:02": "A bright red optical flare bursts from the center, resolving into a rapid zoom through a dynamic tunnel of flying white and red rectangular data bars.",
"00:02_to_00:05": "The camera sharply pivots and tilts upward, wrapping around a massive, glassy red '13' resting on a diagonal grid of sliding white panels labeled with English categories.",
"00:05_to_00:08": "Vibrant yellow and white light streaks slash diagonally across the frame. The camera uses this motion to sweep over a 3D extruded map with glowing red borders and location pins.",
"00:08_to_00:14": "The camera pulls back rapidly through a complex matrix of sliding geometric bars, coming to a sudden halt. The blocks lock into a perfect horizontal grid, revealing the final central red text 'NEWS 13'."
},
"physics_and_realism_constraints": "Strict adherence to 3D motion graphics physics. Animations must have perfectly eased-in and eased-out curves. Materials require advanced ray-tracing for the red acrylic to exhibit complex internal refractions, bevel highlights, and edge-glow. Flawless typographical rendering.",
"audio": {
"description": "High-energy, dramatic orchestral broadcast news theme featuring driving percussion, rhythmic electronic pulses, and sweeping strings, ending on a powerful, sustained chord.",
"realistic_sfx": "Synchronized whooshes, digital data sweeps, and deep sub-bass impacts accompanying the heavy 3D elements."
},
"negative_prompt": "Live action footage, natural environments, humans, animals, shaky camera, organic textures, muted colors, vintage film grain, low resolution, flat 2D graphics.",
"safety_realism_constraints": "Strictly brand-safe, professional corporate broadcast imagery."
}
Pixar-style 3D animated comedy racing scene (15s). Desert canyon, sandy road, bright sky, dust and sparks. Two teams racing:
Bee Kart yellow-black kart with jet exhaust, crazy driver in orange helmet, calm passenger reading a book.
Log Cart giant wooden cabin on wheels, angry lumberjack driver, furious beaver co-pilot.
Fast-paced sequence: race start, aggressive swerves, ramming, log throwing, honey attack blinding the log cart, chaotic side-by-side crashes with fire and sparks. Final jump both vehicles go airborne, bee kart lands clean, log cart explodes into debris.
Dynamic cinematic camera: fast cuts, slow-motion impacts, zooms, 360 spins, motion blur, dust, fire VFX.
Pixar-quality rendering, expressive characters, exaggerated physics, vibrant desert colors.
A funny ad commercial for CapCut, showing a stressed video editor battling monsters that come out of his laptop, and CapCut comes to the rescue. Multiple shots, Pixar animation style
DUCK: Formula Splash
A swaggering rubber duck in racing goggles pilots a bathtub through a luxurious marble bathroom during a plumbing disaster. High-budget 3D animation, absurd speed and water physics.
[0s–1.5s] Wide shot. Water floods across a marble bathroom floor. A rubber duck stands at the bow of a floating bathtub like a fearless captain.
[1.5s–3s] He bites down on a toothbrush like a cigar. The tub surges forward as a burst pipe sprays like rocket thrust.
[3s–5s] He speeds around the sink pedestal, drifting in a perfect arc. Soap bars fly past like dangerous obstacles.
[5s–7s] A rival bath toy shark snaps up beside him in a toy speedboat made from a shampoo bottle.
[7s–9s] They race through ankle-high floodwater, under falling towels and bouncing loofahs, smashing through a curtain of shower steam.
[9s–11s] The duck yanks a shower cord like a lever, releasing a wave that flips the shark boat into the air.
[11s–13s] He hydroplanes up the sloped shower wall, launches, and clears the toilet in slow motion like a legend.
[13s–15s] Final shot. The duck lands in the sink basin and spins to a stop beneath a beam of sunrise, victorious, squeaking once.
"A man walks out of the kitchen and goes to the bathroom, happy and singing.
