15-second hyper-realistic cinematic action sequence, night-time destroyed urban street, overturned burning police cars, raging orange flames, thick volumetric smoke, flying sparks and debris, strong teal-orange cinematic color grade, dramatic lens flares, film grain, Michael Bay explosion aesthetic mixed with John Wick choreography and Michael Jackson dance vocabulary. Photorealistic, ultra-detailed textures, 8K, ARRI Alexa lens rendering, 24fps buttery motion.
[CUT 1: 0–4s] Wide low-angle tracking shot: Michael Jackson (exact likeness, curly black hair, black fedora, shiny black leather jacket with white sleeve stripes, crisp white shirt, black tie, white gloves, black pants with white side stripe, black loafers) and a massive muscular bearded man (exact Alan Ritchson likeness, short dark hair, tactical black armored vest, combat pants, boots) clash center-frame. MJ opens with fluid dance-infused high kicks and a moonwalk dodge; opponent answers with heavy grapple throws and powerful hooks. Camera parallax, embers floating.
[CUT 2: 4–9s] Medium close-up slow-motion: MJ backflips away from a crushing punch, lands in a crouch, pulls out a glowing electric-blue plastic water bottle. Dramatic pause, intense eye contact with camera, takes a slow sip, crushes bottle, discards it. MJ tilts fedora, smirks, shifts into combat-ready dance stance. Cool blue rim light from bottle contrasts with warm fire glow.
[CUT 3: 9–15s] Wide dynamic ascent: Both fighters leap impossibly high into the air. MJ executes a spinning *Smooth Criminal*-style lean kick mid-ascent; Ritchson swings a heavy overhead strike. Camera sweeps upward 180°, shallow depth of field, embers and debris float in slow-motion. FINAL FRAME: Both fighters suspended at apex of jump, bodies angled toward each other, fire explosion beginning to bloom in background, MJ's white glove extended forward, Ritchson's fist cocked back — FREEZE this exact pose for seamless continuation.
--ar 16:9 --v 6 --motion 6 --stylize 250 --seed 42 --character_ref "MJ_1987, Ritchson_ReacherS1"
15-second hyper-realistic cinematic action sequence, night-time destroyed urban street, overturned burning police cars, raging orange flames, thick volumetric smoke, flying sparks and debris, strong teal-orange cinematic color grade, dramatic lens flares, film grain, Michael Bay explosion aesthetic mixed with John Wick choreography and Michael Jackson dance vocabulary. Photorealistic, ultra-detailed textures, 8K, ARRI Alexa lens rendering, 24fps buttery motion.
[CUT 1: 0–4s] Wide low-angle tracking shot: Michael Jackson (exact likeness, curly black hair, black fedora, shiny black leather jacket with white sleeve stripes, crisp white shirt, black tie, white gloves, black pants with white side stripe, black loafers) and a massive muscular bearded man (exact Alan Ritchson likeness, short dark hair, tactical black armored vest, combat pants, boots) clash center-frame. MJ opens with fluid dance-infused high kicks and a moonwalk dodge; opponent answers with heavy grapple throws and powerful hooks. Camera parallax, embers floating.
[CUT 2: 4–9s] Medium close-up slow-motion: MJ backflips away from a crushing punch, lands in a crouch, pulls out a glowing electric-blue plastic water bottle. Dramatic pause, intense eye contact with camera, takes a slow sip, crushes bottle, discards it. MJ tilts fedora, smirks, shifts into combat-ready dance stance. Cool blue rim light from bottle contrasts with warm fire glow.
[CUT 3: 9–15s] Wide dynamic ascent: Both fighters leap impossibly high into the air. MJ executes a spinning Smooth Criminal-style lean kick mid-ascent; Ritchson swings a heavy overhead strike. Camera sweeps upward 180°, shallow depth of field, embers and debris float in slow-motion. FINAL FRAME: Both fighters suspended at apex of jump, bodies angled toward each other, fire explosion beginning to bloom in background, MJ’s white glove extended forward, Ritchson’s fist cocked back — FREEZE this exact pose for seamless continuation.
Ultra-cinematic 15-second boxing match inside a packed arena under bright overhead lights, sweat and atmosphere visible in the air.
