Gen 4.5Hunter Ambush Forest
Highly intense scene of the hunter sneaking through the forest and getting ambushed by a large furry creature.
One Flow Many Lives
Copy prompt
Creative Ai Ads Continuous single take, camera tilting, rolling, spinning, flying through real-world environments. Starts flying through a tiny city apartment where a man sips coffee at a window, camera dives downward into a cluttered kitchen where a woman washes dishes, gliding past a cat stretching on the counter. Sweeps through a teenager’s room with headphones on, scrolling a phone, weaving through piles of clothes and glowing laptop screens. Camera dives into an older couple’s living room where they watch TV in silence, transitions into a small studio where someone paints quietly by the window, gliding past half-finished canvases and paintbrushes. Moves up through a skylight into a rooftop laundry line, into an aerial view over the apartment building at dusk. No cuts, impossible camera moves, seamless transitions, energetic, dynamic, cinematic. 8K high definition, high quality footage.
Full text: One Flow. Many Lives. 🎥✨ Seedance 2.0 @capcutapp CPP Prompt below 👇 https://t.co/xhFYOKBOId
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Gen 4.5
Seedance 2.0Chef Fish Cooking Mastery
动作主体@【@图1】身穿白色厨师装 0-2秒(起刀宰鱼):俯身按鱼，布鞋踏稳灶台，快刀斜劈鱼头，刀刃沿脊骨一划，两爿鱼肉应声分离，鱼排被指风弹飞落盘。 2-4秒(片鱼成薄片):鱼肉平摊案上，手腕翻转，刀光如织，薄如蝉翼的鱼片连刀不断，飘落时带起微，掌风裹着调料快速翻拌，鱼片裹浆均匀，盈润光泽。 7-9 秒(炒料爆香):铁锅上火，油热时脚尖勾来酸菜坛，酸菜、泡椒被掌风扫入锅中，翻炒间酸辣气冲天，褂摆被热气掀得轻晃。 9-12秒(煮鱼勾芡):高汤入锅沸腾，抖腕撒入鱼片，掌风控温不让鱼肉散碎，勾薄芡时旋锅画弧，汤汁浓稠裹住每片鱼。 10-12秒(泼油收招):热油淋在蒜末、干辣椒上"滋啦"作响，收势时褂角垂落，酸菜黄亮、鱼片雪白，热气中飘着醇厚的酸辣香，然后镜头定格这盘沸腾的酸辣鱼上。（画面中不要出现文字信息）
Seedance 2.0One-Man Army Action Sequence
SUBJECTS / PEOPLEMale protagonist, in his 30s, cold and tough, short hair, sharp facial features, wearing a well-fitted black suit, black shirt, and black tie. The outfit remains consistent throughout the entire video. His movements are steady, precise, and highly professional. He has extremely strong body control, with short and steady steps. In close combat, his movements are like a highly trained tactical fighter: turning, gun-suppression, elbow strikes, deflecting force, and repositioning—all executed smoothly in one breath. The enemies are a group of adult male thugs, wearing a mix of dark street clothes or suits, with clear primary and secondary roles. They are responsible for rushing out from all sides and approaching in turns, without stealing the visual focus from the protagonist. The male lead is always the center of the frame, and all actions revolve around him. His performance exudes a calm, ruthless aura with no wasted movements. OBJECTSA black tactical pistol. It is always the same gun—no morphing, no disappearing, and no second gun ever appears. Enemies can approach with melee weapons or bare-handed, but there should be no exaggerated weapon stacking and no heavy firearms. Knocked-down enemies can gradually appear on the ground, but the change in numbers must be logical; all fallen individuals come from the same group that rushed out earlier. The male lead's gun is always clearly visible. During close combat, the gun remains in his hand or pressed near his body line; it should never suddenly disappear. No extra weapons, no duplicate hero, no duplicated enemies, same pistol throughout the full shot sequence. ENVIRONMENTAn indoor hall at night or an underground club corridor. The space is wide but oppressive, with a black and gold color palette. The floor is slightly reflective. The background features pillars, dark walls, localized warm lights, and cold rim lighting. The foreground of the scene leaves room for the protagonist's actions, the midground shows constantly approaching enemies, and the background reveals more silhouettes rushing out from the shadows. Lighting shines down from above and from the side/rear, creating strong contrasting silhouettes, ensuring the male lead's suit, pistol, and body turns are clearly visible. Environmental elements remain consistent throughout the video. Do not cut to unrelated spaces, and do not suddenly change to a street or rooftop. MOODHigh-pressure, cold-blooded, explosive. It is not an out-of-control brawl, but a precise, slaughterhouse-style suppression. The pacing gets increasingly fierce, but remains legible at all times. Emotionally, it must deliver the oppressive thrill of "facing a multi-person siege alone, yet completely controlling the situation." CAMERA LANGUAGEThird-person cinematic camera, mainly using medium-close shots and tight wide shots, interspersed with a few close-ups to emphasize the moment of takedowns. The camera overall uses a stabilizer follow-shot + a slight handheld impact feel. Cut as little as possible, prioritizing continuous panning, pushing forward, and orbital tracking shots to reinforce the illusion of a one-take. The camera always revolves around the male lead. It never loses track of the main gun, never loses the protagonist's body orientation, and never lets enemies completely block the frame. Every takedown action must be clearly