SUBJECTS: 7 racehorses are running on a grass racetrack. White-haired rider @ image 1, white-striped black horse @ image 2.
ENVIRONMENT: grass racetrack, oval turf track and grandstands. light rain weather. wet grass and water marks on the ground.
MUSIC: sports event ambient music with continuous low-frequency rhythm.
STYLE: digital painting feel. large simplified color blocks, hard-edge brushwork, low-detail structure, heavy shadows, hand-drawn texture preserved. no realistic 3D, no commercial CG, no polished realism.
SHOT 1
ultra-low angle wide shot, 24mm.
7 different colored racehorses are on the grass racetrack. hooves contact wet grass and puddles, and water appears around the contact areas on the ground. white fences and grandstands are visible on both sides of the racetrack.
SFX: hoof sounds, crowd ambience, low-frequency rhythm
SHOT 2
medium side shot, 85mm.
two riders move forward at different positions on the racetrack. horses are in the same area of the frame. another horse is visible in the same frame area behind them. water appears when hooves contact wet grass.
SFX: hoof contact, light equipment sounds, broadcast ambience
SHOT 3
first-person inside view, 18mm.
view moves through the racetrack environment. horses pass through frame edges while running. wet grass and water marks move across the ground. raindrops appear on the edge of the view.
SFX: wind, breathing, distant crowd sound
SHOT 4
distant long shot, 135mm.
7 racehorses are running in the same long racetrack area. all horses are visible within the same field of view. several standing figures are visible in the grandstands.
SFX: continuous ambient rhythm, broadcast sound, crowd ambience
SHOT 5
lateral shot, 70mm → 35mm.
view moves across the racetrack. a white-striped black horse is located in the starting area inside the racetrack. its head is lowered toward the grass.
a white-haired rider makes small motion while holding reins. the horse continues eating grass without changing posture.
other horses are running in the distance in the same environment.
SFX: hoof and broadcast sounds gradually shift into rain and grass sounds
SHOT 6
medium long shot, 50mm.
the white-striped black horse remains in the starting area and continues eating grass. slight ear movement is visible. other horses are running in the distant area of the same racetrack environment. rider movement remains the same.
SFX: grass chewing, rain, distant ambient sound
SHOT 7
long distant shot, 135mm.
horses are running at different distances within the same racetrack environment. the white-striped black horse remains near the starting area eating grass. other horses are running further away in the same environment.
SFX: broadcast ambience, distant hoof sounds, rain layer
SHOT 8
medium long shot, 50mm.
the white-haired rider dismounts from the horse, sits on the grass, removes helmet and places it beside them. gaze is directed toward the racetrack environment.
the white-striped black horse continues eating grass in the same position. other horses are still running in the distance.
SFX: rain ambience, grass sound, distant broadcast ambience
SUBJECTS: 7 racehorses are running on a grass racetrack. White-haired rider @ image 1, white-striped black horse @ image 2.
ENVIRONMENT: grass racetrack, oval turf track and grandstands. light rain weather. wet grass and water marks on the ground.
MUSIC: sports event ambient music with continuous low-frequency rhythm.
STYLE: digital painting feel. large simplified color blocks, hard-edge brushwork, low-detail structure, heavy shadows, hand-drawn texture preserved. no realistic 3D, no commercial CG, no polished realism.
SHOT 1
ultra-low angle wide shot, 24mm.
7 different colored racehorses are on the grass racetrack. hooves contact wet grass and puddles, and water appears around the contact areas on the ground. white fences and grandstands are visible on both sides of the racetrack.
SFX: hoof sounds, crowd ambience, low-frequency rhythm
SHOT 2
medium side shot, 85mm.
two riders move forward at different positions on the racetrack. horses are in the same area of the frame. another horse is visible in the same frame area behind them. water appears when hooves contact wet grass.
SFX: hoof contact, light equipment sounds, broadcast ambience
SHOT 3
first-person inside view, 18mm.
view moves through the racetrack environment. horses pass through frame edges while running. wet grass and water marks move across the ground. raindrops appear on the edge of the view.
SFX: wind, breathing, distant crowd sound
SHOT 4
distant long shot, 135mm.
7 racehorses are running in the same long racetrack area. all horses are visible within the same field of view. several standing figures are visible in the grandstands.
SFX: continuous ambient rhythm, broadcast sound, crowd ambience
SHOT 5
lateral shot, 70mm → 35mm.
view moves across the racetrack. a white-striped black horse is located in the starting area inside the racetrack. its head is lowered toward the grass.
a white-haired rider makes small motion while holding reins. the horse continues eating grass without changing posture.
other horses are running in the distance in the same environment.
SFX: hoof and broadcast sounds gradually shift into rain and grass sounds
SHOT 6
medium long shot, 50mm.
the white-striped black horse remains in the starting area and continues eating grass. slight ear movement is visible. other horses are running in the distant area of the same racetrack environment. rider movement remains the same.
SFX: grass chewing, rain, distant ambient sound
SHOT 7
long distant shot, 135mm.
horses are running at different distances within the same racetrack environment. the white-striped black horse remains near the starting area eating grass. other horses are running further away in the same environment.
