An open-source collection of awesome video prompts. · Collected 2818 prompts
Wood instrument sunset prompt share: A continuous dolly-in glides along a surreal wooden sound sculpture perched on a stone overlook above the sea, bathed in golden-hour light. The instrument twists upward in intersecting curves and blocky voids—planks of varying size, density, and color are embedded at odd angles across its looping form. Some beams curve like ribs, others jut out like cantilevers, each tuned to a specific pitch. A shallow depth of field holds focus tight on the textured wood and warm grain, while the beach and bay blur dreamily in the background. Two performers move around the structure with wooden mallets, striking low, thick planks for resonant thumps, making a consistent beat. The rhythm is musical and melodic, yet deeply grounded—like structured improvisation. Sunlight catches the edges of the sculpture’s curves, while a soft crowd gathers just out of focus. At 7.9 s, the performers land a final high-low accent, the wood ringing into the coastal air as the camera lingers on a glowing void in the sculpture’s core.
GrokGenerate a video where a beautiful women will sit in front of a piano playing it on the sea beach. A beautiful bird will sit on the top of the piano. After a second it will fly little up above the head of the woman and flip itself.
Seedance 2.0Each frame changes clothing AND visual style independently. Ultra-realistic cinematic 15s, 24fps. A female dancer performs hip-hop choreography including smooth moonwalk. Clothing changes near every frame (streetwear, urban outfits, edgy fashion, performance wear). Visual styles shift rapidly: realistic, anime, line art, watercolor, comic, pastel, digital painting, sketch, marker, paper cut-out, clay, low-poly 3D, neon silhouette, glitch, storybook, chalkboard, airbrush, silhouette. Identity preserved throughout.
Ultra epic wow visual with a thrilling clear crisp great lighting scene with a frozen grassland under a pale orange dawn, where a rider in layered wool armor and carved antler shoulder plates faces a long-necked ice predator with translucent fins and six running limbs, intense anticipation across the open plain. The camera begins at horse level, racing beside the rider as the beast charges from the right. The rider throws a rope harpoon into the beast's shoulder fin, circles wide to avoid its bite, then uses the horse's turn to pull the beast off line. Snow trails and breath plumes show direction clearly. The camera speeds up with a clean lead shot in front of the horse, a wide side sweep showing the rope tension, and a gradual overhead arc as the beast recovers and sprints again. Climax: the rider dismounts onto a boulder, anchors the rope, and the beast's own speed brings it down in a slide of ice and snow. Ending: the horse slows, the beast stops struggling, and the rider cuts the rope loose as dawn light warms the plain.
Seedance 2.0Wide, static shot: really loud mint-green washers thrum down both walls while fluorescents buzz, dryers whum-whum, wet laundry thuds ka-THUNK-ka-THUNK, and ceiling vents breathe a steady whoosh. A folk trio—guitar, upright bass, washboard—sit idle on milk crates in the foreground, quietly tapping to the mechanical groove. A nearby washer latch gives a rubber SCHLOP. Door flies open; water blasts—FWOOOSH—and a tide of white suds hisses across linoleum in wet plup-plup bursts. Foam brushes a cable: a tiny tick-snap of static flickers through the PA. Soaked mid-shin, the trio launches a playful blues shuffle. Guitar strums, washboard scrapes, bass slaps, and they sing: “♪ Oh my, this is getting bubbly! ♪” Suds pop and crackle beneath their harmonies; washers keep droning, dryers keep whumming, vents keep sighing, all folding into the detergent blues backdrop. On a laughing final chord, foam domes the lens and pops with a soft pfft; machines settle to cooldown hum, leaving fluorescent buzz and water drips echoing in the soap-slick aisle.
Seedance 2.0POV continuous one-take cinematic sequence with strict camera-source lock. The video begins with a grounded close-up shot identical to the reference: a woman crouching on natural soil, holding a calm owl. With her other hand, she securely mounts a small action camera onto the owl's back using a compact harness. The camera attachment is clearly visible. Natural daylight, shallow depth of field, detailed textures. The woman immediately throws the owl upward into the air. At the exact moment the owl leaves her hands, the camera perspective switches permanently to the action camera mounted on the owl's back. From this point onward, the entire video is strictly from this camera. No cuts, no external shots, no third-person angles. We constantly see parts of the owl's body in frame: the back of its head and both wings moving dynamically during flight. The wings occasionally pass across the frame edges, reinforcing the POV. The owl flaps strongly to stabilize, then transitions into smooth forward flight. The owl flies alone through a dense forest. No other birds or animals are visible during flight. The motion is fluid with slight natural camera shake consistent with a lightweight action camera. Branches pass close to the lens, strong sense of speed and depth. Light flickers through leaves. The owl detects movement and lands on a thin branch. A subtle impact shake occurs. The wings partially fold and remain partially visible at the edges of the frame. A small caterpillar crawls along the branch. The owl tilts its head (visible in frame), then quickly strikes its beak enters the frame and captures the caterpillar. The owl immediately takes off again. Wings expand fully across the frame during the push-off, briefly dominating the view. The owl flies toward a large tree and enters a hollow. Lighting smoothly transitions from bright exterior to dim interior. Inside the nest, a female owl is present (this is the ONLY moment another owl appears). As the camera-owl arrives, the female owl stands up and shifts aside. The camera tilts downward: a partially cracked egg is visible. Inside, a newly hatched owl chick appears pink, featherless, partially emerged, subtle movement. The owl settles into the nest. The frame stabilizes briefly, still from the back-mounted camera, with the owl's head and wings subtly visible at the edges. Hyper-realistic, wildlife documentary style, strict single POV, no cuts, no camera switching, continuous motion, immersive action camera realism.
Seedance 2.0A cinematic, photorealistic video scene of a young woman standing quietly in a lush wildflower meadow, viewed from behind. The subject has long brown dark hair, slightly messy and natural. She wears a dark jacket and carries a small black backpack slung over one shoulder, standing still in a calm, contemplative posture at the center of the frame. The foreground is densely filled with abundant, colorful wildflowers positioned extremely close to the camera, creating strong foreground presence. Numerous small blossoms in white, pale pink, soft orange, light red, and subtle yellow tones are layered among tall green grass and thin natural stems. As the camera moves forward, the foreground flowers slide past the frame edges and move noticeably faster than the subject and background, creating clear and natural parallax depth. Some flowers briefly cross in front of the lens, partially obscuring the frame, with soft focus, cinematic bokeh, and organic motion. A gentle breeze causes continuous subtle movement in the flowers and grass. On the left side of the frame, a large mature tree with a thick trunk stands prominently. Its dense branches and leaves extend overhead, partially framing the sky. The sky is dramatic and expansive with large, textured blue-gray clouds. The sun sits low behind the clouds, partially hidden, with warm golden sunlight breaking through gaps in the clouds and tree branches. Strong volumetric light rays radiate outward, with soft lens flare, light bloom, and floating dust or pollen particles visible in the air. Camera movement: the camera starts very low near the ground and slowly dollies forward toward the subject, maintaining a low-angle perspective throughout. Foreground flowers move rapidly relative to the subject, creating strong cinematic parallax and depth during the dolly movement. Lens is a 35mm cinematic lens with shallow depth of field and realistic motion blur.