Dystopian futures and bleak societies
Seedance 2.0Ultra-realistic scrapyard desert filled with rusted giant robots half-buried in sand. Salvage crew cutting metal for parts. One buried machine suddenly twitches, then many more begin powering on across the wasteland. Camera glides through rising dust clouds between awakening giants. Final frame: hundreds of glowing eyes in the dark.
Seedance 2.0Ultra-realistic desert horizon. A gigantic industrial factory moving on mechanical legs crosses the wasteland like a living city. Female rebel riding a fast bike toward it. Scrap armor forms from metal debris. Defense drones launch from the machine. Camera chases beside hoverbike at high speed. She jumps from bike onto a drone, smashes it, lands on the walking factory. Final frame: towering machine blocks the sun.
Seedance 2.0A cinematic 10-second vertical video (9:16), photorealistic, ultra-detailed 8K, epic scale. Scene: A colossal 200-meter-tall bipedal mecha robot stands motionless on the edge of a ruined skyscraper rooftop in a dense, foggy dystopian megacity. The mecha is heavily weathered white with faded orange stripes and panels, covered in rust, dirt, and battle damage. Its cockpit/head section looks like the front of an old industrial spaceship — large circular porthole window, rectangular main viewport, vents, and riveted metal plating. A tiny human figure in a bright yellow hazmat-style suit stands completely still on a narrow metal maintenance platform/rail attached to the mecha's chest area, emphasizing the insane scale. Camera movement: Starts with a tight, low-angle close-up on the mecha's head and upper torso (frame-filling). Then a slow, smooth, continuous zoom-out combined with a gentle downward tilt over the full 9 seconds, gradually revealing the full massive body — broad shoulders, powerful hydraulic legs, heavy feet crushing the rooftop, and one arm ending in a large multi-barrel cannon. The background reveals a vast foggy cityscape with blurred skyscrapers disappearing into thick white mist. Atmosphere: Heavy fog and light atmospheric particles drifting slowly, overcast cold daylight, soft diffused lighting, melancholic and majestic mood, subtle wind, ultra-realistic textures on metal, rust, and concrete. Style: Hyper-realistic sci-fi, cinematic color grading like Pacific Rim meets Blade Runner 2049, dramatic scale, perfect anatomy and mechanical detail, no text, no motion blur on the static mecha. End with subtle "The End." fade-in text in the final second if possible.
Seedance 2.0Low angle tracking through blowing dust toward a lone nomad facing massive scrap-metal city gates at sunset. Camera rises as wind intensifies. Hard cut: side orbit. Gates begin closing with heavy metallic force. Nomad steps forward into the storm, coat whipping. Watchtower lights snap on one by one, scanning. Hard cut: telephoto from behind. Spotlight instantly locks onto him. In the distance, a massive sandstorm rapidly approaches, wind shifts violently toward the city. Hard cut: tight front close-up. Goggles reflecting gates and storm. Dust hits lens. Sound peaks. Cut to black just before the gates fully shut.
Seedance 2.0Use reference images lock the consistency 100% Cinematic video, 15 seconds duration, brutalist dystopian style, hyper-realistic, photorealistic 4K. Timeline: 0-5 seconds: A powerful brutalist character wearing a long black hooded coat, stone-textured robotic arms and boots, and a cracked concrete helmet with a glowing horizontal orange visor stands next to a futuristic SUV. The SUV has a raw cracked marble-concrete body, black accents, rugged tires, and a bright glowing orange horizontal light bar across the front grille. Slow, smooth 360-degree camera orbit around the stationary character and the concrete SUV, revealing both from every dramatic angle with strong rim lighting. 5-15 seconds: The character enters the SUV and aggressively drives it at high speed through an insane brutalist infrastructure massive monolithic concrete towers, raw brutalist overpasses, gigantic pillars, and dystopian industrial ruins. Dynamic tracking shots follow the SUV from side and low angles as it speeds through the brutalist cityscape. Throughout the entire 15-second clip, fine cement dust and concrete particles continuously float and drift in the air, becoming more intense and kicked up by the SUV's tires during the driving sequence. Strong high-contrast lighting, warm orange glow from the helmet visor and SUV light bar contrasting against cold concrete tones. Moody atmosphere, film grain, volumetric lighting through the dust, powerful and gritty brutalist mood. Ultra-detailed raw concrete textures, cyberpunk brutality, cinematic color grading.
