Seedance 2.0Cinematic Lighting Tutorial
"A lone figure on a rooftop at dusk, golden hour volumetric light rays streaming through layers of haze, city lights flickering below, warm and cold light mixing"
Continuous Prison Corridor Shot
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FORMAT: 15s / free rhythm / ONE CONTINUOUS SHOT / motivated camera movement SUBJECTS: Shackled prisoners in magnetic cuffs, armored guards, a damaged med-drone trailing tubing, and a silent detainee with altered anatomy inside a dark cell. ENVIRONMENT: A prison transport corridor inside a starship with sliding cell doors, frosted inspection glass, wet steel flooring, restraint rails, and white ceiling panels. Cold vapor leaks from vents, antiseptic residue streaks the deck, and alarm strobes stain the corridor. MOOD: Biotech dread breaks sterile control. COLOR LOGIC: Matrix Green Look TIMELINE: 0:00-0:03: Restraint march. Low wide shot with rails and boots dominating the foreground. Prisoners in magnetic cuffs shuffle between guards, one set of bound fingers twitching out of sync under hard white light. Steadicam retreat at 28mm until a guard's baton snaps into frame. SFX: cuff hum, boot thuds, chain rattle, ship drone, radio static. 0:03-0:05: Baton cue. Medium shot as the baton cuts across the lens and signals a halt, catching a green monitor reflection. The camera whips with it toward a sealed cell door as locking bars retract and a wet smear glints on the threshold. Fast motivated pan into a truck move. SFX: baton swish, servo clunk, magnetic lock release, boots scraping steel. 0:05-0:07: Cell release. Frame-within-frame on the sliding door opening into a side bay. Before the interior fully reads, a damaged med-drone bursts out trailing snapped tubing and a folded injector arm, slicing past the camera and forcing a redirect. The camera dips and accelerates after it. SFX: door grind, rotor jitter, broken warning chirp, fluid drip, guard shout off metal walls. 0:07-0:10: Emergency run. Wide shot with layered bars and shoulders as the med-drone races beneath pulsing ceiling panels, projecting a warped scan grid over prisoners and guards. The camera chases just behind it as prisoners recoil and one guard jerks back from the dangling instrument. SFX: rotor buzz, strained breath, armor clatter, siren swell, rubber soles. White light sickens into green and red alarm wash. 0:10-0:12: Alarm pull. Upward tilt into a rotating alarm beacon above an isolation block, then a smooth pedestal down as the strobe paints the corridor in green, white, and red. The reflection sweeps across black cell glass, revealing a silhouette that seems to gain an extra joint only when lit. SFX: alarm pulse, electrical buzz, vent hiss, ambience dropping into near-silence. 0:12-0:15: Final hold. Medium close-up settling to close-up through the isolation window. A detainee stands motionless in darkness with magnetic cuffs hanging loose, head slightly lowered, chest moving in segmented pulses, while the red strobe passes across a face that looks almost normal except for a jawline opening a fraction as vapor slips out. Slow push-in at 50mm, ending on stillness behind the glass. SFX: low reactor thrum, faint cuff buzz, glass creak, wet exhale, alarm pulse receding into silence.
Seedance 2.0 Prompt Share
Today’s filmmaking technique: Developing Master Shot
A continuous take where the scene unfolds without cuts.
Inside it, handoff drives the flow. One element passes focus to another, guiding the camera through action instead of edits. Just controlled transitions.