seen: who rushes up, how the male lead makes contact, how he switches fire, how the enemy falls, and where the camera finally rests. CONSISTENCY RULESThe male lead's clothing, hairstyle, and body shape remain unchanged throughout. There is always only the same male lead; no stunt double faces, no duplicate protagonists. There is always only the same black pistol. The enemies come from the same group that rushed out; the decreasing number is logical, and they do not suddenly respawn. Every takedown must clearly show the contact, counterattack, and the resulting fall. No chaotic blind firing, no floating movements, no supernatural abilities. The male lead consistently maintains a professional, calm, and precise rhythm. The ending must be a final display shot of the male lead standing steadily, surrounded by fallen enemies, with his gun muzzle pointing down or resting at his side. TIMELINE0:00–0:02A tight medium shot starts from behind the male lead's side, and the camera slowly pushes forward. The male lead stands in the center of the hall, slightly turned, shoulder line tense, holding the same black pistol, his gaze locked on the shadows ahead. In the background, several enemies suddenly rush out from both sides and directly in front, their footsteps syncing with heavy drumbeats. The camera stops at a position where both the male lead's half-profile and the incoming crowd ahead are clearly visible simultaneously; the crisis has formed. 0:02–0:05The camera quickly pushes in to a medium-close shot. The first enemy lunges forward into close-combat distance. The male lead side-steps to dodge the trajectory, raises his hand to press down on the enemy's shoulder/neck, uses the pistol to maintain close-line control, and executes a clean, sharp close-range counterattack. The first person immediately loses balance and smashes into the ground. At almost the same rhythm, the male lead uses the momentum to turn around. A second enemy rushes in from the side; he uses an elbow strike and the gun body to create space, then follows up with an extremely short finishing move, flipping the second person right at his feet. The camera follows the male lead's turn with a slight pan, finally resting on a state where two enemies are already down, and a third is about to enter the frame. 0:05–0:08The camera slightly orbits to the male lead's front, maintaining a medium shot so his full body actions are legible. The third and fourth enemies approach one after the other. The male lead first steps forward, uses a close-quarters block to interrupt the former's action, then immediately switches fire to handle the latter. The movements are like a compressed spring instantly releasing—clean, fast, with no extra swaying. The former staggers back after being interrupted, while the latter is directly taken down. The male lead immediately turns back to deliver the final suppression on the former, completing a continuous double kill. The camera stabilizes as the male lead returns to a neutral posture, clearly showing multiple people already fallen around him. 0:08–0:11The camera slightly pulls back to a wider medium shot, showing the spatial relationship. The remaining several enemies close in simultaneously from both the left and right flanks. The male lead does not retreat; instead, he cuts into the most concentrated side, using extremely short footwork to continuously shift positions, pulling the enemies one by one into his close-combat rhythm. He first controls the closest person to use as a brief shield, then quickly spins out from the edge of that shield to take down two people in succession. The last one tries to lunge at him from behind but is precisely intercepted by the male lead turning around and slammed into the ground. The camera makes a clean arc movement as he cuts in and turns back, ending at the moment the male lead stands back in the center, with the last still-moving enemy staggering backward. 0:11–0:13A quick push-in to a close shot, focusing on the final confrontation. The last enemy roars and charges head-on. The male lead's eyes are calm, his body sinks slightly, and he waits for the opponent to enter range before instantly striking, taking him down with the sharpest set of close-quarters gun-fu. This action must be fully visible: contact, control, counterattack, and falling down, all in one smooth motion. The camera shakes slightly when the enemy hits the ground heavily, then quickly stabilizes, clearly showing the male lead still standing. 0:13–0:15The camera slowly pulls back to a heroic medium-wide shot. The male lead stands in the center of the fallen crowd, breathing steadily, his suit still immaculate, holding the same black pistol, the muzzle naturally pointing down or resting at his side. All surrounding enemies have fallen and cannot get up. The background lights and dust float slightly as the drumbeat hits its final note. The final shot freezes on the moment the male lead coldly raises his eyes to look at the camera, forming a strong, clean, and memorable final frame.