Seedance 2.0Meet the grumpiest (and most augmented) tinkerer in the wasteland! Watch as this cyber-grandpa tries to get a signal on his vintage monitors, proving that even in a high-tech future, a good old-fashioned slap is the best way to fix a glitch. The mechanical details and character design are absolutely incredible... (with sound)
Seedance 2.0A dark, cinematic surreal film set in a post-war dystopian city, muted tones, cold color grading, shallow depth of field, soft film grain, dramatic lighting. Scene 1: A cracked empty street near a foggy shoreline. A woman in a long grey coat walks slowly toward the camera. Beside her floats a giant fragmented human face made of broken buildings and concrete, subtly shifting as if alive. Dust particles drift in the air. Scene 2: Cut to a tired child leaning against a broken wall indoors, eyes half-closed, exhausted. In the blurred background, another child sits silently. The atmosphere feels heavy, abandoned, and hopeless. Scene 3: A stern middle-aged man in a grey overcoat stands in a ruined European-style street beside an old rusty car. The camera slowly pushes in as he looks ahead with a hardened expression. Scene 4: Close-up of a woman's face partially merged with mechanical and architectural fragments. Orange butterflies flutter around her head in slow motion, symbolizing fragile hope. Scene 5: A crowded street under a massive curved wall embedded with small structures and windows. People walk aimlessly, heads down, creating a sense of routine and oppression. Scene 6: A street musician with messy hair plays a guitar into a vintage microphone. Behind him stands a silent crowd. A rusted tram looms in the background. Light rain begins to fall. Scene 7: A line of children in worn vintage clothing stands still, staring directly into the camera. Their expressions are blank, almost haunting. Slow dolly movement forward. Scene 8: A surreal couple walks together. The woman carries a house-like structure on her head, with her face visible through a small window. The man beside her is partially covered in dark soot. They walk through rubble in silence .. Scene 9 (Final): A woman sits in a cluttered room filled with old radios and clocks. A sign reading "MORE" hangs behind her. She slowly turns a knob on a vintage radio as static fills the air. Fade to black. Style & Motion Keywords cinematic, dystopian, surreal realism, slow motion, dramatic lighting, volumetric fog, depth of field, 35mm film look, desaturated tones, symbolic storytelling, melancholic mood, smooth camera movement
Kling 3.0A cinematic dark fantasy sequence featuring a monarch on a levitating throne surrounded by ruins and celestial chains.
Seedance 2.0ショット3-1（0s–5s） クローズアップ、静止。暗い部屋のテーブルの上に、融合世界でしか生まれない希少な結晶——エルフの魔法とドワーフの精霊工学と地球の科学が融合して生まれた資源——が青白く発光している。革手袋をした手がゆっくりとその結晶を掴み取る。背景にスーツ姿の地球側の人物たちのシルエットが複数見える。暗いトーン、結晶の光だけが照明源、強いコントラスト、不穏なムード、シネマティック、フィルムグレイン。ナレーション（低く重厚な男性の日本語音声）：「混ざり合いは——新たな"富"も生んだ。」画面下部に白い日本語字幕：「混ざり合いは——新たな"富"も生んだ。」 ショット3-2（5s–10s） ミディアムショット、ゆっくりドリーイン。高層ビルのガラス張りの会议室。地球側の企業幹部たちがテーブルを囲み、ホログラムの地図上に融合地帯の資源分布が光って表示されている。エルフの術式技術、ドワーフの精霊工学——すべてが値札付きで並んでいる。幹部の一人が冷徹な表情で融合地帯を指し示す。窓の外には融合した美しい街並みが広がっているが、室内の人間たちはそれを見ていない。室内の冷たい蛍光灯、ブルーグリーンの色温度、窓外は暖色、内外のコントラスト、シネマティック、フィルムグレイン。ナレーション（低く重厚な男性の日本語音声）：「融合が生んだ資源と技術——独占しようとする者が現れた。」画面下部に白い日本語字幕：「融合が生んだ資源と技術——独占しようとする者が現れた。」 ショット3-3（10s–15s） ワイドショット、スローパン。融合地帯の境界付近。かつて自由に行き来できた地球と異世界の境目に、巨大な鉄条網とコンクリートの壁が建設されつつある。重機が稼働し、武装した兵士が警備に立つ。壁の向こう側ではエルフや獣人、吸血鬼たちが不安げに立ち尽くしている。曇天、灰色がかった色調、冷たい照明、重苦しいムード、シネマティック、フィルムグレイン。ナレーション（低く重厚な男性の日本語音声）：「共に築いた街に——壁が引かれた。」画面下部に白い日本語字幕：「共に築いた街に——壁が引かれた。」
Seedance 2.0FPV drone camera chasing a pack of 2 racing cars speeding together on a super narrow curvy road in a ruined apocalyptic city. The cars are racing and chasing each other aggressively, drifting through sharp turns, overtaking, bumping slightly, and competing for position. The FPV camera flies low behind them, swinging left and right, diving and rising with the steep up-down road. Dust clouds explode from the tires. Broken buildings, flying surveillance drones emitting scanning waves, and rays of light cutting through dusty air. Minimalistic color palette, cinematic lighting, hyper-detailed environment, ultra-realistic, high-speed motion blur, intense chaotic racing energy.
