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参照画像の人物を使用する。同一人物、同一装備、同一衣装、同一雰囲気を厳密に維持する。ファンタジー世界。本映像はマルチカット構成とする。カメラワークの指定は不要。自動編集を許可する。【映像の流れ】・人物が弓を構える・弓と矢のアップ・セリフ・弓を放つ・矢が高速で森を進む・矢が標的に刺さる人物は静かに弓を構える。弓を引き絞った手元と弓のアップ。弦が限界まで張り詰めている。このタイミングで、人物が低く短くつぶやく。セリフ：「――つらぬけ。」次の瞬間、弓を放つ。放たれた矢は非常に高速で加速する。森の中を一直線に飛び、木々の間をすり抜ける。枝や葉が勢いよく揺れ、強いスピード感がある。矢は森の奥に用意されていた木でできた標的へ到達する。矢は標的の中心に正確に突き刺さる。衝突の瞬間、空気が震える。最後は、矢が刺さった状態を印象的に映して終了する。文字、字幕、説明は表示しない。
Kling 2.6Low-angle shot rushing through an ancient forest. Leaves explode into frame as the camera slices between trunks, upturning soil and spores. A deer bolts ahead, mist rolling from its hooves. Camera rolls 180° as it follows the canopy, brushing against hanging moss and scattering birds in every direction and shoots up through a hole in the trees into a golden sky
Kling 3.0Prompt Studio: Ultra-low angle ground-level shot. Camera is positioned flat on desert terrain as a peregrine falcon dive-bombs at terminal velocity, talons extended. The bird enters frame from top, streaking downward with motion blur on wingtips. At the last moment, talons strike a field mouse mere inches from the lens. Extreme slow-motion (240fps feel) captures the impact - dust explosion, feathers rippling from deceleration, the bird's pupils contracting. Sharp focus on talons, shallow DOF on body. Natural morning light, hyper-realistic physics.
Kling 2.6From sunrise-lit clouds, the drone camera slowly descends toward an ancient city built on cliffs. As it lowers, towers, bridges, and waterfalls are revealed. The movement is fluid and continuous, conveying monumental scale and epic discovery
Kling 2.6A drone camera starts close behind a lone figure standing still in the desert. The person wears a long, weathered coat, sturdy boots half-buried in sand, and a hood pulled low against the wind. The camera slowly pulls back and upward, rising smoothly as the environment expands. Vast dunes stretch outward, revealing massive geometric ruins carved into the sand—sharp lines and monumental shapes emerging from beneath the surface. As the drone continues to retreat, the figure becomes small within the frame, emphasizing isolation, scale, and an epic sense of discovery
Kling 3.0🎬 VIDEO SCRIPT — "Shadow vs Blood (Shaky Cam Cut)" Style: Dark cinematic realism, Hollywood action Duration: 15 seconds Camera DNA: Handheld shakiness + sudden speed ramps + stylized slow motion Setting: Rain-soaked urban alley, neon reflections, steam 🔹 [00:00 – 00:02] Handheld wide shot, subtle shake The ninja woman stands alone in the alley. Camera slightly unsteady, like a human operator. Rain streaks across the lens. Lighting: Cold blue neon, harsh shadows SFX: Heavy rain, distant city rumble Mood: Unstable, tense 🔹 [00:02 – 00:04] Aggressive handheld push-in → micro slow motion at the end Close-up on the ninja's eyes. The camera jitters slightly as if breathing. Dialogue (quiet, controlled):"You should have stayed in the shadows." Lens: Shallow depth of field SFX: Low cinematic rumble 🔹 [00:04 – 00:06] Smash cut → shaky medium shot The vampire steps forward, camera vibrating subtly with each step. Red light pulses behind him. Dialogue (mocking):"I rule the night." Lighting: Red rim light + wet skin highlights Camera: Handheld intimidation sway 🔹 [00:06 – 00:08] VIOLENT whip-pan → SPEED RAMP Camera snaps sideways as the vampire teleports Action drops into heavy slow motion mid-move The ninja draws her katana and blocks, sparks exploding in slow motion. SFX: Metal impact stretched in slow-mo Camera: Shaky tracking orbit around collision 🔹 [00:08 – 00:11] Extreme slow motion (40%) + crane descent The ninja flips backward off the wall. Rain droplets hang in the air.The vampire launches after her, coat rippling unnaturally. Lighting: Lightning flash freezes silhouettes Music: Deep bass pulse, cinematic rise 🔹 [00:11 – 00:13] Handheld close-quarters chaos Camera shakes harder now — raw fight energy.Punches, blade slashes, bodies colliding. The ninja slashes the vampire's chest — sparks and blood spray. SFX: Flesh tear, blade scrape Motion: Brief speed-up bursts between hits 🔹 [00:13 – 00:15] Extreme close-up → slow push-in (slow motion) The vampire lifts his head, blood dripping, smiling. Dialogue (low, threatening):"Now it begins." Final: Thunder crack → smash cut to black Music: Bass drop
Kling 2.6A side tracking shot to the right follows a lone rider on a massive armored beast charging across a vast volcanic plain. The camera moves parallel to the subject, maintaining constant distance as molten cracks glow beneath their path. Ash and sparks are lifted by speed and wind, the rider leaning forward with fierce determination. The lateral motion emphasizes momentum, danger, and epic scale