0–2s: Wide ring shot — two fighters circling each other, gloves up, subtle footwork, crowd blurred in background.
2–4s: Medium close-up — intense eye contact, both fighters breathing heavily, shoulders tense, slight head movement.
4–6s: Action build — quick exchange of controlled punches, both fighters testing distance, gloves snapping back into guard.
6–8s: Setup moment — one fighter slips slightly to the side, creating an opening, body rotation beginning.
8–10s: Knockout strike — a powerful punch lands cleanly on the opponent's head, full body torque visible, sweat spraying outward from the impact.
10–12s: Slow-motion — opponent's head snaps back, body losing balance, muscles reacting, energy transfer clearly visible.
12–13.5s: Fall — opponent collapses to the canvas, body hitting the ground with weight, slight bounce from impact.
13.5–15s: Aftermath — striker steps back, breathing heavy, gloves still raised, referee moving in, crowd reacting.
Camera: dynamic ringside angles, mix of close-ups and medium shots, slow-motion only at impact moment.
Environment: boxing ring, ropes, canvas texture, crowd movement blurred but energetic.
Lighting: strong overhead fight lights, high contrast, sweat highlights on skin.
Style: ultra-cinematic realism, sports broadcast feel, heavy impact physics, grounded motion, no text, no overlays, stable proportions without stretch.
A dynamic 15-second cinematic animation set in a graffiti-covered urban street environment.
[Environment]
A narrow street filled with colorful graffiti walls, concrete ground, urban textures, posters, and street art. Slight dust and ambient particles in the air.
[Action Timeline]
0-3s: Starts with a natural run forward, then jumps into a fast spinning aerial flip.
3-6s: Smooth mid-air twists and agile parkour-style wall kicks using the surrounding walls.
6-10s: Brief grounded landing, immediately transitioning into a high backflip combined with a corkscrew spin.
10-13s: Dramatic slow-motion mid-air extension pose, emphasizing flow and control.
13-15s: Clean landing with dust impact and subtle ground vibration.
[Camera Work]
Professional cinematic camera direction. Start with a low-angle tracking shot (steadycam feel), slightly behind and to the side.
Transition into a fast orbital camera circling around during aerial movement.
Introduce dynamic parallax using foreground elements (walls, poles).
Use speed ramping (normal → slow-motion at 10-13s → back to real-time).
Final landing includes subtle handheld shake for realism.
Lens behavior: 24mm wide-angle for dynamic motion, slight perspective distortion.
Use depth of field shifts (focus pull) during movement. Include motion blur consistent with camera speed.
[Motion & Physics]
Realistic gravity, weight, and inertia. Precise and fluid transitions between moves. Cloth and hair react naturally to motion and wind.
[Style]
Cinematic, high contrast urban lighting, slightly gritty atmosphere, 4K, film-like color grading, motion blur, depth of field.
[Reference]
Use the referenced character image exactly as appearance. Preserve identity, outfit, and proportions.
Animate this rugby storyboard into a cinematic 15-second video. Keep the exact sequence and flow of all frames, smoothly transitioning from one scene to the next. Start with slow-motion (tackle, mud particles, impact), then gradually speed up into real-time during the counterattack and sprint. Use dynamic camera movement (tracking shots, close-ups, wide stadium shots), realistic motion blur, ball physics, and player movement.
Add dramatic stadium lighting, crowd atmosphere, and depth of field. Emphasize key moments: tackle → ball recovery → offload → acceleration → key pass → sprint → slow-motion dive → ball grounding → celebration. Use slight zoom-ins and parallax on still frames to create motion. End with an energetic celebration and glowing stadium lights.
Style: ultra-realistic, 4K, cinematic sports broadcast, high contrast, sharp details, intense energy, smooth transitions, cohesive motion throughout.
At 0 to 2 seconds: Wide establishing shot of a moonlit bamboo forest
clearing at night, thick mist rolling across the mossy ground, pale blue
moonlight streaming through the dense canopy above. The reference shinobi
character walks slowly into frame from the right side, silent on the moss,
stopping in the center of the clearing. He draws his katana from his back
sheath in one smooth continuous motion. Seven enemy shinobi silhouettes
in dark crimson and deep indigo robes emerge from the surrounding trees,
encircling him in a wide perfect ring, each carrying a different weapon —
katana, twin kamas, kusarigama with chain, naginata polearm, ninjato,
paired sai, tetsubo war club. Camera begins a slow circular dolly at low
angle, establishing the circle formation.
