An open-source collection of awesome video prompts. · Collected 1063 prompts
A wide moving aerial shot over a modern city at dusk, smoke rising from scattered explosions between skyscrapers. The camera is already drifting laterally across the skyline when it suddenly dives forward in FPV mode, accelerating violently between glass
Veo 3Hyperspeed FPV shot, Diving into a collapsing coastal cliff The camera races along fractured rock as the cliff gives way. Stone, dust, and sea spray converge mid-fall, carving "FALL" into the collapsing mass before impact. Heavy, inevitable, cinematic.
Kling 3.0Dynamic hyperspeed FPV shot racing between concrete pillars as car alarms blare in stereo, drifting around flaming wrecks, spiraling under collapsing rebar, camera crash-zooms through a smashed windshield into a burning SUV, exits out the rear window mid-explosion, hard-tilts around a support beam as the ceiling gives way — ending as the camera slams into a rising wave of smoke and shrapnel.
HailuoA horned demon titan with magma skin and burning wings erupts from a fiery crater in the city center, unleashing a ring of fire that expands through streets. The camera begins with a top-down drone view, then nose-dives directly toward the crater as the demon ascends in a pillar of smoke and flame
Kling 3.0Prompt : Aquatic jet-skimmer over flooded ruins with steam squalls (single continuous shot) Open high in the sky with a fast circling aerial orbit: flooded ruins stretch below, half-submerged colonnades, rooftops like islands, canals gleaming, and a low storm ceiling dragging rain across the water. A high-speed jet-skimmer (needle hull, brushed alloy, teal pulse lights) rockets along a canal corridor like a blade, throwing a razor-thin rooster tail that peels into spirals while steam squalls rise where warm vents meet rain-chilled water. The camera maintains a rapid orbit while dropping altitude, continuously shifting distance in one fluid move: wide orbit for scale, then a violent swoop closer, then back out, each pass revealing a different angle as the skimmer rides centimeters above the surface, hydro-foils kissing the water, spray turning to mist in the humid air.On a tight pass, snap into a steep top-down lock for a beat, tracking the skimmer like a guided camera drone, then whip the orbit lower into a fast diagonal chase skimming above wavelets and broken masonry edges. Slingshot ahead for a brief head-on shot as the skimmer screams toward camera, pressure rippling the canal into V-shaped shock waves, then whip around into a close side chase where the hull slices the rain and spray detonates in clean sheets. Dive even tighter to the rear jet nozzles: droplets hammer into beads, debris taps and tumbles, mist boils into a tunnel, and the orbit compresses into a near-skimmer spiral, fast and relentless.A floating market raft cluster drifts far in the distance; sudden decision: the pilot cuts off-line through a narrow gap between two submerged archways, a sharp lateral slide with a burst of thrust, then snaps back into the canal with a precise, aggressive correction. The camera spears through the spray tunnel in the skimmer's wake, then rockets upward into the final, fastest orbit: climb hard and spiral out to an epic reveal as the storm tears open and a towering sun shaft drops onto the flooded city like a spotlight, the skimmer a teal dart below with steam squalls and wake curls shimmering in the light.
Kling 3.0Do this for Egypt: <instruction> 1. Analyze Input Variable: Input A is a specific Architectural Landmark and its surrounding City (e.g., The Pyramids/Cairo, The Eiffel Tower/Paris, The Shard/London). Analyze the subject to determine: The Pole: The tallest or most geometric central point. The Texture: The urban grid vs. the natural terrain (e.g., desert sand vs. concrete blocks). The Horizon: The specific sky and cloud conditions of the region. 2. Container Goal: A "Tiny Planet" 360-degree panorama. Composition: A perfect circular world centered in a square frame. Projection: Stereographic Projection (Little Prince effect). The terrain is warped into a sphere where the ground is in the center and the sky is the perimeter. Perspective: Nadir View. The camera is positioned directly above the central landmark looking straight down, causing the landmark to appear as the "North Pole" of the planet. 3. Topography Epicenter: Input A’s primary landmark sits dead-center. Its geometry (triangle, spire, or dome) points directly at the camera. Sprawl: The surrounding city or environment radiates outward from the center. Constraint: Buildings near the center point inward; buildings near the edge of the circle point "upward" toward the clouds, creating a radial array of architecture. The Transition: A clear distinction between the ancient/monumental center and the modern/natural sprawl surrounding it. 4. Syntax The Edge: A ring of vibrant blue sky and scattered white cumulus clouds frames the entire circular landmass. The Horizon: The very edge of the circle is where the ground meets the sky in a 360 degree loop. 5. Lighting & Atmosphere: Lighting: Low Angle Directional Sunlight. A strong light source from one side (e.g., the 3 o'clock position) casting long, dramatic shadows across the planet surface to emphasize 3D volume. Detail: High-resolution aerial photography aesthetic. Visible street-level detail (roads, tiny cars) warped by the curve. Output: ONE image, 1:1 Aspect Ratio, "360 Camera" aesthetic, high texture and sharp focus. </instruction>
Kling 3.0Wide shot tracking a mountain biker already bombing down a steep rocky trail at high speed. Rocks and roots blur beneath the wheels. The rider stands on the pedals, absorbing impacts. Trees whip past. Camera drone flies alongside keeping pace. Helmet-cam POV looking down at the front wheel and trail rushing beneath. Handlebars visible at edge of frame, making constant micro-adjustments. A rock garden approaches—the wheel bounces violently over obstacles. Speed barely decreases. "Stay loose!" Wide shot from below on the trail. The biker launches off a natural jump, going airborne 15 feet. Bike and rider are fully separated from the ground. Body position shifts for landing. Impact on the downslope—suspension compresses hard. Keep riding. Close-up on the rider's face, mud-splattered, breathing hard but focused. Eyes scan the trail ahead. A slight grin despite the intensity. The finish area appears ahead through the trees. "Almost there!"