digital-painting video prompts

4 prompts found
Telekinetic Morning Routine Seedance 2.0
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Telekinetic Morning Routine

SUBJECTS: A young urban man with telekinetic powers @ image1. At the beginning, wearing only dark shorts, no shirt. ENVIRONMENT: Morning apartment. Bedroom connected to the living room. Bathroom on the right side of the bedroom. Wardrobe on the left side of the bedroom, with an accessory tray beside it. A record player sits on a side table in the living room. A coffee machine and ceramic coffee cup are on the kitchen counter. A shoe cabinet is at the far end of the entryway. MUSIC: Starts with morning ambient sounds. The record player automatically plays an upbeat song. Music naturally ends indoors at the end. STYLE: Digital painting look. Large simplified color blocks, hard-edge brushwork, low-detail forms, heavy shadows, visible hand-drawn marks. No realistic 3D look, no commercial CG ad look, no polished photorealism. SHOT 1: Bedside close shot, 24mm, low angle. The man, wearing only dark shorts, sits on the edge of the bed with both hands hanging naturally and feet reaching toward the floor. A pair of slippers slides beneath his feet and slips onto them. The curtains open automatically. He stands and walks toward the living room. SFX: Morning ambience, curtain track sound, soft slipper sounds. SHOT 2: Living room side table close shot, 50mm. The man passes through the living room without looking at or touching the record player. The record player starts playing and upbeat music begins. His arms hang naturally as he walks toward the bathroom on the right. SFX: Music starts. SHOT 3: Medium close shot in front of the bathroom mirror, 35mm. The man stands at the sink. A toothbrush with toothpaste rises from a cup and flies into his outstretched right hand. He places the brush in front of his teeth and performs a short brushing motion. SFX: Toothpaste cap sound, toothbrush landing in hand, brushing sound. SHOT 4: Bathroom-to-bedroom wall cover transition, 28mm. The man is still brushing his teeth. The frame passes behind a white bathroom wall and door frame. When the view appears again, it is at the wardrobe area in the bedroom. His arms hang naturally. The wardrobe doors slide open automatically and a white T-shirt flies out and unfolds. SFX: Brushing sound fades, wardrobe door sliding sound. SHOT 5: Half-body medium shot in front of the wardrobe, 28mm. The T-shirt drops over his head, briefly covering his face and hair. The sleeves align with his arms and slip on. The shirt slides down to his waist. Dark gray trousers fly out of the wardrobe and unfold in front of him, waistband up, pant legs down, front facing forward. SFX: Fabric swish, shirt settling sound. SHOT 6: Full-body medium shot in front of the wardrobe, 28mm. The man gives a slight nod, lifting his left foot first and then his right into the pant legs. The trousers pull themselves up to his waist and fit into place. A necklace fastens around his neck, rings slide onto his fingers, a watch clasps onto his wrist, and sunglasses open and settle onto his face. He never raises his hands, only slightly lowers his head so the sunglasses can settle. SFX: Fabric friction, light metal clicks, watch clasp sound, sunglass arms opening. SHOT 7: Low-angle tracking shot from behind at foot level in the entryway, 28mm. Fully dressed, the man walks to the entryway. A pair of sneakers slides out from beneath the shoe cabinet and turns to face him, openings aligned with his feet. He steps into the left shoe, then the right. The laces tighten automatically. A ceramic coffee cup, freshly filled with coffee from the kitchen counter, flies toward him and the handle lands in his right hand. The door lock releases automatically and the door opens. Holding the coffee, he walks out. The upbeat music ends naturally and the door closes by itself. SFX: Feet entering shoes, lace tightening sound, coffee pouring sound, door lock sound, record needle sound, footsteps fading away.

telekinesis urban morning cinematic digital-painting
2026-06-09
Grass Comes First Seedance 2.0
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Grass Comes First

