An open-source collection of awesome video prompts. · Collected 2818 prompts
[CINEMATIC SETUP] Guy Ritchie/Zack Snyder — crash-zoom, speed-ramping action-thriller. 35mm grain. Lens shifts: 24mm wide → 85mm tight on impacts. Color: desaturated Fincher noir, overhead fluorescent whites, deep blacks. No colored strobes. Camera: hyperkinetic steadicam, crash zooms on impacts, snap punch-ins to macro details, speed ramping 300fps slow-mo ↔ real-time. Audio: no music. Speed-ramped sound design — slow-mo near-silent with bass thrum and singing steel, snapping back to grunts, carpet scuffs, steel contact, background screams. [IMAGE REFERENCES] @image1 — Alex: scrawny mid-20s man, blue button-up, tousled brown hair, short-handled Viking hand axe. Untrained, desperate, running on ancestral adrenaline. @image2 — Derek: lean Japanese man, white dress shirt unbuttoned, loose tie, disheveled dark hair past ears. Full-length samurai sword, kendo grip. Calm, precise, lethal. [TIMELINE] 0–2s: [24mm wide] Camera sweeps low through wrecked open-plan office — collapsed partitions, shattered monitors, blurred figures fighting in background. @image2 walks through debris, sword low. [CRASH ZOOM 85mm] Blade catching fluorescent light. 2–4s: [SNAP 24mm] @image1 backs into collapsed workstation, axe up. Background employees crash through partition. [PUNCH-IN 85mm] White knuckles on axe handle. [50mm] His face — eyes wide, jaw clenched. 4–7s: [300fps SLOW-MO] @image2 lunges — diagonal slash, tie swinging, hair lifting, blade splitting light. [CRASH ZOOM] Macro blade edge near @image1 chest. [SNAP REAL-TIME] @image1 throws himself back. Blade opens his shirt. [PUNCH-IN] Macro torn fabric. 7–10s: @image1 swings axe — wild horizontal. [300fps] @image2 ducks, hair lifts in displaced air, tie floats. Pivots in kendo rotation. [SNAP REAL-TIME + CRASH ZOOM] Elbow into jaw. CRACK. [PUNCH-IN 85mm] Sweat flies from impact. @image1 staggers, keeps the axe. 10–12s: [24mm] They separate. Background war continues. [CRASH ZOOM] @image2 calm eyes. [WHIP-PAN + CRASH ZOOM] @image1 eyes — fear draining, something ancient arriving. 12–15s: [300fps] They charge. Axe meets sword. [EXTREME MACRO] Contact point — sparks erupting, each visible, floating in fluorescent light. [24mm wide, slow-mo] Both frozen at contact, background fighters blurred. [PUNCH-IN 85mm] @image1 face — the Viking has arrived. SNAP TO BLACK. [STYLE & QUALITY BOOSTERS] 4K · crash-zoom cinematography · 300fps speed ramping · real-world fight physics · tactile macro details (sparks, fabric, sweat) · stable faces · background combatants in bokeh · zero deformation · no music · no colored lighting
[CINEMATIC SETUP] Guy Ritchie/Zack Snyder — crash-zoom, speed-ramping action-thriller. 35mm grain. Lens shifts: 24mm wide → 85mm tight on impacts. Color: desaturated Fincher noir, overhead fluorescent whites, deep blacks. No colored strobes. Camera: hyperkinetic steadicam, crash zooms on impacts, snap punch-ins to macro details, speed ramping 300fps slow-mo ↔ real-time. Audio: no music. Speed-ramped sound design — slow-mo near-silent with bass thrum and singing steel, snapping back to grunts, carpet scuffs, steel contact, background screams.
[IMAGE REFERENCES] @image1 — Alex: scrawny mid-20s man, blue button-up, tousled brown hair, short-handled Viking hand axe. Untrained, desperate, running on ancestral adrenaline. @image2 — Derek: lean Japanese man, white dress shirt unbuttoned, loose tie, disheveled dark hair past ears. Full-length samurai sword, kendo grip. Calm, precise, lethal.