You can find the prompt below 👇
関連プロンプト
Seedance 2.0
Seedance 2.0Kung Fu Noodle Master
SUBJECTS: Subject 1: Lean kung fu chef with short, sharp-cut hair and defined jawline. Wears a modernized Chinese chef outfit fused with martial arts attire: fitted sleeveless upper garment with mandarin collar, dark matte fabric with subtle sheen; forearms wrapped with cloth bands for grip; loose tapered pants allowing wide stances; soft-soled shoes for silent footwork. Limbs slightly exaggerated in length; wrists highly flexible, elbows explosive. Movements follow clear martial rhythm (pause → burst → lock), with grounded footwork and fast pivots. ENVIRONMENT: Traditional Chinese open-fire stove setup; iron wok fixed on stove; reflective metal counter; blue-and-white porcelain bowl placed in foreground center. Warm overhead light combined with intense dynamic firelight; light oil smoke and visible heat distortion. MOOD: High tension, aggressive, but controlled and precise; performance feels intentional and elegant rather than chaotic. TIMELINE: 0:00-0:02: Extreme close-up, wide-angle POV. The chef stands on the ground behind the counter (counter always between camera and chef), steps in, compresses posture, then snaps his head up to lock eyes with camera. Both hands grip dough—he stretches it in one clean pull, folds once, then pulls again. The dough transitions from a single mass into a small number of even strands. 0:02-0:05: Cut. Slight handheld motion. The chef keeps full control of the noodle bundle in both hands, stretching and aligning the strands into clean, parallel lines through fold → align → stretch cycles. Around 8–12 thin strands extend in smooth arcs, passing close to the lens in clean, readable motion. He finishes the pull and places the aligned noodle bundle neatly onto the counter in front of him. 0:05-0:07: Move (slight recoil then stabilize). The chef lowers into a sliding step behind the counter. One palm sweeps across the surface—shrimp and greens lift and travel in a controlled arc into the wok. The wok remains on the stove; the chef grips only the handle. Any stray ingredient is clearly caught and redirected into the wok. 0:07-0:10: Continuous shot. The chef controls the wok only through handle movement and qi force—no hands enter the wok. He lifts, tilts, and snaps the wok using wrist power; ingredients rise, rotate, and fall back into the wok. His elbow strikes the stove edge—sparks burst. He compresses the wok into the flame, then reverses to pull the flame upward into a second controlled flare. 0:10-0:12: Match move tracking. The chef pivots while holding the wok handle. With the other hand, he picks up the same noodle bundle from the counter and feeds it directly into the wok in one controlled motion. He immediately resumes tossing using the wok—three clean toss cycles (fast → faster → stop). Shrimp, greens, and noodles integrate visibly; sauce coats evenly. 0:12-0:15: Cut to stabilized POV. Sudden full stop. The chef tilts the wok and slides the finished dish into the porcelain bowl—visible: evenly coated noodles, plump shrimp, glossy greens. He lifts and presents the bowl directly toward the camera until it fills the frame. A finger taps the rim—subtle vibration. Steam rises rapidly, expanding until it fully covers the lens for a clean fade-out.
Seedance 2.0Police Chase Donut
15-second comedic animated short in the world and visual tone of Zootopia. High-quality stylized 3D animation, expressive facial acting, clean readable slapstick, bright police-station interior, polished reflective floor, warm indoor daylight. Visual comedy only, little or no dialogue. Judy Hopps: small fast rabbit police officer, blue ZPD uniform, hyper-serious, explosive sprinting, precise slides, determined face, ears reacting sharply. Nick Wilde: tall slim fox, green shirt and tie, relaxed posture, minimal movement, dry amused expression. Background: one distant sloth clerk at a far desk only, never entering foreground. Key object: one single strawberry jelly donut, same donut for the entire clip, falls from Nick's small brown paper bag, rolls across the floor, gets stopped by Nick, then gets sealed into one clear evidence bag by Judy. No duplicate donuts, no extra props, no continuity errors. Camera language: third-person cinematic comedy, medium shots, low-angle close tracking on the donut, one side tracking shot, one final tight two-shot. Smooth stabilized movement, tiny comedic whip corrections only when needed. Always keep donut, Judy, and Nick spatially readable. 0:00–0:03 Medium shot, light tracking in ZPD lobby. Judy and Nick walk side by side past the front desk. Judy carries a small clipboard, Nick carries a brown paper bag. One strawberry jelly donut slips out of the bag, drops to the floor, and starts rolling. Judy's ears snap upright and she locks onto it like a fleeing suspect. Camera dips lower to keep the donut in the foreground. 0:03–0:06 Low close tracking shot on the same donut rolling fast over the shiny floor. Judy bursts into frame from behind, clipboard tucked under one arm, sprinting hard with both paws reaching forward. She almost grabs it but misses by centimeters. The donut keeps rolling. Quick readable camera adjustment, no chaotic motion. 0:06–0:09 Side medium-wide tracking shot. The donut curves around a fixed desk leg. Judy makes an exaggerated quick step and low slide to intercept, but it slips past her again. She pivots and chases immediately. In the background, Nick simply walks on a shorter diagonal path, calm and unhurried. Keep the same donut clearly visible. 0:09–0:12 Frontal medium-close shot. The donut rolls toward camera. Nick's paw enters calmly from frame right and presses the same donut to a stop. Judy slides in from frame left and freezes with her nose just inches from it, still in full arrest pose. Hold the reaction beat clearly. 0:12–0:15 Tight two-shot. Nick lifts the same donut with two fingers and hands it over with a dry smug grin. Judy instantly switches back to formal police mode, pulls out one clear evidence bag, seals the same donut inside, and proudly presents it to camera like a major arrest. Nick stands beside her with an amused look. In deep background, the sloth clerk slowly raises a stamp. End on a clean comedic freeze frame: evidence bag with the donut centered in foreground, Judy serious and proud, Nick smirking beside her. Consistency rules: same donut throughout, no extra donuts, no costume changes, clipboard stays with Judy, background sloth remains distant, no extra foreground characters, no object popping in or out, final frame must clearly show the donut inside the evidence bag.