SUBJECTS: 7 racehorses are running on a grass racetrack. White-haired rider @ image 1, white-striped black horse @ image 2. ENVIRONMENT: grass racetrack, oval turf track and grandstands. light rain weather. wet grass and water marks on the ground. MUSIC: sports event ambient music with continuous low-frequency rhythm. STYLE: digital painting feel. large simplified color blocks, hard-edge brushwork, low-detail structure, heavy shadows, hand-drawn texture preserved. no realistic 3D, no commercial CG, no polished realism. SHOT 1 ultra-low angle wide shot, 24mm. 7 different colored racehorses are on the grass racetrack. hooves contact wet grass and puddles, and water appears around the contact areas on the ground. white fences and grandstands are visible on both sides of the racetrack. SFX: hoof sounds, crowd ambience, low-frequency rhythm SHOT 2 medium side shot, 85mm. two riders move forward at different positions on the racetrack. horses are in the same area of the frame. another horse is visible in the same frame area behind them. water appears when hooves contact wet grass. SFX: hoof contact, light equipment sounds, broadcast ambience SHOT 3 first-person inside view, 18mm. view moves through the racetrack environment. horses pass through frame edges while running. wet grass and water marks move across the ground. raindrops appear on the edge of the view. SFX: wind, breathing, distant crowd sound SHOT 4 distant long shot, 135mm. 7 racehorses are running in the same long racetrack area. all horses are visible within the same field of view. several standing figures are visible in the grandstands. SFX: continuous ambient rhythm, broadcast sound, crowd ambience SHOT 5 lateral shot, 70mm → 35mm. view moves across the racetrack. a white-striped black horse is located in the starting area inside the racetrack. its head is lowered toward the grass. a white-haired rider makes small motion while holding reins. the horse continues eating grass without changing posture. other horses are running in the distance in the same environment. SFX: hoof and broadcast sounds gradually shift into rain and grass sounds SHOT 6 medium long shot, 50mm. the white-striped black horse remains in the starting area and continues eating grass. slight ear movement is visible. other horses are running in the distant area of the same racetrack environment. rider movement remains the same. SFX: grass chewing, rain, distant ambient sound SHOT 7 long distant shot, 135mm. horses are running at different distances within the same racetrack environment. the white-striped black horse remains near the starting area eating grass. other horses are running further away in the same environment. SFX: broadcast ambience, distant hoof sounds, rain layer SHOT 8 medium long shot, 50mm. the white-haired rider dismounts from the horse, sits on the grass, removes helmet and places it beside them. gaze is directed toward the racetrack environment. the white-striped black horse continues eating grass in the same position. other horses are still running in the distance. SFX: rain ambience, grass sound, distant broadcast ambience

horses racetrack digital-painting rain
2026-05-28
No Cage For Wukong Seedance 2.0
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No Cage For Wukong

SUBJECTS: 18-year-old East Asian teenage boy @ image1, warm light golden skin tone, clean and sharp facial features. Wearing a silver-gray cropped techwear jacket, off-white tank top underneath, dark blue loose-fit pants, white and silver high-top sneakers, thin metallic waist chain. Wearing silver open-ear headphones. Standing on a black-and-silver hoverboard with faint golden propulsion trails along the edges. Holding a black-and-gold telescopic tech staff, compact in stored form as a short metallic handle, gradually extending after activation as dark gold patterns illuminate across the surface. ENVIRONMENT: Bright clear daytime futuristic city. A high pedestrian bridge stretches across a wide river with dark flowing water below. Numerous skyscrapers and electronic billboards fill the distant skyline. Police block the bridge while multiple black armed drones hover in the air. MUSIC: Continuous electronic drum beat with low-frequency vibration and metallic impact sounds. STYLE: Digital painting aesthetic. Large simplified color blocks, hard-edge brushwork, low-detail structure, heavy shadows, visible hand-painted texture. No realistic 3D look, no commercial CG advertisement style, no polished realism. SHOT 1: Hard cut. Telephoto medium shot, 85mm / At the edge of the high pedestrian bridge, the boy stands on one foot outside the guardrail with the wide river far below. Police cars block the bridge behind him while armed officers approach with guns raised. Drone spotlights sweep across the silver-gray jacket. A loudspeaker shouts in English: "GET DOWN FROM THERE! RIGHT NOW!" / SFX: wind, distant sirens, drone hum SHOT 2: Smash cut. Ultra wide shot, 20mm / The boy jumps backward off the bridge. Police rush toward the railing as his body rapidly falls toward the river. A black-and-silver hoverboard rises from below to catch his feet, propulsion trails igniting as he skims forward close to the river surface, leaving long water trails behind. Police on the bridge shout: "HOLY SHIT!" / SFX: wind, propulsion hum, rushing water SHOT 3: Cut. Medium close shot, 35mm / Drones approach from behind and fire continuously. Bullets strike the bridge and river surface, creating sparks. The boy grabs the metallic handle at his waist as the staff gradually extends, dark gold patterns illuminating into a complete black-and-gold combat staff. Riding the hoverboard while dodging, he swings the staff to block incoming bullets as sparks and metallic collision marks burst around him. Bright daylight reflects across the bridge structure and weapon surfaces / SFX: mechanical unfolding, electric current, metallic impacts SHOT 4: Cut. Ultra wide low-angle shot, 18mm / The boy rides the hoverboard between the river and bridge structure, lowering his body before leaping into the air. The black-and-gold staff leaves golden afterimages as it swings. Multiple drones explode midair, wreckage falling into the river and onto the bridge. The boy moves between skyscrapers as the final drone explodes in the sky and silence returns / SFX: explosions, wind, electric current, metallic breaking SHOT 5: Cut. Wide shot to medium shot, 85mm / The boy stops on the edge of a supertall rooftop while standing on the hoverboard, overlooking the distant police and bridge below. The sky remains bright and clear above the city skyline. He removes his headphones as golden light appears in his eyes. A faint golden ring-shaped phantom emerges above his head while the black-and-gold tech staff hangs at his side / SFX: wind, low energy hum