[TIMELINE] 0–2s: [24mm wide] Camera sweeps low through wrecked open-plan office — collapsed partitions, shattered monitors, blurred figures fighting in background. @image2 walks through debris, sword low. [CRASH ZOOM 85mm] Blade catching fluorescent light. 2–4s: [SNAP 24mm] @image1 backs into collapsed workstation, axe up. Background employees crash through partition. [PUNCH-IN 85mm] White knuckles on axe handle. [50mm] His face — eyes wide, jaw clenched. 4–7s: [300fps SLOW-MO] @image2 lunges — diagonal slash, tie swinging, hair lifting, blade splitting light. [CRASH ZOOM] Macro blade edge near @image1 chest. [SNAP REAL-TIME] @image1 throws himself back. Blade opens his shirt. [PUNCH-IN] Macro torn fabric. 7–10s: @image1 swings axe — wild horizontal. [300fps] @image2 ducks, hair lifts in displaced air, tie floats. Pivots in kendo rotation. [SNAP REAL-TIME + CRASH ZOOM] Elbow into jaw. CRACK. [PUNCH-IN 85mm] Sweat flies from impact. @image1 staggers, keeps the axe. 10–12s: [24mm] They separate. Background war continues. [CRASH ZOOM] @image2 calm eyes. [WHIP-PAN + CRASH ZOOM] @image1 eyes — fear draining, something ancient arriving. 12–15s: [300fps] They charge. Axe meets sword. [EXTREME MACRO] Contact point — sparks erupting, each visible, floating in fluorescent light. [24mm wide, slow-mo] Both frozen at contact, background fighters blurred. [PUNCH-IN 85mm] @image1 face — the Viking has arrived. SNAP TO BLACK.
[STYLE & QUALITY BOOSTERS] 4K · crash-zoom cinematography · 300fps speed ramping · real-world fight physics · tactile macro details (sparks, fabric, sweat) · stable faces · background combatants in bokeh · zero deformation · no music · no colored lighting
Kling 3.0SHOT1 Wide shot, a lone samurai stands on a narrow forest path while red leaves fall slowly around him. SHOT2 Close tracking shot, wind lifts the samurai’s robe as his hand slowly reaches the sword hilt. SHOT3 Ultra-fast motion, blade flashes through the air as the camera whips around, leaves scattering in a sudden burst.
Kling 3.00:00-0:03 - Cut 1: Close-up of a tired Western woman's bloodshot blue/green eyes blinking slowly. Sweat drips down her forehead. Dim, cinematic shadows highlight exhaustion. Quick flash of an alarm clock ticking. 0:03-0:06 - Cut 2: Medium shot: her hands gripping a desk, typing furiously. Scattered papers, laptop screen glowing. Camera shakes slightly to emphasize tension. 0:06-0:09 - Cut 3: Low-angle shot: her running up stairs or sprinting outdoors. Slow-motion on each step. Dust or sweat particles catch the sunlight. 0:09-0:12 - Cut 4: Close-up: fist hitting a punching bag or gripping a gym rope. Quick flashes of intensity. Cut to face showing grit, exhaustion, determination. 0:12-0:15 - Cut 5 (Final): Wide shot: woman sprinting toward a distant finish line. Camera dolly-zooms in. Muscles tense, hair slightly flying. Warm cinematic lighting emphasizes her determination. Epic motivational music swells to climax.