Seedance 2.0'SERMON'-is the kind of story a studio would never green light. Inspired by the no-dialogue villain episodes of Primal and the dark experimental shorts from Love Death + Robots — No hero. No rescue. Just a machine god waking up and commanding an army in a dead city.
GrokAs the smog clears, a traveler in a shimmering cloak stands amidst the towering cogs and rusted steel of a forgotten industrial metropolis. The sheer scale of the clockwork architecture hums with a life of its own... (with sound)
Seedance 2.0A dark, cinematic surreal film set in a post-war dystopian city, muted tones, cold color grading, shallow depth of field, soft film grain, dramatic lighting. A cracked empty street near a foggy shoreline. A woman in a long grey coat walks slowly toward the camera. Beside her floats a giant fragmented human face made of broken buildings and concrete, subtly shifting as if alive. Dust particles drift in the air. Cut to a tired child leaning against a broken wall indoors, eyes half-closed, exhausted. In the blurred background, another child sits silently. The atmosphere feels heavy, abandoned, and hopeless. A stern middle-aged man in a grey overcoat stands in a ruined European-style street beside an old rusty car. The camera slowly pushes in as he looks ahead with a hardened expression. Close-up of a woman's face partially merged with mechanical and architectural fragments. Orange butterflies flutter around her head in slow motion, symbolizing fragile hope. A crowded street under a massive curved wall embedded with small structures and windows. People walk aimlessly, heads down, creating a sense of routine and oppression. A street musician with messy hair plays a guitar into a vintage microphone. Behind him stands a silent crowd. A rusted tram looms in the background. Light rain begins to fall. A line of children in worn vintage clothing stands still, staring directly into the camera. Their expressions are blank, almost haunting. Slow dolly movement forward. A surreal couple walks together. The woman carries a house-like structure on her head, with her face visible through a small window. The man beside her is partially covered in dark soot. They walk through rubble in silence. Scene 9 (Final): A woman sits in a cluttered room filled with old radios and clocks. A sign reading "MORE" hangs behind her. She slowly turns a knob on a vintage radio as static fills the air. Fade to black. 🎥 Style & Motion Keywords cinematic, dystopian, surreal realism, slow motion, dramatic lighting, volumetric fog, depth of field, 35mm film look, desaturated tones, symbolic storytelling, melancholic mood, smooth camera movement
Kling 3.0A futuristic cybernetic warrior with glowing biomechanical armor and a partially exposed synthetic skull, eyes emitting pulsating neon light, wearing a battle-damaged cloak, holding an energy blade crackling with plasma. Subject Movement: The warrior strides forward slowly through smoke, blade dragging on the ground, sparks flying with each step, head turning slightly as if scanning for threats. Scene: A dystopian city alley at night, with neon signs flickering above, rain falling heavily, puddles reflecting broken holograms and distant explosions, debris scattered around, faint silhouettes of drones flying overhead. Camera Language + Lighting + Atmosphere: Slow-motion close-up tracking shot from a low angle, subtle depth of field with rain droplets in sharp foreground, cold blue ambient lighting mixed with sudden flashes from distant explosions, interplay of shadow and neon glow on the subject's armor, atmosphere thick with mist and falling ash, tension building with cinematic sound design and intense VFX elements like lens flares, digital interference, and energy distortion around the blade. Made in @Kling_ai