Kling 3.0Dream Valley
Shot 1: Low wide tracking shot from behind the red-cloaked group as they walk slowly toward the glowing tree across the white valley floor. The giant face on the right subtly begins turning toward the left, stone creaking, dust shedding from its surface. Shot 2: Medium close shot on two walkers stopping abruptly, both turning toward each other in shock, pale reflected light on their faces, distant rumble echoing. One whispers, "Did it move?" Shot 3: Hard cut to a breathtaking aerial crane-up, rising high above the valley into a godlike overhead view. As the camera ascends, the left giant finally answers in a deep ancient voice that rolls across the landscape: "Dreamers… you have returned." Shot 4: Elegant descending orbit around the central tree. The white horse walks slowly toward the trunk with unnatural calm. As the horse touches the tree, its body dissolves into pale particles and flowing light, vanishing into the bark as if absorbed into memory. The ground ripples outward in soft concentric distortions. Shot 5: The world begins collapsing into surreal instability. The red-cloaked figures brace themselves as reality peels open around them. Camera whips upward and backward in a dizzying dream-collapse, beautiful not horrific. Shot 6: Cut to a sleek sci-fi dream research facility. A small group of people sleep in a circular chamber, connected to futuristic interfaces, sharing dream projections of the exact surreal valley. One wall-sized hologram shows the tree and giant faces. The atmosphere is hushed, awestruck, luminous blue-white. Final camera push inward as the group watches the shared dream together, revealing that the entire vision is a collective dream space.
Seedance 2.0Ancient Wedding Romance
镜头1（0~3秒）郡主闹脾气 画面：古代闺房内，红木梳妆台，郡主身穿红色嫁衣，头戴金色凤冠，长发编成粗辫垂胸前。郡主貌美可爱，眉头紧锁，撅嘴闹脾气，双手叉腰。特写脸部表情，暖色调烛光。 台词：郡主撒娇道："我才不要嫁给素昧蒙面的人！" 镜头2（3~6秒）郡主上花轿 画面：红色喜庆花轿内景，郡主手持红色团扇遮面，坐在轿中。红色纱帐飘动，郡主表情不满，嘟囔着。外面喜乐声传来。 台词：郡主内心OS："反正肯定是个丑八怪..." 镜头3（6~12秒）惊艳相见 画面：古代府邸大厅，郡主手持团扇缓缓走下轿子，抬头望去。一袭紫金云纹锦袍的男主从逆光中走来，外披白色纱衣，累丝金冠束发，金冠上红宝石闪耀。腰系暗紫宽带，佩戴白玉禁步和翡翠玉佩。紫金长袍在阳光下流转生辉，华贵逼人。墨发飘扬，桃花眼含笑，俊美绝伦。阳光洒落，仿佛渡了一层金光。电影级光影，慢镜头，衣袂飘飘，仙气与贵气并存。 镜头4（12~15秒）郡主花痴 画面：郡主特写，团扇掉落，瞳孔放大，眼神呆住。脸颊瞬间爆红，嘴唇微张。害羞咬唇，手指绞着衣袖。画面淡出，浪漫唯美滤镜。 台词：郡主内心OS："...真香"
Seedance 2.0Macro Beetle Chase
FORMAT: 15s / 6 SHOTS / single continuous chase energy / no dialogue STYLE: Macro jungle floor, towering grass blades, dew drops, damp earth vs neon pink cyber-implants, photorealistic macro cinematic Shot 01 (0:00-0:02) Dive from the canopy of a giant fern down to a cybernetically enhanced rhinoceros beetle sprinting across a fallen, moss-covered log. Shot 02 (0:02-0:04) Camera tracks parallel to the beetle's mechanical legs, sweeps under its glowing pink thorax, and snaps to the spinning micro-rotors on its back. Shot 03 (0:04-0:07) A heavy rain droplet dislodges a pebble from above; the beetle initiates a thruster-assisted sidestep, scraping its metallic horn against a fungal stalk. Shot 04 (0:07-0:10) The path dives into a dense thicket of thorny briars, spiderwebs, and overlapping leaves; the camera seamlessly navigates the micro-labyrinth. Shot 05 (0:10-0:13) The beetle bursts from the thicket into a clearing, a splash of muddy dew hitting the lens as its optical sensors flash tactical warnings. Shot 06 (0:13-0:15) Camera pulls back exponentially, transitioning from the micro scale to reveal an immense, sprawling bioluminescent greenhouse, the beetle lost in the glowing flora.