开源的精彩视频提示词合集。 · 已收录 1063 个精彩提示词
Dimly lit art gallery after hours. Shot 1 (0-7s): Security guard walks past a 19th-century oil portrait of a woman. Shot 2 (7-15s): Slow push-in on the painting — the woman’s eyes follow him, then she slowly raises a finger to her lips in the painting while the real guard’s mouth is forced shut by invisible hands. Canvas texture hyper-real, oil paint moving like skin. Audio: guard’s muffled screams, wet paint sounds, gallery echo.
Kling 3.0Midjourney -> Kling 3.0: Maintaining a close shot, natural light, the astronaut pauses mid-stride on the spaceship's textured metal floor, helmet visor reflecting Earth's swirling clouds and icy mountain ranges below, backpack equipment casting subtle shadows.
Kling 3.03. The "Night Pursuit" (The Omni-Chase) Best for: Testing reflections and high-speed physics Scene–Urban highway at night, wet asphalt, sodium streetlights, light rain. Shot 1 (2s): Interior car shot. Close-up on @ DriverCharacter's eyes reflected in the side mirror. Blue and red police lights pulse across their face. Sirens echo faintly. Shot 2 (3s): Over-the-shoulder interior shot. @ DriverCharacter grips the steering wheel. The camera performs a quick handheld push-in as the siren sound grows louder. Shot 3 (3s): Exterior rear shot. @ CarElement speeds forward. Police cars enter frame behind it, lights reflecting violently on the wet road. Camera switches into fast tracking mode. Shot 4 (3s): Interior police car. Medium close-up on @ PoliceOfficerCharacter in the passenger seat, dashboard lights flickering. He speaks clearly: "We have a suspect vehicle fleeing eastbound. Requesting backup." Shot 5 (2s): Dynamic front three-quarter shot of @ CarElement. The camera whip-pans as the car changes lanes sharply, breaking line of sight. Shot 6 (2s): Wide elevated shot. @ CarElement disappears into darkness between buildings. Sirens fade, rain and road noise remain. High-speed realism, controlled chaos, no exaggerated stunts.
Kling 3.02. The "Sleeping Beast" (Static to Dynamic) Scene–Abandoned coastal road carved into rock cliffs, overcast sky, cold wind, muted colors. Shot 1 (3s): Static wide shot. @ CarElement parked on the roadside, engine off. The world is still. The camera is locked-off, perfectly stable. Shot 2 (3s): Low-angle close-up on the front bumper. The camera performs a slow creeping dolly-in, barely perceptible, as wind moves dust and small debris across the asphalt. Shot 3 (4s): Side profile shot. The camera executes a slow 180-degree orbit around @ CarElement, maintaining constant distance. The car remains completely motionless while light subtly shifts across the body. Shot 4 (3s): Extreme close-up. Side mirror fills the frame. The camera tilts upward slightly, catching the reflection of fast-moving clouds. Shot 5 (2s): Sudden hard cut. Engine ignites. Headlights snap on. The camera remains still as @ CarElement launches forward out of frame. The car never rushed. It waited
GrokA colossal biomechanic al oni-dragon looms over a defiant silver-haired girl. The dragon is covered in matte-black plating layered with frost and battle scars. It has three glowing crimson optic clusters and jagged ivory fangs dripping with icicles. Neon-pink "GROK" lettering and red kanji decals mark its armor. The girl wears a cropped black tech-hoodie and cargo pants. Her pale skin is dusted with snow and she has no smile. The style is an ultra-realistic cyberpunk kaiju portrait with weathered PBR metal, micro-scratches, ice crystals, macro hydraulic detail, and a cinematic 32-bit render look. The environment is an arctic tundra blizzard under a pale cyan sky with swirling snow particles and a faint red glow from the dragon's vents cutting through the whiteout. The lighting uses cold overcast skylight paired with hot crimson optic bloom. There are razor chrome rim highlights on the fangs, long blue shadows on the snow, and subtle subsurface red glowing under cracked plates. The composition is a heroic low-angle wide shot. The dragon's head dominates the left two-thirds of the frame while the girl is anchored in the bottom-right. The jaws hover inches from her face with a diagonal cable sweep and rule-of-thirds optic alignment. The color palette centers on gunmetal black and frost white for the dragon, neon crimson and magenta for its markings, icy cyan for the snow, monochrome black for the girl's outfit, and pale tones for her skin. The camera is a 24 mm at f/1.8 with medium depth of field, tack-sharp focus on the nearest fang and the girl's eyes, and a creamy bokeh blizzard in the background. The mood conveys an ancient guardian awakened, a quiet symbiosis, and a frozen apocalypse. Details include icicles hanging from the lower jaw, micro-hydraulic pistons frozen mid-flex, snowflakes melting on hot optic glass, the girl's breath visible in the cold air, faint red vein pulses under the armor, dangling torn power cables, a single magenta lens flare behind the left horn, and a tiny "xAI" etched on the girl's belt buckle. Output quality is 8K with ray-traced frost, volumetric snow, subsurface optic glow, zero noise, and cinematic grade rendering.
Veo 3prompt: | A lone windmill stands on a storm-dark prairie as a jagged lightning fork illuminates the sky for half a second; rain sheets sweep across the frame. 24 mm tripod long-shot, 1/50 s capture, high-contrast realism. audio: thunderclap + patter of heavy rain negative: no humans, no vehicles
Seedance 2.0Prompt: [Shot 1: Frontal Menacing Shot] A medium shot of a SWAT officer in full tactical gear, gas mask, and helmet. He is pointing his assault rifle directly at the camera lens (breaking the fourth wall). He is shouting with visible intensity: "LET THE HOSTAGE GO! DROP THE WEAPON NOW!" [Shot 2: The Threat] Cut to a medium shot of the killer in a dirty tank top, holding a woman in a chokehold. He has a pistol pressed to her head. He is sweating and manic, screaming at the off-screen officer: "STAY BACK! I'LL KILL HER! I SWEAR I'LL DO IT!" [Shot 3: Over-the-Shoulder Resolution] The camera is positioned directly behind the SWAT officer's right shoulder. We see the back of his helmet and his rifle in the foreground. In the distance (mid-ground), the killer is still visible holding the girl. The killer screams one last time: "I'M GONNA DO IT!" after The officer's rifle kicks back with a single sho and hit head enemy. The killer falls instantly. The girl is left standing, shocked but safe. Technical Style: High-shutter speed action, realistic muzzle flashes, handheld camera shake, 24fps, English dialogue.