Seedance 2.0Motivated Continuous Camera Move
FORMAT: cinematic continuous shot / motivated camera movement / 15s SCENE A crowded medieval market street inside a stone city at dusk. Narrow cobblestone road, wooden stalls, hanging banners, livestock moving through the crowd. Warm torchlight reflects on damp stones while light mist drifts between buildings. CAMERA CONCEPT A continuous motivated camera move where each new moving subject entering the frame redirects the camera's attention. Every motion naturally hands the focus to the next subject. SEQUENCE 0:00–0:03 Close street-level view of a market stall. CAMERA FOCUS: a woman bargaining with a merchant while selecting fruit from a wooden basket. She hands coins to the merchant. 0:03–0:05 A horse pulling a heavy wooden cart suddenly crosses the foreground from the opposite direction, briefly blocking the frame. CAMERA SHIFT: the camera catches the cart and begins tracking it as it moves through the market. 0:05–0:07 The cart squeezes between stalls and brushes past a hanging banner. The banner swings violently across the frame. CAMERA SHIFT: as the banner clears the view it reveals chickens scattering across the cobblestone street. 0:07–0:09 A street boy runs after the escaping chickens, chasing them through the crowd. CAMERA SHIFT: the camera begins following the boy as he runs between villagers. 0:09–0:12 The boy rushes past a tavern entrance and disappears into the crowd. CAMERA SHIFT: the tavern door suddenly swings open as someone exits. 0:12–0:15 The camera glides through the open doorway into the dim tavern interior. Lantern light flickers across wooden tables and drifting smoke. CAMERA FINAL FOCUS: a lone armored knight sitting quietly at a corner table, a massive sword leaning beside the bench as the knight slowly lifts his gaze. STYLE Layered medieval street life, natural crowd choreography, continuous motivated camera movement. LIGHTING Warm torchlight outside, dim lantern glow inside the tavern, smoke and dust catching the light. QUALITY photorealistic, cinematic lighting, grounded camera motion, rich medieval atmosphere, highly detailed
Seedance 2.0Tiny Stop-Motion Tragedy
"Stop-motion clay animation, handcrafted tactile materials, real fabric, warm afternoon park lighting. Wide shot: a clay figure with a matchbox head and a clay figure with a lit candle head sit together on a real tiny park bench, mid-conversation — candle flame flickering gently, matchbox drawer slightly open, easy and close. [cut] A distant rumble. Both heads turn. [cut] Close-up — a clay figure with a fire extinguisher head rolls in on a real tiny motorcycle, pressure gauge redlined, nozzle tilted back, one hand loose on the handlebar. He stops. Says nothing. [cut] Close-up of the candle head — the flame doubles in size instantly. The wax drips straight down. [cut] Wide shot — the candle stands up. Smooths her skirt. Gets on the back of the motorcycle without looking back. The motorcycle pulls away. [cut] Close-up of the matchbox head — alone on the bench. The little drawer slides open. Then slowly, all the matches fall out one by one onto the ground."
Seedance 2.0Extend Video to 15 Seconds
将@视频1延长15秒。 0-5秒：承接上段对视画面，女生因害羞而垂下头，指尖局促地拨弄着书角。**台词（女生，小声害羞，带点嗔怪）**：'……你看什么呢？书还没看两行。' **台词（男生，温柔轻笑，带点磁性）**：'在看你啊，你比书好看多了。' 6-10秒：男生从桌角轻轻推过去一罐冒着冷气的汽水，指尖不经意触碰到女生的手背，两人动作微滞。**台词（男生，温柔低沉）**：'给，刚才路过贩卖机买的，特意选了你喜欢的味道。' 11-15秒：女生接过汽水，两人并肩望向窗外摇曳的树影和洒进来的阳光。**台词（女生，语气轻快，带着隐隐笑意）**：'……算你会说话。这汽水，挺凉的。' **台词（男生，语气向往）**：'嗯，夏天快到了。' 整体风格要保持校园青涩感，动作和语气要克制、温柔，绝不能油腻。 禁止：文字、水印、LOGO、字幕。