At 2 to 3 seconds: Rapid cross-cutting between three tight close-ups —
the reference shinobi's eyes narrowing behind his mask wrap, the edge of
an enemy katana catching a blade of moonlight, a kusarigama chain tightening
with a subtle pull. Heavy motion blur between each cut. The tension locks
into place.
At 3 to 7 seconds: The seven enemies charge inward simultaneously from
all directions. The reference shinobi explodes upward in one fluid violent
motion, launching into a full aerial backflip. He spins a complete 360
degrees mid-air, his katana extended horizontally at chest height, the
polished curved blade catching moonlight through the mist. His black
shozoku robes and sash ribbons trail behind him, twisting gracefully with
the rotation, the hood fluttering. As he spins, the katana cuts cleanly
through all seven enemies in perfect sequence, each strike landing at
neck or chest level. Dark red mist sprays outward in parabolic arcs
following the blade's trajectory, droplets suspended in the cold night
air. The camera orbits around him in perfect sync with his spin, keeping
him locked as the center of the frame while the bamboo forest blurs
radially behind him. Extreme slow-motion at 20 percent speed throughout
the entire spin sequence. His mask, hood, robes, and katana remain
absolutely identical to the reference character throughout the rotation.
At 7 to 8 seconds: Speed ramps back toward normal as the shinobi lands
in a perfect low crouch, katana extended to one side, fallen leaves and
mist bursting outward from the landing impact. Behind him, the seven
enemy bodies begin falling backward in near-perfect unison, their robes
fluttering as they collapse, still suspended in slow motion.
At 8 to 10 seconds: The reference shinobi slowly rises from his crouch,
katana hanging loosely at his side. A single drop of dark liquid falls
from the blade's tip in slow motion. Camera pushes in slowly from low
angle as moon rays pierce through the bamboo canopy behind him, scattered
leaves and pollen particles drifting through the cold shafts of light.
The seven bodies finish collapsing onto the mossy ground around him,
silent. He stands motionless, katana at his side, breath visible as a
thin pale cloud in the cold air.
Cold pale blue moonlight cutting through thick bamboo forest mist,
drifting particles of pollen and dust, disturbed leaves on every impact,
reflective moisture on the moss, distant torii gate silhouette barely
visible through the trees. Deep desaturated blue-black and forest-green
color palette with dark crimson isolation on enemy robes only, ink-
painting cinematography, natural organic film grain, shot on ARRI Alexa
with anamorphic 40mm lens at f/2.0. Reference the visual style of
Kurosawa, Miike, and Zhang Yimou — silent, mythic, final-stand atmosphere.
9:16 vertical composition throughout.
Critical character consistency: The main shinobi must remain absolutely
identical to the reference character image in every single frame — same
mask wrap, same hood, same robe folds, same sash, same bracers, same
katana design, same build, same posture style. Do not alter, redesign,
or morph the character at any point, in any lighting, from any angle.
The seven enemies retain their distinct weapons and robe colors throughout.
No text, no subtitles, no watermarks, no Western-style elements.
Ultra-realistic Indian classroom street fight. Single continuous shot, no cuts. Raw handheld mobile footage with natural micro-jitters, slight rolling shutter, no stabilization. Documentary realism.
Audio: No music. Only raw ambient sound-footsteps, desk friction, cloth movement, punches, fan hum, breathing, distant classroom noise. Lighting: Mixed warm + cool cinematic tones. Practical classroom lighting. Moving ceiling fan shadows. Visible dust particles in light shafts.
MAIN CHARACTER (STRICT IDENTITY LOCK): Indian male (17-18), cold emotionless face matching reference image exactly. Black straight side-swept hair, brown almond eyes, sharp jawline, natural Indian skin tone, slim face.
OUTFIT LOCK (NO CHANGE): Black school blazer, white shirt, black tie, black pants. No hoodie/tayers. Slightly fitted blazer, loose tie. Must remain identical throughout
OPPONENT RULES: All opponents have unique faces. No resemblance to protagonist.