SFX: broadcast ambience, distant hoof sounds, rain layer
SHOT 8
medium long shot, 50mm.
the white-haired rider dismounts from the horse, sits on the grass, removes helmet and places it beside them. gaze is directed toward the racetrack environment.
the white-striped black horse continues eating grass in the same position. other horses are still running in the distance.
SFX: rain ambience, grass sound, distant broadcast ambience
[character]
A lonely girl standing in the rain with tears in her eyes, emotional cinematic atmosphere, realistic face details, dark mood.
Same face as reference image
[Place]
Lonely rooftop during heavy rain, neon city lights in background, dark cloudy sky, cinematic fog, emotional atmosphere, wet floor reflections, dramatic movie lighting, midnight vibe.
[Story]
A lonely girl stands silently on a rainy rooftop at midnight, watching the neon city lights while remembering someone she lost. The cold wind moves her wet hair as tears slowly fall from her eyes. She looks at old messages on her phone and gives a sad smile. Thunder echoes across the dark sky as the camera slowly zooms into her emotional eyes. In the final moments, she quietly walks away into the rain, leaving the past behind.
[Camera]
Slow cinematic camera movement, close-up shots of emotional face, smooth orbit camera around the girl, dramatic zoom-in on eyes, handheld rainy shots, soft focus background, cinematic depth of field, slow motion hair movement, rooftop wide-angle shots, movie trailer style camera, ultra realistic.
[Rule]
A heartbroken girl who hides her pain behind silence. She lost someone very important in her life and now spends lonely nights remembering old memories. Despite her sadness, she is strong, calm, and emotionally powerful.
A stylish Korean girl with silver-white hair and a futuristic black leather combat outfit stands alone in the middle of a crowded neon cyberpunk market at night. Rain pours heavily onto glowing streets filled with holographic Korean signs, steam vents, food stalls, and moving crowds. Groups of masked enemies slowly surround her while purple and blue neon reflections shimmer across the wet pavement.
She suddenly launches into an intense acrobatic fight sequence using glowing twin energy daggers. The camera moves dynamically through the action with fast cinematic tracking shots, dramatic slow motion, spinning kicks, wall flips, and close combat martial arts. Sparks fly as blades clash while neon lights flicker across her face. Her silver hair flows naturally through the air during every movement.
The fight becomes more chaotic as enemies attack from every direction. She slides beneath punches, jumps across market stalls, and performs stylish mid-air spinning attacks. Rain droplets freeze in slow motion during critical moments while cinematic lighting highlights every movement.
The final scene shows her standing alone in the glowing neon street surrounded by defeated enemies as rain falls softly around her. Camera slowly pushes toward her intense expression while cyberpunk city lights pulse in the background.
Style: ultra-realistic cinematic cyberpunk, Korean action movie aesthetics, blockbuster fight choreography, dynamic camera movement, rain-soaked neon environment, dramatic lighting, realistic physics, smooth motion blur, high-detail textures, cinematic depth of field, anime-inspired realism, futuristic Seoul atmosphere, 4K movie quality.
Negative prompt: blurry visuals, bad anatomy, extra limbs, broken fingers, distorted face, low quality, stiff movement, unrealistic combat, duplicated characters, flickering lights, cartoon style, poor physics, warped environment, oversaturated colors.
cyberpunk
martial arts
action
neon
rain
urban
cinematic
combat
Intense sword fight on a narrow ancient stone bridge in heavy rain and thick mist, rain droplets scattering off clashing blades in slow motion, warriors silhouetted against a stormy grey sky, one fighter in dark armor the other in white linen, aggressive bolt-push-drift choreography with rapid footwork.
Camera pulls back dramatically revealing the misty canyon below, blue-grey desaturated color grade with flashes of cold steel glint, hyper-realistic water physics, epic dramatic tension
A deadly kunoichi with long black wet hair, piercing glowing red eyes, flawless pale skin marked by subtle battle scars, wearing a sleek dark silk shinobi outfit combining elegance and lethal mobility, twin enchanted katanas strapped across her back, body moving with feline precision and absolute confidence
Walks slowly through a rain-soaked feudal Japanese alley while dozens of masked assassins surround her from rooftops, then suddenly explodes into ultra-fast combat, disappearing into smoke, reappearing behind enemies with impossible acrobatic movements, slicing through attackers with graceful but brutal precision while crimson energy trails follow every strike
Ancient Kyoto-inspired district at night with glowing lanterns reflecting on wet stone streets, drifting fog, burning temples in the distance, rain and cherry blossom petals mixing in the air
Starts with slow cinematic push-in from behind as her silhouette walks through the rain, subtle orbit revealing her calm expression and glowing eyes, sudden whip pan as the first assassin attacks, hyper-dynamic FPV tracking through insane ninja choreography, wall runs, flips and spinning katana attacks, slow-motion rain droplets and blood particles suspended during impacts, lightning flashes freezing frames of combat, aggressive crash zooms and orbit shots around finishing strikes, glowing energy VFX illuminating smoke and fog, ending with the kunoichi standing alone beneath falling cherry blossoms while every enemy collapses around her in slow motion
SUBJECTS
18-year-old girl Yuna of @(Ref-Image), slim build, long dark wet hair, oversized charcoal coat over black dress, worn leather boots, carrying a wooden violin.