Seedance 2.0Original Japanese-Style Dark Fantasy Action Short Film: Inside a dilapidated shrine hall, a white-robed warrior and a black-armored samurai engage in their final battle amid an atmosphere reminiscent of ritual chanting. Wooden beams creak, paper screens tear apart, and fragments scatter as moonlight filters through drifting dust and smoke. Tatami mats are disrupted and scattered across the floor. The camera alternates between high-angle overhead shots and low-angle upward perspectives, emphasizing the spatial depth of traditional Japanese architecture, the oppressive tension surrounding the characters, and the solemn intensity of a fateful duel—evoking the climactic moment of an original Japanese fantasy animated film. A strong hook within the first 2 seconds, followed by a stable and cohesive progression. Fluid, continuous action with cinematic composition, realistic lighting and shadow, an epic atmosphere, intense emotional weight, and high-definition detail. Designed for social media engagement. Avoids copyrighted characters and brand logos, ensuring a completely original creation.
Seedance 2.00–2s Handheld shaky tracking close-up, wind swirling hard, red tentacles floating around her, camera unstable and breathing. 2–4s Tentacles suddenly snap and wrap tightly around her body from behind, pulling her upward slightly as she reacts instantly, her body jerking and resisting, movements sharp and uncontrolled. 4–6s A deep alien voice echoes: “Serve us… conquer the Earth… and the power you seek will be yours.” Her body stiffens violently as energy surges through her, red glow spreading across her skin while she begins to struggle harder, shaking and twisting as if fighting the force. 6–8s Camera circles her rapidly in handheld motion as transformation begins — her body convulses, movements erratic, she tries to pull away but fails. Her skin starts shifting unevenly, forming darker, thicker organic layers while she writhes in visible tension. 8–10s Extreme close-up: her skin rapidly changes into layered, organic, slightly glossy textures, forming scale-like patterns. The transformation is unstable and reactive, surface moving like living tissue while she trembles and gasps. 10–11.5s Cut to side/back shot: tall alien silhouettes move slowly around her, observing while she struggles violently, her body still twitching and resisting within the tentacles. 11.5–13s Cut to front: tentacles suddenly retract sharply, releasing her mid-motion. She drops heavily to her knees, catching herself with unstable movement, breathing fast, body still twitching from the transformation. 13–15s Handheld close-up pushes toward her face as the final transformation completes her facial structure shifts into an alien form with organic interconnected textures, surfaces stretching and reforming fluidly. She lifts her head slowly, then lets out a sharp hiss, revealing rows of sharp, unnatural teeth. Her eyes darken, expression turning predatory as the camera shakes subtly in front of her.
Seedance 2.015-second First-Person Action Movie Short Film: 8 shots with extremely intense handheld POV. The protagonist rushes into a dim industrial warehouse with a pistol, shuttling at high speed between metal boxes and iron chains. Enemies suddenly appear from behind the shelves, firing rapidly at close range. The camera spins violently into a narrow corridor; the protagonist smashes the close-range enemy with the pistol butt, slides behind a forklift to reload. The glass office explodes, with sparks and debris flying everywhere. Finally, he kicks open the huge iron gate, rushes onto the roof at dusk, and fires at the last enemy in the distance, with a neon futuristic city in the background. The ending fades out with a chain explosion and the intense glow of the setting sun, featuring clean actions and sharp shots.
PixVerseSatellite view. A massive sinkhole opens in the centre of a dense city block, not slowly, instantly, half a city block dropping 40 metres in under two seconds, buildings tilting and sliding in. Camera plunges toward it at the same speed the ground falls. Shot 2: Snap into a low ground-level shot alongside a water main rupturing at the sinkhole edge, the pipe tears open and a wall of pressurized water detonates sideways across the street. Shot 3: Cut to a fast tracking shot behind a fire truck that has locked its brakes on the tilting street, the driver fighting the wheel as the road beneath the rear wheels begins to crumble. Shot 4: The rear axle drops over the edge. The truck pivots. The driver kicks the door open and jumps onto the tilting street surface, rolls, grabs a fire hydrant base as the truck slides past him and drops into the void. Shot 5: Wide shot, the sinkhole has stopped growing. The street around it is devastated, water geysering from multiple broken mains. Shot 6: Extreme wide aerial pulling upward. The city grid intact everywhere except this one block, a dark circular wound in the middle of it.