ACTION: 0-2s: Protagonist grabs Opponent A from behind one-hand head slam onto desk. Books/pencils burst outward. Desk drags with friction. A collapses limp.
2-5s: Grabs Opponent B punch to abdomen B folds immediate head slam into desk. Head pressed briefly to tiles. Camera stabilizes briefly. B falls face-down. Heavy breathing, visible sweat.
5-6s: Blazer shifts slightly, shirt + tie visible (tie displaced). C & D enter from back, split and flank. Only footsteps, fan hum.
6-8s: Chaotic fight. D attacks with rapid punches. Protagonist stumbles slightly. C grabs blazer, pulls back. Knee to abdomen. Body bends forward. Heavy breathing. Fan shadows moving.
8-10s: Headbutt to D D staggers. Protagonist grabs C collar efficiently.
10-12s (BOARD IMPACT): Protagonist drives C backward into green chalkboard. Back hits first, head snaps slightly. Chalk dust bursts outward, fully visible in warm light. Chalk tray rattles, pieces fall. Micro slow-motion (0.2-0.3s) at impact back to real-time. C loses tension, slides down leaving chalk smears, collapses. Dust drifts.
12-13s: D charges protagonist sidesteps rotational punch to cheekbone. Sweat arcs mid-air. D crashes into desks. Massive collapse, books scatter. D motionless, hand drops. Protagonist barely standing, heavy breathing.
13-14s: Medium-close. Chest rising. Slow turn to camera. Cold eye contact through glasses. Wipes blood from nose (visible smear). Removes glasses throws aside, spinning impact. 14-15s (FINAL): Ground-level wide shot. Slight edge blur, warm tone, golden dust. Protagonist without glasses removes blazer → throws onto opponent. White shirt + black tie only. Tie loose, slight movement. Walks to exit. Blazer settles. Silent classroom. Dust floating. Fade to black.
[CHARACTER DESCRIPTION image-1]
MAIN CHARACTER: Male student, same face as reference image, wearing Indonesian school uniform (white shirt slightly messy, gray tie loosened, grey pants). Calm introvert → transforms into aggressive, precise fighter. Identity must stay perfectly consistent.
BULLIES: 4 male students, rough, aggressive, chaotic movement.
[ENVIRONMENT/ART STYLE]
LOCATION: Old classroom, broken desks, scattered books.
ATMOSPHERE: Dark cinematic lighting, dust particles, dramatic shadows, chaotic destruction during fight.
STYLE: Ultra-realistic, 4K, gritty cinematic action, natural skin texture, realistic physics.
[CAMERA STYLE]
Handheld shaky cam, fast whip pans, dynamic tracking, strong impact shake, slow motion on hits.
[CINEMATIC TIMELINE - 15 SECONDS TOTAL]
SHOT 1 (0-2s) - Calm
Main character quietly studying. Slow push-in. Peaceful but tense.
SHOT 2 (2-4s) - Bullying
Bullies surround him, slam desk, grab collar, throw book. Camera shaky, tension spikes.
SHOT 3 (4-5.5s) - Breaking Point
Extreme close-up face (image_1). Expression turns cold, focused. Brief silence.
SHOT 4 (5.5-8s) - EXPLOSIVE COUNTER
Sudden burst - strong slap followed by rapid punch combo ( jab-cross-hook). Heavy impact, camera shake, ultra fast motion.
SHOT 5 (8-12s) - CHAOTIC 1v4 FIGHT
- Fast dodging and weaving
- Counter punches, elbow strikes
- One enemy slammed into desk (breaks)
- Papers flying, dust exploding
Dynamic rotating camera
Slow motion on strongest hits
SHOT 6 (12-14s) - DOMINATION
Main character overwhelms remaining enemies, they fall or back off. Heavy breathing, slight bruises.
SHOT 7 (14-15s) - FINAL CLOSE-UP
Camera push-in. Intense stare, blood on lip, face must match
image_1 perfectly. Cinematic lighting.
[IMPORTANT]
Use image_1 as facial reference.
Face must remain identical across all frames. No morphing, no distortion, stable identity even during fast motion.
Seedance 2.0