ENVIRONMENT
Narrow rainy alleyway at night filled with neon reflections, puddles, soft steam, and small crowds standing under umbrellas while recording with phones.
MUSIC
Emotional live violin performance with layered harmonies gradually building into cinematic intensity.
STYLE
Digital painting aesthetic. Large simplified color blocks, hard-edge brushwork, low-detail structure, visible hand-painted texture, heavy shadows. No polished realism or CGI look.
SHOT 1
Hard cut opening. Medium shot, 50mm. Yuna is already performing violin beneath falling rain while nearby crowds slowly gather around. SFX: soft violin melody, rain ambience, distant traffic
SHOT 2
Continuous shot. Close-up, 85mm. Tight focus on violin strings and bow movement while rain droplets slide across the instrument. SFX: emotional harmonies, rain hitting pavement
SHOT 3
Cut. Wide shot, 28mm. The performance becomes faster and more dramatic while Yuna steps further into the rain. SFX: rapid violin phrases, crowd murmurs, heavier rain ambience
SHOT 4
Continuous push-in. Medium-wide shot, 35mm. Layered violin loops rise into emotional climax while neon reflections shimmer across puddles. SFX: cinematic string layers, deep crescendo
SHOT 5
Ending shot. Medium close-up, 50mm. After the final note, Yuna lowers the violin while the crowd erupts into applause beneath glowing streetlights. SFX: final violin sustain, applause burst, rain ambience
SUBJECTS:
18-year-old East Asian teenage boy @ image1, warm light golden skin tone, clean and sharp facial features. Wearing a silver-gray cropped techwear jacket, off-white tank top underneath, dark blue loose-fit pants, white and silver high-top sneakers, thin metallic waist chain. Wearing silver open-ear headphones. Standing on a black-and-silver hoverboard with faint golden propulsion trails along the edges. Holding a black-and-gold telescopic tech staff, compact in stored form as a short metallic handle, gradually extending after activation as dark gold patterns illuminate across the surface.
ENVIRONMENT:
Bright clear daytime futuristic city. A high pedestrian bridge stretches across a wide river with dark flowing water below. Numerous skyscrapers and electronic billboards fill the distant skyline. Police block the bridge while multiple black armed drones hover in the air.
MUSIC:
Continuous electronic drum beat with low-frequency vibration and metallic impact sounds.
STYLE:
Digital painting aesthetic. Large simplified color blocks, hard-edge brushwork, low-detail structure, heavy shadows, visible hand-painted texture. No realistic 3D look, no commercial CG advertisement style, no polished realism.
SHOT 1:
Hard cut. Telephoto medium shot, 85mm / At the edge of the high pedestrian bridge, the boy stands on one foot outside the guardrail with the wide river far below. Police cars block the bridge behind him while armed officers approach with guns raised. Drone spotlights sweep across the silver-gray jacket. A loudspeaker shouts in English: "GET DOWN FROM THERE! RIGHT NOW!" / SFX: wind, distant sirens, drone hum
SHOT 2:
Smash cut. Ultra wide shot, 20mm / The boy jumps backward off the bridge. Police rush toward the railing as his body rapidly falls toward the river. A black-and-silver hoverboard rises from below to catch his feet, propulsion trails igniting as he skims forward close to the river surface, leaving long water trails behind. Police on the bridge shout: "HOLY SHIT!" / SFX: wind, propulsion hum, rushing water
SHOT 3:
Cut. Medium close shot, 35mm / Drones approach from behind and fire continuously. Bullets strike the bridge and river surface, creating sparks. The boy grabs the metallic handle at his waist as the staff gradually extends, dark gold patterns illuminating into a complete black-and-gold combat staff. Riding the hoverboard while dodging, he swings the staff to block incoming bullets as sparks and metallic collision marks burst around him. Bright daylight reflects across the bridge structure and weapon surfaces / SFX: mechanical unfolding, electric current, metallic impacts
SHOT 4:
Cut. Ultra wide low-angle shot, 18mm / The boy rides the hoverboard between the river and bridge structure, lowering his body before leaping into the air. The black-and-gold staff leaves golden afterimages as it swings. Multiple drones explode midair, wreckage falling into the river and onto the bridge. The boy moves between skyscrapers as the final drone explodes in the sky and silence returns / SFX: explosions, wind, electric current, metallic breaking
SHOT 5:
Cut. Wide shot to medium shot, 85mm / The boy stops on the edge of a supertall rooftop while standing on the hoverboard, overlooking the distant police and bridge below. The sky remains bright and clear above the city skyline. He removes his headphones as golden light appears in his eyes. A faint golden ring-shaped phantom emerges above his head while the black-and-gold tech staff hangs at his side / SFX: wind, low energy hum
Seedance 2.0