action sci-fi futuristic chase cinematic digital-painting
2026-05-22
Olympic Diver Digital Painting Sequence Seedance 2.0
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Olympic Diver Digital Painting Sequence

A cinematic slow-motion sequence of an Olympic-level female diver performing a 10-meter platform dive inside an international competition arena. The diver has a lean athletic build, hair tied in a clean tight bun (no swim cap), wearing a professional competition swimsuit. Slightly stylized digital painting aesthetic with visible brush texture, simplified color blocks, and strong shadows. No realistic 3D or glossy CGI look. Scene begins with a close-up of the platform edge. The female diver is already in a perfect handstand position at the edge, arms locked, shoulders open, core tight, legs fully extended upward in a straight line. Camera slowly pushes in from a low side angle (35mm lens feel). Subtle stadium ambience, quiet audience, soft tension in the air. She presses firmly through her hands and lifts off the platform with controlled strength. Motion flows smoothly through shoulders, core, and hips. Camera tracks upward following the movement (50mm feel). Mid-air, she transitions into clean, controlled flips. Her body tightens for rotation, then opens gracefully into full extension. Legs remain together, toes pointed, movement precise and elegant. Camera follows from a wide aerial angle (35mm), slow motion. As she descends, rotation slows naturally. Arms move back into alignment above the head, body returning to a straight vertical line. High-angle tracking shot (28mm), smooth cinematic motion. Cut to an ultra close-up of the water surface. Her hands slice into the water first, followed by head, shoulders, body, and legs entering along the same line. Minimal splash, only thin ripples and subtle disturbance. High-speed camera feel (70mm). Underwater shot: camera drifts forward following tiny bubbles. She glides forward in a streamlined position, arms extended, hands together. Body relaxes slightly as she begins a gentle turn. Tiny bubbles trail along arms, shoulders, back, and legs (24mm). Final shot: medium close-up as she rises and completes the routine. She lifts her head calmly and transitions into a composed finishing pose, one hand near the chest and the other extending outward. Lighting: strong overhead stadium lights, high contrast, deep shadows. Water: realistic surface tension, subtle reflections, micro ripples, lingering bubbles. Style: digital painting, hard-edge brushwork, visible texture, cinematic framing, slight grain. Mood: calm, focused, elegant, elite athletic precision. Audio: low-frequency ambient music with rhythmic percussion, gradually building during mid-air motion, fading near water entry, followed by soft audience applause. smooth realistic motion, accurate human anatomy, stable body proportions, no distortion, no extra limbs, consistent character, cinematic slow motion

cinematic sports slow motion digital-painting athletic
2026-05-15