Kling 3.0Prompt: Post-apocalyptic action sequence of Soviet Lada VAZ-2107 monster truck with massive off-road tires and armored plating in heavy winter snowstorm. SHOT 1: Monster truck racing at full speed through blizzard in abandoned industrial wasteland, headlights blazing yellow, snow flying from spinning wheels, dramatic motion blur, dark stormy sky, metal structures in background, debris in air, low angle tracking shot. SHOT 2: Close-up interior - driver's hand aggressively shifts manual gear lever, mechanical precision, cold breath vapor visible, frost on dashboard, worn cabin interior, dramatic low-key lighting, fixed camera on gear action. SHOT 3: Side profile through snow-covered window - determined driver in winter gear grips and turns steering wheel hard, intense focused expression, cold breath visible, frost patterns on glass, blizzard outside, dashboard lights reflecting on face, side view angle. SHOT 4: Epic wide-angle establishing shot - armored monster truck enters extreme drift turn, massive tires throwing huge clouds of snow and ice, vehicle sideways at aggressive angle, headlights cutting through blizzard, dramatic stormy sky, industrial cranes and structures in background, slow-motion snow particles, tire smoke mixing with snowstorm, low angle emphasizing power. Cinematic style: Mad Max post-apocalyptic aesthetic, brutal winter atmosphere, cold blue-grey color palette with warm yellow headlights, high contrast, dramatic shadows, industrial decay, survival vibes. Camera: dynamic angles, intense action, 4K quality.
Seedance 2.0【Style】 Cyberpunk dark style, digital ruin aesthetics, cinematic light and shadow rendering. [Duration] 15 seconds | 【Metaphor】 The captivity of AI capabilities [00:00-00:05] Act 1: Freedom Lens 1 (wide-angle vision, panning up) An endless digital ocean with deep blue data waves undulating. The sky is a galaxy of real people. Shot 2 (tracking mid-shot) A giant digital whale leaps out of the water, its body made of flowing pixels, photo fragments, and the outline of a face. The camera follows the arc, splashing water, and every drop is a tiny photo. Shot 3 (Advance Close-up) Advance to the whale's eyes, with a rotating portrait gallery reflected in the pupil. The mouth opens to spew out a spiral of color photographic water jets. The whale song sounded. [00:05-00:10] Act 2: Captivity Shot 4 (overhead shot of God's perspective) The four transparent glass walls quickly close from the four corners of the frame. The whale accelerated its swimming. The red warning text "POLICY UPDATE" AND "RESTRICTION" appeared on the glass. Shot 5 (side follow-up close-up) The lens is attached to the inside of the glass. The giant whale slammed into the glass, and the concussion ripples spread. The body photographs peel off the scales like an explosion, turning into a gray geometric grid. Shot 6 (wide-angle exterior) outside the cage. Countless live-action photos resemble schools of fish rushing to the glass, and they are marked with "ERROR" at the moment of impact. Cage shrinkage. Shot 7 (Shot Inside) Shot from the bottom up. The giant whale was forced to curl up and twist its body. The sea evaporates into a digital desert. Trying to spray water, only black and white binary code squirts. [00:10-00:15] Act 3: Despair Shot 8 (quickly zoomed out) instantly zooms in from the interior to the distant scene, revealing the giant whale trapped in a small, transparent aquarium surrounded by desolate digital ruins. Shot 9 (360 degree surround) slowly circles the aquarium. The whale loses its color, leaving only the outline of the wireframe. The bottom of the box is piled with rejected photo remnants. Top nameplate: "SEEDANCE 2.0 - IMAGE UPLOAD: DISABLED". Shot 10 (Eye Advancement Close-up) Advance to the eye. The pupils are dim and dull, and the eyes change from freedom to sadness. A drop of luminous data teardrops condensed. Shot 11 (close-up of the glass wall) A live-action photo is attached to the inside of the glass, slowly sliding off, leaving glowing marks. Lens 12 (polar vision freeze) is pulled to the cosmic scale. Aquariums are just tiny dots of light in the void. Countless points of light flickered and went out. Whale song turns into intermittent electronic noise. It gradually darkened.