[cut] The man stands in front of the mirror and takes hair gel from the cabinet behind it.
[cut] Close-up shot of the man pouring some gel into his palm.
[cut] The man runs his hands through his hair and applies the gel.
[cut] The man grooms his moustache with a comb.
[cut] The man looks in the mirror before leaving the bathroom and blinks.
[cut] The man walks down the hallway toward the door.
No music, no talking."
Shot 1: Weapon Clash · Explosive Opening
Authentic Fog Hill of Five Elements Chinese animation style, sharp hard-edged ink lines, high-contrast red-black dark palette.
Two warriors wield dual weapons and collide head-on—long weapon sweeping, short blade thrusting—locking at the instant of impact. Sparks burst like tearing metal, ink-like shockwaves radiate outward, robes are violently lifted by the force, hair stands on end.
Veins bulge along both arms, muscles tense under full exertion, their strength perfectly equal—matched in power, evenly balanced, each with their own edge.
Camera: low-angle high-speed forward tracking shot, slight camera shake, impact close-ups, explosive motion lines, sharp Fog Hill of Five Elements-style cinematography.
Shot 2: Afterimage Barrage · High-Speed Offense and Defense
Ultimate fluid combat in Fog Hill of Five Elements style. Both fighters erupt into multiple afterimages, dual weapons interweaving through slashes, blocks, deflections, counters, and transitions.
One is fierce and explosive, delivering wide, heavy strikes; the other is agile and unpredictable, slipping in close with gliding footwork and precise thrusts.
Blades graze past bodies, elbows collide, knees strike, feet clash—every move narrowly lethal. Ink-like energy streams coil around the weapons, motion blur maxed out, impact intensity explosive.
Camera: 360° rotating shots, ultra-fast cuts, smooth focus tracking, strong light-shadow contrast, maximum sense of pressure.
Shot 3: Close-Quarters Combat · Combo Explosion
Both abandon distance and engage in close-range slaughter with dual weapons—chop, slash, thrust, lift, smash, sweep, block, and break—combos seamlessly chained together.
Each impact triggers a circular shockwave, the ground fractures, debris scatters, dust and ink energy surge and churn.
Offense and defense switch instantly; blocks and counters occur simultaneously. Neither can overpower the other, the combat rhythm pushed to extreme tension.
Camera: slow-motion impact close-ups, ultra-wide lens distortion, intense camera shake feedback, explosive ink-style visual effects.
Shot 4: Full Aura Release · Ultimate Clash
Both unleash their full power, dual weapons infused with ink-like aura and blazing energy, ultimate techniques colliding head-on.
The fierce fighter delivers a mountain-shattering blow; the agile one launches a lethal piercing strike. The two forces collide directly, erupting into an energy storm, the world shifts color, shockwaves sweep everything away.
The style becomes wild and epic—both sides remain perfectly matched, evenly dominant, overwhelming pressure at its peak.
Camera: epic low-angle wide shot, backlit silhouettes, cinematic depth of field, screen-shaking effects.
Shot 5: Stalemate Freeze · No Victor
The battle halts abruptly. Dual weapons remain locked in deadlock, opposing auras forming a vacuum vortex.
The two stand in confrontation, eyes cold and filled with killing intent, energy surging, dust filling the air.
Perfectly matched, no victor decided, tension held at maximum through deliberate stillness.
Camera: medium shot slow push-in freeze frame, high-end Fog Hill of Five Elements animation quality.
Global Enhancement Keywords (must be included in each segment)
Fog Hill of Five Elements animation-level style, extremely sharp ink lines, intense dual-weapon combat, heavy impact in every strike, blades full of force, powerful hit feedback, evenly matched opponents, each with their own strengths, high-intensity combat, cinematic professional camera work, maximum dynamic effects, Chinese violent aesthetics, no text, animation storyboard, 4K ultra HD, maximum detail, maximum motion fluidity, maximum tension.
Kling 3.0
